Department of American Studies

Chair:
Annie Gilbert Coleman

Director of Undergraduate Studies:
Pete Cajka

Professors:
Kathleen Sprows Cummings; Jason Ruiz; Sophie White

Professor Emeriti:
Erika Doss; Benedict Giamo; Robert Schmuhl; Thomas Tweed; Robert Walls

Associate Professors:
Annie Gilbert Coleman; Perin Gurel; Korey Garibaldi; Jennifer Huynh; Gregory Laski; Anthony Petro

Assistant Professors:
Ashlee Bird; Laurel Daen; Adam McNeil; Cody Musselman

Associate Teaching Professors:
Peter Cajka; Katherine Walden

Adjunct Assistant Professor:
Jason Kelly

Concurrent Faculty:
Gail Bederman (History); Jon Coleman (History); Patrick Griffin  (History); Sandra Gustafson (English); Darlene  Hampton (AL); Cyraina Johnson-Roullier  (English); Michael Kackman (FTT); Mary Celeste Kearney (FTT); Kate Marshall (English); Timothy Matovina (Theology); Terry McDonnell  (Sociology); John McGreevy (History); Rebecca McKenna (History); Dianne Pinderhughes (History); Pamela Wojcik (Film, Television and Theatre).


The Discipline

Since its inception in the late 1930s, the discipline of American Studies has aimed to foster new understandings of America and its multiple peoples and cultures in a rapidly changing world. Its focus on the historical and intellectual underpinnings of the cultures, societies, religions, and politics of colonial America and the United States has continually returned to one central question: What does it mean to be an American? As the answers to this question have changed in response to demographic, economic, and political transformations, the discipline of American Studies has continually re-examined its methods and central questions. Shifting from an earlier emphasis on American uniqueness, or exceptionalism, American Studies has been for the past several decades the academic discipline most creatively and rigorously engaged in analyzing the complex and multi-layered expressions of American pluralism and diversity.

The Department of American Studies offers their courses under the subject codes of: American Studies (AMST),  Journalism, Ethics, and Democracy (JED)Sport, Media, and Culture (SMAC). Courses associated with their academic programs may be found below. The scheduled classes for a given semester may be found at classearch.nd.edu.

American Studies (AMST)

AMST 10100  Introduction to American Studies  (3 Credit Hours)  
This course explores the rich and varied field of American Studies, a field dedicated to understanding America's diverse cultures and the ways American national identity has been constructed and contested differently over time. Through lectures, readings, and discussion, we will consider questions such as: How have ideas about race, gender, religion, sexuality, ethnicity, and class shaped the making and meaning of America and Americans, and how have they evolved? What are the dominant myths and values that Americans seem to share? How has the American Dream been defined, and by whom? As a class we will consider the ways in which concepts of America and American are performed and how they have changed over time, across space, and within particular social, cultural, and political contexts. Assignments emphasize critical analysis of texts; requirements include papers, a midterm, and a final.
Corequisites: AMST 12100  
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 12100  Introduction to American Studies Discussion  (0 Credit Hours)  
This course introduces the interdisciplinary field of American Studies, emphasizing key texts and methods for critically understanding what "America" means (and to whom), and what it means to be American. How have ideas about race, gender, religion, sexuality, ethnicity, and class shaped the making and meaning of America and Americans? What are the dominant myths and values that Americans seem to share? What is the American Dream? In particular, this class considers the ways in which concepts of America and American are performed: how notions of citizenship and national identity are constructed through particular acts and actions, from reciting the Pledge of Allegiance to watching football, going shopping, marching on Washington, and touring America's National Parks.
Corequisites: AMST 10100  
AMST 13184  History University Seminar  (3 Credit Hours)  
An introduction to the seminar method of instruction that explores the major methodologies of the historical discipline and which accents the organization and expression of arguments suggested by readings in historical topics.
Satisfies the following University Core Requirements: USEM - University Seminar, WKHI - Core History  

Students in the Holy Cross College or St. Mary's College colleges may not enroll.

AMST 20100  Introduction to American Studies  (3 Credit Hours)  
This course explores the rich and varied field of American Studies, a field dedicated to understanding America's diverse cultures and the ways American national identity has been constructed and contested differently over time. Through lectures, readings, and discussion, we will consider questions such as: How have ideas about race, gender, religion, sexuality, ethnicity, and class shaped the making and meaning of America and Americans, and how have they evolved? What are the dominant myths and values that Americans seem to share? How has the American Dream been defined, and by whom? As a class we will consider the ways in which concepts of America and American are performed and how they have changed over time, across space, and within particular social, cultural, and political contexts. Assignments emphasize critical analysis of texts; requirements include papers, a midterm, and a final.
Corequisites: AMST 22100  
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 20601  The Black Body  (3 Credit Hours)  
How is race embodied and how are bodies racialized? How do gender, sexuality, class, size, perceived beauty, and ability mutually influence embodiment? This course considers anthropological and historical studies of the body, with a critical focus on Blackness. We investigate how Black human bodies are othered, valued, dehumanized, and experienced, across time and space, with a particular focus on the United States. Euro-American philosophies have constructed Black people as transgressive, in a variety of ways, and all these ideas have been inscribed on and through their physical bodies. This normative discourse shapes how Black people interact with the social world, so we will discuss, challenge, and critique these narratives and also consider how the body can be used as a site of resistance. We will engage topics like athletic training, bodily modification and perceptions of beauty, biomedical technologies, labor, disability, and illness, through texts like academic writing, music, podcasts, essays, news media, and social media. Overall, this class demonstrates how bodies are key sites for understanding politics, power, social hierarchies, economics, and social change in our contemporary world.
AMST 22100  Introduction to American Studies Discussion  (0 Credit Hours)  
Intro to American Studies discussion section.
Corequisites: AMST 20100  
AMST 30101  Baseball & America  (3 Credit Hours)  
Baseball is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, baseball has occupied an important place for those wishing to define and understand "America." Who has been allowed to play on what terms? How have events from baseball's past been remembered and re-imagined? What is considered scandalous and why (and who decides)? How has success in baseball been defined and redefined? Centering baseball as an industry and a cultural practice, this course will cover topics that include the political, economic, and social development of professional baseball in the United States; the rise of organized baseball industry and Major League Baseball; and globalization in professional baseball. Readings for this course will include chapters from texts that include Rob Rucks's How the Major Leagues Colonized the Black and Latin Game (2011), Adrian Burgos's Playing America's Game: Baseball, Latinos, and the Color Line (2007), Daniel Gilbert's Expanding the Strike Zone: Baseball in the Age of Free Agency (2013), Robert Elias's How Baseball Sold U.S. Foreign Policy and Promoted the American Way Abroad (2010), and Michael Butterworth's Baseball and Rhetorics of Purity: The National Pastime and American Identity During the War on Terror (2010). Coursework may include response papers, primary source analysis, and a final project.

Enrollment is limited to students with a program in American Studies.

AMST 30102  Integration in the US & Europe  (3 Credit Hours)  
This class examines the social, spatial and intellectual history of "integration" in the United States and Europe, from the publication of Jean-Jacques Rousseau's The Social Contract (1762) up to the so-called "global revolutions" of 1968. Students will gain a comprehensive introduction to how peasants, (im) migrants, people of color, and other disempowered populations negotiated confraternity and inclusion - despite tenacious subjugation and exclusion - within and across Western nation-states and colonial possessions. Related topics range from "Indian removal" to religious persecution; from absolutist monarchies to gender discrimination; and from legalized slavery to histories of genocide. Our seminar, eclectic in scope and method, will put particular emphasis on transnational histories of social movements and cultural transformations. In addition to four short writing assignments (4 - 5 pages, double-spaced) connecting two or more course readings, students will develop a final paper (7 - 8 pages, double-spaced) based on cumulative sources, including texts such as: Alexander Pushkin's The Moor of Peter the Great (1837), Maya Jasanoff's The Dawn Watch: Joseph Conrad in a Global World (2017), Todd Tucker's Notre Dame vs. the Klan: How the Fighting Irish Defeated the Ku Klux Klan (2004), and Winston Churchill's "United States of Europe" speech (1946). No prior background in American or European history is either required or assumed.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30103  Critical Refugee Studies  (3 Credit Hours)  
The United Nations estimates that an unprecedented 71 million people around the world have been forced to flee from their respective homes. Among them are nearly 26 million refugees, half of whom are under the age of 18. Media and social science scholarship represent refugees as passive recipients of western aid and avoid critical examination of the global and historical conditions that create "refugees." This course introduces students to the interdisciplinary field of critical refugee studies (CRS) to re-conceptualize the refugee not as a problem to be solved but as a site of social and political critiques. CRS illuminates the processes of colonization, war, and displacement. This course examines militarism and migration as well as refugee voices written in their own words. We will assess a variety of sources, including oral history, ethnography, art, graphic novels, and interdisciplinary scholarship from humanities and social science.
AMST 30104  Data Feminism  (3 Credit Hours)  
Feminism isn't only about women, nor is feminism only for women. Feminism is about power - about who has it and who doesn't. And in today's world, data is power. Data can be used to create communities, advance research, and expose injustice. But data can also be used to discriminate, marginalize, and surveil. This course will draw intersectional feminist theory and activism to identify models for challenging existing power differentials in data science, with the aim of using data science methods and tools to work towards justice. Class meetings will be split between discussions of theoretical readings and explorations of data science tools and methods (such as Tableau, RStudio, and Python). Those readings may include chapters from texts that include Catherine D'Ignazio and Lauren Klein's Data Feminism (2020), Virginia Eubanks's Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor (2018), Ruha Benjamin's Race After Technology: Abolitionist Tools for the New Jim Code (2019), and Sasha Costanza-Chock's Design Justice: Community-Led Practices to Build the Worlds We Need (2020). This course will also examine the data advocacy and activism work undertaken by groups like Our Data Bodies, Data for Black Lives, the Anti-Eviction Mapping Project, and Chicago-based Citizens Police Data Project. Over the course of the semester, students will develop original research projects that use data to intervene in issues of inequality and injustice. This course is not about gaining mastery of particular data science tools or methods, therefore familiarity with statistical analysis or data science tools (R, RStudio, Python, etc.) is NOT a prerequisite for this course.

Enrollment is limited to students with a program in American Studies.

AMST 30105  Sustainable America  (3 Credit Hours)  
This CAD course looks back to 1850, when urban industrial America began, and looks forward to 2050, when Notre Dame promises to be carbon neutral, to critically engage competing visions of individual, communal, and ecological flourishing. It focuses on economic, racial, and environmental justice as students explore how US political culture, the discipline of American Studies, and Catholic social teaching have clashed and converged and Americans proposed varying solutions to poverty, racism, and environmental degradation. After an introduction to American Studies, we turn to visions of the good life in foundational US political documents (the Declaration, the Constitution, and Inaugural Addresses) and in Catholic tradition (scriptural passages, theological essays, and papal encyclicals, from Rerum Novarum to Laudato Si'). Then the course's three main sections consider, in turn, economic equity, racial justice, and environmental restoration. Each section includes a "faith in action" case study and concludes with an "integrative essay" that puts Catholic social teaching into conversation with American Studies scholarship. In the final class session, Learning Groups present their synthesis of the course material, and, during the exam period, each student submits a final integrative essay that focuses on one of the issues—poverty, racism, or environmental degradation—and identifies what American Studies might learn from the Catholic Tradition and what the Catholic Tradition might learn from American Studies.
Satisfies the following University Core Requirements: WKCD-Core Cathol & Disciplines, WKHI - Core History  
AMST 30106  Gender and Popular Culture  (3 Credit Hours)  
This course will explore how popular culture, constructed through as well as against folk and high cultures, operates at the intersection of gender with race, class, sexuality, and nationality in the United States. Approaching gender and popular culture from a variety of theoretical and methodological perspectives, we will consider how culture in its commodified form has helped construct gendered identities, communities, and power structures in the United States. For example, we will examine how popular media texts may influence ideas about gender and how fans may transform and use mass culture texts for different purposes. Along the way, we will consider popular culture's ideological potential in relation to gender justice. Do negative representations harm the cause of women's and/or minority rights? What do the rise of the Internet and social media activism mean for the intersections of popular culture and social justice? Assignments include mini essays, a multimedia essay, and a final creative project accompanied by an analytical paper.

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 30107  History of the Book Since the American Revolution  (3 Credit Hours)  
This course examines the nineteenth and twentieth century histories of print and cultural manufacturing in the U.S., with special attention given to readers, writers, media producers, and distribution. By tracing how literature, broadly defined, has influenced the shape and reshaping of modern life, our primary goal for the semester will be to better understand the role and impact of intellectual transmission on civil society, formal politics, and cultural standards. Related topics we will investigate include the development and growth of American children's literature; the history of racial and ethnic authorship; the rise of industrial publishing; national and transnational censorship; and legacies of "master" communicators to mass audiences (e.g. Franklin Roosevelt with radio, John F. Kennedy and Ronald Reagan with television, and Donald Trump with Twitter). Course readings and film screenings will range from William Llloyd Garrison's abolitionist newspaper, The Liberator, Matthew Rubery's The Untold Story of the Talking Book, Catherine Fisk's Writing for Hire: Unions, Hollywood, and Madison Avenue, James Baldwin's The Fire Next Time, Capote, and The Social Network.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30108  History of American Capitalism  (3 Credit Hours)  
This course offers a broad thematic overview of the history of capitalism from the early sixteenth century up to the late 1980s. As a discussion-based seminar, we will devote most of our conversations to discovering, analyzing and reflecting on the transformation of the U.S. from a newly-independent British colony, to the most influential economic power in the world. Topics and themes we will consider include: the rise of early modern transnational capitalism, European imperialism and trade, and indigenous dispossession after 1492; science and technological transformations; social and economic thought; slavery and servitude, broadly construed; and characteristics of prosperity, wealth, and economic flux. Our readings and viewings will be a mix of scholarly and primary sources, including an abundance of canonical literary and artistic material, such as novels, visual art, and film excerpts (e.g. Henrik Ibsen's A Doll's House (1879), Aaron Douglas's Building More Stately Mansions (1944), and Edith Wharton's The Age of Innocence (1920)). Over the course of the semester, students will draw upon this eclectic combination of sources to synthesize the dominant historical dimensions of capitalism in and beyond the U.S. via four short essays (4 - 5 pages, double-spaced-between 1,100 and 1,400 words), and a final paper (10 - 12 pages, double-spaced) based on cumulative texts.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment limited to students in the American Studies department.

AMST 30109  Sport and Big Data  (3 Credit Hours)  
Sport is one of the most enduringly popular and significant cultural activities in the United States. Data has always been a central part of professional sport in the US, from Henry Chadwick's invention of the baseball box score in the 1850s to the National Football League's use of Wonderlic test scores to evaluate players. This course focuses on the intersecting structures of power and identity that shape how we make sense of the "datification" of professional sport. By focusing on the cultural significance of sport data, this course will put the datafication of sport in historical context and trace the ways the datafication of sport has impacted athletes, fans, media, and other stakeholders in the sport industry. The course will also delve into the technology systems used to collect and analyze sport data, from the TrackMan and PITCHf/x systems used in Major League Baseball to the National Football League's Next Gen Stats partnership to emerging computer vision and artificial intelligence research methods. Readings for this course will draw on texts like Christopher Phillips' Scouting and Scoring: How We Know What We Know About Baseball (2019), Ruha Benjamin's Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life (2019), and Michael Lewis' Moneyball: The Art of Winning an Unfair Game (2004). Class meetings will be split between discussions of conceptual readings and applied work with sport data and technology systems. Coursework may include response papers, hands-on work with data, and a final project. Familiarity with statistical analysis, data science, or computer science tools and methods is NOT a prerequisite for this course.
AMST 30110  Walt Whitman and the Americas  (3 Credit Hours)  
No poet writing in English has been more influential in the Americas than Walt Whitman. Whitman has given us a corpus of work that every subsequent generation has followed, revised, rejected, and reimagined. It is my contention that if we are to understand América, then we must understand Whitman. Was he the great beacon of social justice or a virulent racist? Was his vision of the Americas laudatory or condemnable? To answer these questions, we have to not only understand Whitman, but also understand ourselves. One of the most surprising facets of contending with Whitman is explicating how he was taken up by various groups of Americans: by Black poets in the U.S. like Langston Hughes (himself incredibly popular in Latin America); by Latin American Poets like José Martí (who once heard Whitman read his poetry live); and by Queer poets, most famously Allen Ginsberg and also Mark Doty. This class will be divided into two main sections: first, we will read Whitman and then we will read those who resisted and reimagined him. Along the way, we will consider questions of justice, of what we do with problematic literature, of various theories of influence, and, more than anything, of what it means to be part of the Americas.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30111  Disability at Notre Dame  (3 Credit Hours)  
Disability has long been constructed as the opposite of higher education. Universities are places that valorize, even demand, physical and intellectual ability. Disability, in turn, is often seen as something that does not fit within a university context, a problem that must be fixed. This antithetical relationship between disability and the university is rooted in history—eugenical curriculums, research programs that study disabled people—but it continues today. Despite a growing focus on diversity in university admissions and populations, disabled students enter higher education at a lower rate than non-disabled students and are less likely to graduate. In addition, universities perpetuate cultures of ableism in both faculty and students by prioritizing ability, perfection, and achievement. This course interrogates the relationship between disability and higher education with a special focus on our university, Notre Dame. Students will be introduced to fundamental principles in disability studies; explore the place of disability in higher education; and, drawing on scholarship in critical university studies, consider intersections between ableism, racism, and sexism in university contexts. Students will also think and learn about what inclusive and accessible education might look like. The course will conclude with a student-driven project designed to increase access, inclusiveness, and awareness about ableism and disability at Notre Dame.
AMST 30112  Witnessing the Sixties  (3 Credit Hours)  
The purpose of this interdisciplinary course is twofold: to examine the social context and cultural change of the sixties and to explore the various journalistic and aesthetic representations of events, movements, and transformations. We will focus on the manner in which each writer or artist witnessed the sixties and explore fresh styles of writing and cultural expression, such as the new journalism popularized by Tom Wolfe and the music/lyrics performed by Bob Dylan. Major topics for consideration include the counterculture and the movement--a combination of civil rights and anti-war protests.
Prerequisites: AMST 10100 or AMST 20100  
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30113  Sports and the Environment  (3 Credit Hours)  
With help from athletes such as Billie Jean King, Colin Kaepernick, LeBron James, Serena Williams, and Megan Rapinoe, Americans are growing accustomed to thinking about sports as embedded in the politics of gender, class, race, sexuality, and the nation. Consider the variety of places where sports happen, however, and the ways we develop and consume those places, and it becomes apparent that sports are also environmental in significant and complex ways. This course will examine the environmental politics of sports from conservation to climate change through the lenses of history and cultural studies. Course content will range from 19th century hunting, Indigenous surfing, and BASE jumping, to pick-up basketball, pro stadiums, and Notre Dame Athletics. Topical sections include outdoor sports and conservation, mountain sports and public land use, parks and recreation, stadiums and environmental justice, sports and climate change, and sustainability in the NCAA. Course requirements include regular reading and discussion, midterm and final essays, and a research project on a topic of the student's choice.

Enrollment is limited to students with a program in American Studies.

AMST 30115  Podcast America: Now hear this! It's time to hear great American Stories  (3 Credit Hours)  
THIS CLASS HAS NO ASSIGNED READINGS! That's right, there is no reading for this class. Instead, you'll learn how millions of Americans are coming to know their history, their science, their neighbors, their sexuality, their art and so much more and you'll do it all through listening to some of the most engaging (and some of the least engaging too) podcasts available. We'll take a look at primary sources that collaborate and dispel some of what we're hearing and we'll think about the integral ways that podcasts are shaping our nation and our national interests. We'll even delve into how podcasts in other lands celebrate and eviscerate America, Americans, and Americanism. Double up on your homework and your workout as you listen your way into exciting and engaging topics that we'll explore in class using the methodologies of the best scholarship in American Studies, History, and Education, Schooling, and Society. This class is for all of those who love American Studies, great stories, researching and discovering, and can't wait to get their headphones on and delve into the best stories we as a society know how to tell.
AMST 30116  American Ruins  (3 Credit Hours)  
American ruins are increasingly visible today, from images of urban decay and piles of debris in Detroit and Gary to movies and novels (The Book of Eli, The Road) depicting post-apocalyptic "ruinscapes" of abandoned towns, derelict factories, crumbling monuments, and deserted shopping malls, variously populated by zombies, vampires, and survivalists. Ruins typical signify "disaster," "failure," "defeat," and "the past." Why, then, in a nation that has repeatedly defined itself in terms of promise, progress, and success-the American Dream-are visions of ruin, real and imagined, so prevalent today? This class explores the history and meaning of American ruins, relating contemporary fascination with ruins ("ruin porn") to currently held attitudes about modernity, technology, citizenship, consumerism, the rule of law, and the environment. Course materials include novels, films, and photographs; coursework includes fieldtrips (to Detroit and Gary), essays, and discussion.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 30117  American Conspiracies  (3 Credit Hours)  
This course will explore modern conspiracy theories in and about the United States, discovering what they tell us about American culture and politics. The "truth" we will be seeking will not necessarily be whether secret forces have ever conspired or currently conspire to influence specific world events, but what conspiracy theorizing can tell us about modern American identities, communities, and social hierarchies including race, gender, class, religion, and national origin. In other words, we will take theories of conspiracy seriously as vernacular narratives that contribute to collective identity formation, produce powerful symbolic systems for ordering and inverting hierarchies, and help communities negotiate differences of identity and background. Beginning with the Cold War and moving on to the War on Terror, we will discuss why some theories gain preeminence in certain historical contexts and among different social groups. In addition, we will interrogate the role the label "conspiracy theory" plays within contemporary dynamics of knowledge/power. What types of knowledge are respected and acceptable and what types are stigmatized and mocked, and why? This is a writing-intensive course requiring over 20-pages of written work, including 3 small writing assignments, a series of graded and ungraded assignments leading to a major research paper, and an original research paper.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 30118  Adapting Oz  (3 Credit Hours)  
In 1900, L. Frank Baum's The Wonderful Wizard of Oz was published. Often discussed as a quintessentially American fairytale, this children's novel and the fantasy world in which it takes place has spawned a wealth of sequels, revisions, and adaptations across a multitude of media platforms--from print sequels and revisions to films, serial television shows, cartoons, games, and Broadway shows. This course will investigate not only the cultural significance of Baum's fantasy world within American culture, but also the theoretical concept of adaptation. Looking closely at multiple iterations of Oz across different platforms, we will discuss questions such as: what is the cultural significance of Oz? what does it mean to adapt a text? how does a story change when it moves from page, to stage, to screen, and back again? Why is it important to examine these changes? What roles do historical/cultural context and audiences play in adaptation? For students of film and media, American culture, and literature this course will provide an opportunity to explore critical concepts of culture and myth, examine the relationship between popular culture and identity, and develop and practice skills in formal analysis.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30119  The Asian American Experience  (3 Credit Hours)  
This class will survey the various historical and contemporary dimensions of Asian American experiences including immigration & integration, family & community dynamics, ethnic/gender/class identity, as well as transnational and diasporic experiences. We will explore contemporary and historical issues of racism, the model minority myth, inter-generational relationships, and the educational experiences of Asian Americans. To accomplish this, our class will pose such questions as: Who is Asian American? How did racism create Chinatown? Is there an Asian advantage? Coursework includes essays based on topics of your choice, presentations, and a creative narrative.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
AMST 30121  Sports and Religion  (3 Credit Hours)  
From raucous games of lacrosse in pre-Columbian North America to Tim Tebow’s gameday prayers,sports have long been used as instruments of social cohesion and to connect people to their gods. This course will examine the close relationship between religion and sport, with special attention to modern North America. It will push students beyond the sports-as-religion paradigm to consider sport as a medium of exchange between the overlapping influences of celebrity, national politics, religion, and the economy. We will cover how sports and religion intersect with topics like nationalism, gender, race, sexuality, identity formation, commercialism, mass-media, recreation, and labor. Concepts like ritual, collective effervescence, and sacred space will be used to analyze key historical movements and organizations, such as muscular Christianity, the YMCA, Fellowship of Christian Athletes, the Olympics, amateurism and the NCAA, and Black Lives Matter. Key figures for examining sport as a site of piety and protest include Muhammad Ali, Serena Williams, Tim Tebow, Jackie Robinson, Colin Kaepernick, and Abe Saperstein. Special attention will be paid to local history and Notre Dame’s contributions to the history of sport. Throughout the course we will ask: How, where, and when do sports act religiously? What do sports and religion accomplish together that they cannot accomplish alone?
AMST 30122  Storytelling and Sport  (3 Credit Hours)  
This course is about telling great, factual stories within the realm of human endeavor we call sport. That is, you will read and write substantial nonfiction narratives, and your main subject of inquiry will be near-at-hand happenings in sport, play, and performance. You can call it longform sportswriting, literary journalism, creative nonfiction, or anything in between—and, indeed, this course will ask you to interrogate the boundaries between subgenres in the literature of fact. Through your ethical efforts in research, exploration, and storytelling, you will seek to define and describe real-world truth through the art of the longform essay. With guidance, you will look for potential stories locally—on campus, or nearby—request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Together, we will ask fundamental questions about the time-honored act of storytelling and explore the history of the "longform" narrative form. What impact—culturally, socially, politically—can a well-told story have? We will build personal toolkits for writing nonfiction while reading and discussing exemplary essays. We will ask big questions about the role of sport and play in culture, mindful of local significance: What is the relationship between play and identity, for instance? How do conceptions of race, class, or gender find expression (or deconstruction) in sport? How does socioeconomic division affect access to sport and play in America? Most fundamentally, in this course, we will write and share our work with others. This course requires the completion of a substantial writing project, among other assignments, and you should be prepared to spend time with real people and your writing subjects outside of class time, and often according to their schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30123  Journalism and Society  (3 Credit Hours)  
This course is a conceptual immersion into the role of journalism in America as a catalyst for social, political, economic and cultural change. Students will learn the role and value of a free press, examine the principles of reporting and consider the evolving impact of social media and digital technology on the field today

Enrollment is limited to students with a program in American Studies.

AMST 30125  Race and Technologies of Surveillance  (3 Credit Hours)  
The United States has a long history of using its most cutting-edge science and technology to discriminate, marginalize, oppress, and surveil. The poorhouse and scientific charity of an earlier era have been replaced by digital tracking and automated decision-making systems like facial recognition and risk prediction algorithms. This course focuses on how automated systems are tasked with making life-and-death choices: which neighborhoods get policed, which families get food, who has housing, and who remains homeless. This course will examine black box tools used in K-12 education, social services, and the criminal justice system to better understand how these technologies reinforce and worsen existing structural inequalities and systems of oppression. Class meetings will be split between discussions of conceptual readings and applied work with technology systems. Readings for this course will draw on texts that include Safiya Noble's Algorithms of Oppression: How Search Engines Reinforce Racism (2018), Virginia Eubanks' Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor (2018), Catherine D'Ignazio and Lauren Klein's Data Feminism (2020), and Meredith Broussard's Artificial Unintelligence: How Computers Misunderstand the World (2019). This course will also examine the advocacy and activism work undertaken by groups like Our Data Bodies, Data 4 Black Lives, Algorithmic Justice League, Auditing Algorithms, Big Brother Watch, and Chicago-based Citizens Police Data Project. Coursework may include response papers, hands-on work, and a final project. Familiarity with statistical analysis, data science, or computer science tools and methods is NOT a prerequisite for this course.
AMST 30126  Captives & Slaves in the New World  (3 Credit Hours)  
This interdisciplinary course will foreground the lives of the enslaved in colonial America and the Caribbean (inc. Haiti). We will consider indigenous Native-American and West African practices pertaining to enslavement and captivity, as well as the development of hereditary slavery in the colonies. Throughout, we will maintain a focus on understanding the lived experience of individuals who were captured/enslaved, with special emphasis on gender and material culture.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30129  Notre Dame and America  (3 Credit Hours)  
In this course, we will interpret Notre Dame-an institution often defined as America's only truly national University-from the perspective of American studies. Notre Dame--much like America--can be defined and understood in multiple ways: as a physical location, as social and institutional world, and as an imaginary. We will explore Notre Dame from its pre-history as the homeland of the Pokagon Band of Potawatomi, to its founding as a missionary outpost of the European Catholic Church, through its evolution during the late nineteenth and twentieth centuries, through its present profile as a top-tier research university and the nation's premier Catholic educational institution. We will focus not only on obvious subjects such as Catholicism and football but also on as other key topices and themes in American studies that intersect with Notre Dame's story in the past and present. This course is designed to fulfill the History and CAD requirements.
Satisfies the following University Core Requirements: WKCD-Core Cathol & Disciplines, WKHI - Core History  
AMST 30130  Sexuality and Modern American Thought  (3 Credit Hours)  
This course examines the ways Americans have thought about sexuality from the late nineteenth century to the present. Understandings of sexuality underwent tremendous changes as Americans grappled with a more urban, capitalist, and technological social order. Sexualities became more diverse, creating tensions and fractures. This course focuses on the role of intellectuals and institutions in imagining various modes of sexual life. Major themes of the course include liberation and social control, the religious against the secular, and “normativity” as contrasted with “deviance.” We will examine the rise and fall of the Victorian order, the popularity of psychoanalysis, the invention of sexology (the scientific study of sex), religion’s complex relationship to sexuality, movements for sexual rights, and identity politics. Readings will come from several disciplinary perspectives, including psychology, biology, history, sociology, and religious studies.
AMST 30131  Digital Literatures: Computing, Culture, & Creativity  (3 Credit Hours)  
This course offers an entwined introduction to digital literatures and the history of computing. Our approach to both subjects is animated by one common question: how might we imagine the world otherwise? As we explore a range of digital literary works, including hypertext narratives, interactive fictions, poetry robots, video games, and net art, we’ll also examine what these artifacts reveal about the social life of computing technologies. By studying how computing and network technologies have developed over time, as well as how they work, we’ll consider what kind of technological future we want, and how to build it. Indeed at the heart of this course is an exercise in creative world-building that will require us to move beyond bright-eyed optimism and paralyzing pessimism both toward an up-close, critical examination of the technologies and platforms that shape our lives together.
AMST 30132  American Antiracisms  (3 Credit Hours)  
In 2023, it is difficult to avoid the language of antiracism, and harder still to discern its politics. Is racism a matter of structure or intention? Culture or economics? What does racial justice look like? And what exactly are those structures anyways? Moving from the civil rights movement of the 1960s to the George Floyd Uprisings of 2020, this course introduces students to the history behind a freighted term. We will read classic and contemporary texts of antiracism, tracking how American activists, politicians, artists, and scholars wrestled with these questions in the twilight years of the welfare state, mass industry, and securely waged employment.
AMST 30133  Buddhism in America  (3 Credit Hours)  
This course traces the history of Buddhism in the United States since the nineteenth century. After considering the history of Asian immigrants who brought Buddhism with them and American-born converts who embraced it here, we take some steps toward a cultural history of Buddhism in the US since 1945, analyzing the tradition's influence on other faiths and on politics, activism, fiction, poetry, painting, video art, film, music, architecture, martial arts, how-to literature, psychology, and medicine.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30134  Neoliberalism and the American University  (3 Credit Hours)  
This course examines the recent history of the American university. It asks how the last four decades of political-economic restructuring often described as “neoliberalism” – skyrocketing personal debt, privatization of public goods, and more – have reshaped its social function and institutional structure, its labor struggles and relation to local communities. Through readings in critical university studies, ethnic studies, and American literature, we will build a conceptual vocabulary to critically engage these transformations and, in the process, ask fundamental questions about the modern university: what it is, who it is for, and what it might yet be.
AMST 30135  Off the Wall: Post WWII American Art  (3 Credit Hours)  
The 1950s, we're told, were America's "best" years: an idyllic era of suburban family togetherness, television shows like Leave it to Beaver, Disneyland (which opened in Anaheim in 1955), and really big cars. Magazine publisher Henry Luce and other mid-century American power-brokers promoted the postwar US on hegemonic terms: as a unified nation defined by a liberal political economy and by the expectations and desires of middle-class citizens united by the shared goals of upward social mobility and consumerism (white collar jobs, home ownership), college educations, family/suburban lifestyles, etc. This was called the "consensus model" of American identity. Not surprisingly, this ideal of America and these normative expectations about "being" American created a number of tensions in post-World War II America. First, the goals themselves were unattainable for some Americans due to the nation's persistent habits of racism, sexism, class preference, and homophobia. Second, some Americans felt restricted and restrained by expectations of middle-class conformity, among other things. This led to a number of counter-hegemonic cultural expressions: from art that came off the wall to artists who went on the road. This course examines those American artists and their rebellions, from artists like Jackson Pollock—who took his paintings "off the wall" and made them on the floor—to writers like Jack Kerouac, whose novel On the Road was published in 1957. It surveys American art from the Great Depression of the 1930s through the early 1970s, looking at art styles and movements including Regionalism, Abstract Expressionism, Beat, Funk, Pop, Minimalism, Conceptual art, Psychedelia, Earthworks, Feminist art, and the Black Art Movement. Themes include the "triumph of American painting" after World War II, links between art and politics, the development of postwar art theory, and intersections between the avant-garde, popular culture, and consumer culture. A special "Elvis Day" examines post-World War II youth culture and counter-hegemonic rebellion.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30136  Media Entrepreneurship  (3 Credit Hours)  
A generation ago, students interested in media were likely journalism, broadcasting, or FTT majors aspiring to work full-time for big TV networks or newspapers. Today, that’s not usually true. Digital tools have blown open what it means to create and consume media. Whether you see yourself as a creative, a community organizer, an entrepreneur, or an influencer, you no longer have to launch your content through established channels, hoping to someday catch your big break. You could manage a YouTube channel with thousands of subscribers from your dorm room. Some of you probably already do. But how do you monetize such ventures? How do you turn a cool hobby or vision into a side hustle or career? In Media Entrepreneurship, we’ll explore how you can combine your passion, skills, and awareness of social needs to capitalize on the media's exciting new frontier. You’ll gain the knowledge, tools, and confidence to see creating your own digital media startup as a realistic possibility. And it’s not just about you. When you hear the phrase “media entrepreneur,” you might think of a tech bro pitching an idea to venture capitalists on Shark Tank. But, at its best, media entrepreneurship is an act of service. It’s about identifying community needs, building trust with audiences, and expanding whose voices we hear as a society. In this course, you’ll practice conceiving of a media project and working with a team to create a startup business plan.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30139  American Weird  (3 Credit Hours)  
This course provides an intense look at the weirdness at the heart of American culture. From the recent HBO series Lovecraft Country to Edgar Allan Poe, cosmic horror, alien artifacts, and a profound unease is at the heart of our weird tales. In contemporary American culture, the weird has become a powerful tool for representing the legacies of racial violence through generic tropes. Throughout the semester, we will study the "new weird" in contemporary American culture, but also what the rock critic Griel Marcus has called "the old, weird America" that it refers to, reaching back to the pulp fiction of the Weird Tales and the gothic residues of the nineteenth century. Creative and critical assignments.
AMST 30141  Native American Literature  (3 Credit Hours)  
Native Americans have long been trapped in a betwixt and between state, caught by the forces of past and present, tradition and assimilation, romanticization and caricature. Yet through it all, Native voices have continued to speak of the Indian experience with great power and eloquence. This course will introduce Native American literature as a distinctive contribution to American and world literature. We will examine a wide range of expressive culture from the last century, including novels, poetry, graphic stories, children's literature, film, digital media, autobiographies, performances of oral literature, and music. Through the passion, creativity, and humor of Indian authors, we will learn something of the historical experience of Native men and women, and how they have reacted to massacres and mascots, racism and reservations, poverty and political oppression. Above all, we will try to understand how indigenous authors have used literature to engage crucial issues of race and culture in the United States that continue to influence their lives: identity, self-discovery, the centrality of place, cultural survival, and the healing power of language and spirituality. Class discussions will incorporate literary, historical, and ethnographic perspectives of Native expressive culture and the agency of authors as artists and activists vis-à-vis the wider American literary tradition. Authors include Sherman Alexie, Nicholas Black Elk, Louise Erdrich, D'Arcy McNickle, N. Scott Momaday, Linda Hogan, Winona LaDuke, and Leonard Peltier.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  

Enrollment is limited to students with a program in American Studies.

AMST 30142  Latino Muralism  (3 Credit Hours)  
This class investigates the murals in Chicago's Pilsen neighborhood, the city's neighborhood most closely identified with Latinos and Latinidad. Students will explore the cultural, historical, and social contexts that give rise to muralism and will examine the murals themselves over the course of several trips to the city. Our research will contribute to an exciting new digital humanities project that is building a mobile app and website devoted to the murals, so students' work will directly impact what the public knows about muralism in the city. Students will also gain training in digital humanities, including such skills as app development, geolocation, 3-D modeling, and data mining.
AMST 30143  Fashioning Identities in Colonial America  (3 Credit Hours)  
Did Puritans really only wear black and white, or did they wear fashionable lace, silk ribbons and bright colors? Did early settlers wash their bodies to get clean? What role did fashion play in the making of the American Revolution? And how did slaves and Native Americans adorn their bodies? This course will address such questions by focusing on dress and material culture. We will consider the role of dress in the construction of colonial identities, and examine the ways that bodies operated as sites for negotiating class and ethnic encounters.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 30144  Multiculturalism in American Literature  (3 Credit Hours)  
In 1975, the African-American writer Ishmael Reed put culture at the center of politics: “If I have you revering my art, behaving like me and adopting my psychology, then I’ve got you. If I’ve got your head, I’ve got you.” Confronted with the whiteness of U.S. publishing and school curricula, Reed and his peers saw literature as a key front in this broader struggle over the making and unmaking of American identity. Yet the question of literature’s contribution to the struggle elicited stark disagreement. Would it counter racial stereotype with accurate representation or refuse the burden of racial representativeness? Would it lay claim to the American nation on behalf of the racially minoritized, or throw in with different political horizons? Would it address the white reader unfamiliar with the realities of racial oppression, or the non-white reader seeking a different relation to histories already lived? These disagreements would only intensify in the following decades as the call for multicultural representation became increasingly institutionalized – with syllabi and publishing undergoing modest diversification, and universities framing racial difference as a strategic asset. Moving from the late 20th century to the present, our course attends to how these political ambitions and desires informed the writing, publishing, and teaching of American literature by writers of color. It asks how these authors not only engaged in activism by literary means, but also reckoned with the artistic and political dilemmas that attended this doubled pursuit. To this end, the bulk of our readings will draw from literary fiction, non-fiction, and poetry, including authors like Gloria Anzaldua, Paul Beatty, Maxine Hong Kingston, Viet Thanh Nguyen, and Wendy Trevino.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30145  Immigrant America  (3 Credit Hours)  
Nearly one in four people is an immigrant or child of immigrants in the United States. This course critically examines what it means to be an immigrant or child of immigrants through interdisciplinary sources, including memoirs, blogs, art, and popular journalism. Since the liberalization of immigration policy in 1965, immigrants from Latin America and Asia are becoming an increasing and emergent demographic of American society. In major American cities such as Los Angeles and New York, they comprise over 50% of the population. This course focuses on how immigrants and the children of immigrants experience the United States. How are immigrants changing the US racial and ethnic structure? How do their experiences differ, given varying legal statuses? How is the second generation becoming American? We will explore these questions through family, media representation, religion, education, dating, and sexuality. Students will participate in a service-learning opportunity related to migration and social justice and learn skills in quantitative and qualitative methodologies. Service learning will be 2-3 hours outside of class each week.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
AMST 30146  Persuasion, Commentary and Criticism  (3 Credit Hours)  
This course will consider the roles of persuasion, commentary, and criticism in contemporary American culture and will explore the techniques of these forms of expression. Students will prepare and discuss their own writing assignments, including opinion columns, editorials, and critical reviews of performances or books. Ethics and responsibilities in contemporary American journalism in expression of opinions also will be explored. Assignments will serve as the examinations in this course, which is taught by a political columnist for the <i>South Bend Tribune</i> who also serves as host of public affairs programs on WNIT-TV, Public Broadcasting. Open to American Studies majors and Journalism, Ethics, and Democracy minors by permission. Other applicants must submit writing samples for review.
AMST 30147  America's Culture Wars  (3 Credit Hours)  
Why are Americans so divided today? What explains the fracture? Why do Americans seem to live in different worlds? Why do we see reality in such divergent ways? This course suggests we can find answers to these pressing questions in the so-called Culture Wars of the late twentieth century. In the wake of the social movements of the 1960s, Americans attempted to push culture in very different directions. Some wanted to continue a cultural revolution, whereas others sought to check the brakes on this project. As a result of the push and pull, a range of intense disputes took place in political, legal, and cultural realms. This course considers a wide range of cultural flashpoints: the rise of the religious right, the advent of queer theory, the growth of radical feminism, and the birth of critical race theory. It looks at debates over censorship and art, public mores and sexuality, gender and race, academic curriculum and decolonization. We study some of the period’s most provocative films, pieces of art, music videos, and public demonstrations. It studies events such as the AIDS crisis, the Rodney King Riots, Bill Clinton’s impeachment, and the Anita Hill hearings. It attempts to bring together a wide range of voices – conservative, liberal, secular, religious, radical, and mainstream. In the end, we will speculate if the Culture War is still raging, and how we as Americans might find commonalities in our differences, in the name of reviving our own democratic traditions.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30148  Early America Today  (3 Credit Hours)  
Whether it is controversies about the removal of statues, bans on teaching the New York Times’s The 1619 Project, critiques of the musical Hamilton, or originalist interpretations of the United States Constitution, early America seems to have gained new prominence in debates about the present-day United States. But why does this period—which spans four centuries from approximately 1450 to 1850—hold such meaning today? And what does this history have to teach us about our present moment? In this class, we will learn about the vast, diverse, and complex world of early America and use this knowledge to better understand current issues and events. Like Americans today, early Americans dealt with pandemics, racial injustice, political corruption, and income inequality. They adapted to changing markets, globalization, and climate change. What do their experiences have to teach us about navigating these issues in our own time
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30150  Decolonizing Gaming: Critical Engagement Through Design and Play  (3 Credit Hours)  
This course aims to change the way you think not only about the way that we play games, but also about the way that video games teach their players to behave within their digital worlds. This course will encourage students to reflect on and utilize their lived experiences as players, and utilize these experiences to locate themselves within their analysis and writing as well as their design practices. This course will undertake an intensive, interdisciplinary focus on the history of video game development, representation in video games, and the languages that digital games work in as well as decolonial theory and diverse theories of design. This class will engage with a variety of scholarly texts, video games, media posts, videos, and design exercises, in order to illustrate the ways in which video games have shaped the ways we play, think, and behave within their spaces. Students will be required to write and design around these lessons and address and push back against the problematic behaviors and colonial narratives around violence, race, gender, sexuality, and relationship to the land that these gamic languages and lessons have created.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30151  Catching Lives: The Writing of Profiles and Biographies  (3 Credit Hours)  
In a new book about her work as longtime obituary writer for the Economist, Ann Wroe dubs the task "catching lives": i.e., capturing and conveying the crucial elements that illuminate a subject's personality, behavior, motivation, and even their soul. We will explore journalistic techniques, along with ethical and even moral considerations, in the writing of lives, both the living and the dead, in formal biographies, in informal profiles, in obituaries, and in appreciations. From current books such as His Name Is George Floyd and Elon Musk and Going Infinite, to the pithy profiles of contemporary figures written on deadline in the wake of news events, how do life-writers — who must be part detective, part psychoanalyst, part historian, and part gossip-trawler, but always fair and thorough — go about their work?
AMST 30153  Drugs in American Life and Death  (3 Credit Hours)  
This course explores the history, meanings, myths, and realities associated with narcotics in the United States. We will consider, for example, the fascinating history of cocaine as it went from miracle drug and panacea (as well as the active ingredient in Coca-Cola) in the early twentieth century to elite party drug in the 1970s to public health threat in the 1980s and 1990s. Through this example and many others, including marijuana’s dramatic shift from illegal to legal substance, we will pay special attention to drugs and social difference, exploring the ways that American ideas about narcotics relate to such matters as race, class, gender, sexuality, ability, citizenship, and nation.
AMST 30154  Disability in American History and Culture  (3 Credit Hours)  
The US Centers for Disease Control and Prevention estimate that 26% of Americans (about 61 million people) have a disability—a physical, intellectual, sensory, or self-care impediment that affects major life activities. This course considers this population, their stories and experiences, as well as how disability—as a social, cultural, legal, and political construct—has shaped the nation and its history. A particular focus of the course will be on disability and social justice. Throughout American history, and still today, disabled people have been excluded from basic civil rights, such as voting, marrying, holding property, and living independently. This course will examine how these restrictions developed and changed over time as well as how disabled people have fought for greater access and equality. Coursework may include response papers, primary source analysis, and a final project.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30157  Queer Mediascapes  (3 Credit Hours)  
From early silent films to contemporary video games, media have not only been informed by but have actively shaped our culture, including how we think about sexual and gender minorities, who have always been present in screen cultures. This course examines GLBT/Queer representational practices across a wide variety of media forms. It will cover foundational understandings of both queer studies and media studies in order to provide students with the necessary tools to engage with a diverse array of media texts, including texts such as Life is Strange, The Last of Us series, The L Word, and RuPaul’s Drag Race. Students will discuss and write about both primary sources and theoretical works that ask them to consider the politics of representation as well as the promises and perils of self-representation. This class will feature blog posts, lectures, class discussion, class activities, presentations, and frequent writing assignments to develop critical thinking and compositional skills.
AMST 30158  Myth, Magic, and Eurasia  (3 Credit Hours)  
Why do we tell stories? Myths and legends can help us understand what the people who created them have valued at different places and times. These texts have been interpreted as vessels of national identity, points of access to divine truth, indices of level of civilizational development, and pedagogical tools. They have also inspired some of the most compelling works of art ever produced. Students in this course will learn more about some of the many cultures of Eurasia, the world’s largest continent, spanning West Asia (the Middle East), Central Asia, and Eastern Europe, from these cultures' perspectives. They will read about what role Raven played in the creation of the world, learn the secret of the legendary Simorgh, and watch the tragic love story between a forest spirit and a human. They will consider the links between ancient folklore and contemporary fantasy. They will also have the opportunity to think about the role these stories play in the cultures that produced them and in their own lives. This class is co-taught by two scholars with different backgrounds: a historian of West Asia and the United States and a specialist in the literature of Russia and the former Soviet Union. In this class, students will learn how scholars in different disciplines (including not just literature and history but also folklore and anthropology) might approach the same works very differently and learn how to articulate their own scholarly positions. Assignments include a folklore collection, an in-class presentation on one of the cultures studied, and a creative adaptation of a myth. Students will also be graded on class participation and given weekly online reading quizzes.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30160  America in the 20th Century  (3 Credit Hours)  
The field of American Studies takes as its central concern the tension between the ideals and institutions that unite us as a nation, and the diversity of identities, perspectives, and experiences that make that unity so difficult to achieve. This course examines how those tensions have played out in 20th century American history, with a focus on domestic politics and the production of culture, particularly music. The course also examines how those tensions have been reflected in the writing of American history itself. Taking a cue from the 1619 Project that re-conceptualized American history by placing the institution of slavery at its center, we will explore what 20th century U.S. history looks like when we move traditionally marginalized voices to the fore, and focus explicitly on the relationship between racialized power and the production of culture. Through the Blues and folk music to Elvis, girl groups, Chicano rock, disco, and hip hop, this blends historical perspectives and method with approaches from American studies to rethink 20th century history as well as the making of that history. Assignments will include extensive reading, midterm and final essay exams, and three short papers/projects. Classes will include some lectures as well as a significant amount of discussion.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30161  Football in America  (3 Credit Hours)  
Football is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, football has occupied an important place for those wishing to define and understand "America." And Notre Dame football plays a central role in that story, with larger-than-life figures and stories, from Knute Rockne's "Win one for the Gipper" line to the 'Four Horsemen' backfield that led the program to a second national championship in 1924. The mythic proportions of the University's football program cast a long shadow on the institution's history, cultural significance, and traditions. This course focuses on Notre Dame football history as an entry point into larger questions about the cultural, historical, and social significance of football in the U.S. Who has been allowed to play on what terms? How have events from Notre Dame football's past been remembered and re-imagined? How has success in Notre Dame football been defined and redefined? In particular, the course will focus on how Notre Dame football became a touchstone for Catholic communities and institutions across the country navigating the fraught terrain of immigration, whiteness, and religious practice. This course will take up those questions through significant engagement with University Archive collections related to Notre Dame football, working toward increased levels of description and access for these materials. This course will include hands-on work with metadata, encoding and markup, digitization, and digital preservation/access through a collaboration with the University Archives and the Navari Family Center for Digital Scholarship. Readings for this course will include chapters from texts such as Murray Sperber's Shake Down the Thunder: The Creation of Notre Dame Football (1993), TriStar Pictures' Rudy (1993), Steve Delsohn's Talking Irish: The Oral History of Notre Dame Football (2001), Jerry Barca's Unbeatable: Notre Dame's 1988 Championship and the Last Great College Football Season (2014), David Roediger's Working Toward Whiteness: How America's Immigrants Became White (2005), David Roediger's The Wages of Whiteness: Race and the Making of the American Working Class (1991), and Noel Ignatiev's How the Irish Became White (1995). Class meetings will be split between discussions of conceptual readings and applied work with library and information science technologies and systems. Coursework may include response papers, hands-on work with data, and a final project. Familiarity with archival methods, library/information science, data science, or computer science tools and methods is NOT a prerequisite for this course.
AMST 30162  Latinx Representation in Hollywood  (3 Credit Hours)  
This course will survey the history of representations of Latinos in American cinema from the silent era to the present. We will examine how stereotypes associated with Latinos have been produced, reinforced, and challenged in American films - from greasers and Latin lovers to gangsters, kingpins, and border crossers. We will explore the fascinating contradiction that, despite a long history of misrepresentation and under representation, Latinos have made significant contributions to Hollywood and independent cinema. We will also examine the rise of Latino directors in recent years and their drive to reframe the Latino image for American audiences. Screenings will range from the silent epic Martyrs of the Alamo (1915) to more recent films such as Maria Full of Grace (2004). Our interdisciplinary approach to the subject will draw upon readings from history, film theory and criticism, and ethnic/American studies. Students will take a midterm exam and make class presentations.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30163  Epidemics in America  (3 Credit Hours)  
Where were you in March 2020? When did you first learn about the COVID-19 pandemic? How has the pandemic affected your life, your community, and your world? Although many of us think of the pandemic as a singular and unprecedented event, pandemics actually have a long history in America (and around the world) and have profoundly shaped the American experience. In this course, we will study epidemics in America from the precolonial period to the present, paying particular attention to their cultural as well as biological dimensions. As we will see, disease outbreaks have influenced government policy, economic and market relations, media, popular culture, religious beliefs, and ideas about race, ethnicity, class, gender, sexuality, disability, and citizenship. Throughout the course, we will place these histories in conversation with the present, reflecting on how the COVID-19 pandemic has reshaped our nation and our world. Assignments include analytical papers, personal reflections, class presentations, and collaborative projects.
AMST 30165  The Vietnam War and American Catholics  (3 Credit Hours)  
How did the most divisive war in American History shape the nation's biggest church community? This course explores Catholics as both supporters and detractors of the Vietnam War. American Catholics wished to see America defeat Communism but, importantly, the power of faith motivated many to criticize the state's escalation of the conflict. Students will explore the tensions and transformations of this important moment in American life. Lectures and classroom discussions will address decolonization, the global and national nature of American Catholicism, the power of the liberal state, conscientious objection, the "Spirit of the Sixties," sacramental protests, the rise of human rights, geopolitics, and the Cold War. Course readings will include the latest scholarship, but also primary sources like poems, films, songs, letters, prayers, newspaper articles, and art. Students will have access to the rich materials of Catholic peace activists found in the University of Notre Dame Archives.
Satisfies the following University Core Requirements: WKCD-Core Cathol & Disciplines, WKHI - Core History  
AMST 30166  Magazine Writing  (3 Credit Hours)  
This course will examine various forms of magazine journalism, from the direct presentation of information to narrative journalism to the art of the first-person essay. The class, requiring students to complete a variety of written assignments while performing in a workshop setting, will emphasize those storytelling techniques essential to writing for publication.

Enrollment is limited to students with a program in American Studies.

AMST 30169  Race and American Popular Culture  (3 Credit Hours)  
While it is a notoriously difficult concept to define, “race” is undoubtedly a powerful signifier in American life. Focusing on the twentieth century to the present, this course examines the ways in which racial ideas and knowledges are formed, negotiated, circulated, and resisted in the arenas of American popular culture. From Jack Johnson becoming the first Black heavyweight champion of the world on December 28, 1908, to contemporary cultural politics of performance and appropriation, this course will ask how popular culture actively shapes—rather than merely reflects—American ideas about race and ethnicity. A key aim of the class is to go beyond looking for “good” and “bad” pop culture texts to explore the structural, organizational, and systematic underpinning ideologies of racism and antiracism. By closely engaging with a diverse set of theoretical, historical, and primary texts, students will learn to approach and analyze popular culture with a critical and reflective eye.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30170  Laboring Women in Early America  (3 Credit Hours)  
What did shopping, tavern-keeping, and midwifery have in common in early America? They could all be considered legitimate forms of women's and girls' labors both inside and outside of the home. We will consider work that was skilled or unskilled, free or enslaved, and paid or unpaid, and how changing definitions of "women's work" helped to shape boundaries of race and class. Servants were restricted from marrying and procreating while the value of enslaved women resided in both their work and their reproductive potential. Hence this course will also consider the dual facets of women's labor in work and their laboring in childbirth.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 30172  The Engaged Journalist: Connecting Communities Across Divides  (3 Credit Hours)  
This course delves into the evolving practice of engaged journalism in the U.S., equipping students with skills to close gaps between journalists and the communities they serve. Students will examine standout examples of engaged journalism in the U.S., highlighting how leading newsrooms build trust, prioritize community input, and make journalism relevant to diverse audiences. Students will explore engagement as more than audience metrics — focusing instead on inclusive reporting, collaborative storytelling, and trust-building. Through case studies from some of the nation’s best storytellers and investigative journalists, students will learn techniques for involving community voices in creation, from story selection to distribution, enhancing journalism’s accessibility and relevance. As a classroom, we will discuss the ethical challenges journalists face when interviewing people who have experienced trauma or harm. Students will analyze case studies, identifying best practices and key strategies that deepen audience connections. We will apply these practices through assignments, learning to design and implement engagement-focused reporting through community listening exercises and collaborative story creation. This hands-on approach allows students to create audience-centered journalism that bridges gaps between newsrooms and the public and explores what it means to do journalism as a public service. By semester’s end, students will leave with actionable strategies for fostering sustainable, community-centered journalism and ways to integrate these practices into their budding careers.
AMST 30173  Video Games and the American West  (3 Credit Hours)  
Video Games of the American West will utilize digital games as the primary case studies to examine the modern cultural image, understanding of, and interaction with the "space" of the American West. This class will provide historical understandings of the vast, varied, and often mythologized history of the American West, as well as its place as a cite of continued colonial narratives and hegemonic imagery in contemporary popular media such as film, television, and video games. Through the close-playing of a variety of Western games including installations from the Call of Juarez series, Red Dead Redemption, series, Horizon, series, and many others, students will be asked to apply their knowledge of the historical and contemporary understandings and employments of the West as a physical space and a cultural space to the visual and mechanical recreations of it within the digital realm of video games.

Enrollment is limited to students with a program in American Studies.

AMST 30174  American Wilderness  (3 Credit Hours)  
What does it mean to be American? Wilderness, as an idea, a set of places, and a political process, is a big part of the answer. Writers, historians, painters, photographers, and politicians have described American landscapes as wild from colonization into the 21st century to great effect. Henry David Thoreau, John Muir, and Aldo Leopold famously anchor the history of popular environmental thought. But wilderness is not simple. Because places are constantly constructed and reconstructed through culture as well as politics, wilderness has taken shape in concert with relationships of gender, class, race, and nation. National parks protected distinctively American landscapes starting in 1872 by removing the Native American peoples who inhabited them, and the 1964 Wilderness Act built from that legacy. Today Congress has designated about 5% of the United States (over half in Alaska) as part of the National Wilderness Preservation System, and arguments over the protection of public land continue to divide local and national communities. This class will explore how the idea of wilderness, the places associated with it, and the politics surrounding both have developed from the 19th century to today. It will examine how wilderness has underscored our national identity but largely failed to recognize the diversity of American society and culture. Along the way we will discuss literature, history, visual culture, politics, and popular media, and explore historical relationships between wilderness and art, outdoor recreation, public land management, and consumer culture.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30175  Race, Activism, and Global Citizenship in the Age of Paul Robeson  (3 Credit Hours)  
This course examines the life and times of one of this nation’s most famous yet understudied figures during the middle decades of the twentieth-century. Over the course of the semester, our readings and discussions will revisit Robeson’s accomplishments as a preeminent college athlete, intellectual, and cultural icon, to better understand the social and political history of the U.S. prior to the legal dismantling of racial segregation. Robeson illuminates the history of race and political activism in modern America. We will also trace how Robeson became one of America’s most internationally recognized entertainers and political activists, despite formal and informal efforts to undermine his commitments to the civil rights movement at home, and human rights abroad. This course includes sports, popular culture, and politics. Drawing on scholarly tools that are central to the discipline of American Studies—the critical analysis of social categories, citizenship and imperial politics—our readings, lectures, and conversations will investigate and unpack how Robeson reshaped the meaning and geographic scope of modern freedom. Required texts will range from primary documents preserved in archival collections to carefully-selected excerpts of secondary materials written by leading Robeson scholars and biographers.
AMST 30176  AIDS, Art, America  (3 Credit Hours)  
How has the HIV/AIDS crisis shaped U.S. political culture, public health, and artistic production since coming to public attention in the early 1980s? In this course, we explore the history of the AIDS crisis, including medical, religious, and moral constructions of the epidemic that arose amid heated culture wars debates over gender and sexuality. We look at competing strategies to define and combat the epidemic, from Christian Right leaders who have described AIDS as a divine punishment to public health workers and religious leaders who championed comprehensive AIDS education. We will be especially attuned to grassroots activism that emerged from the communities most affected by the AIDS crisis, including LGBT communities. We explore how AIDS activists drew upon the lessons of feminist, queer, and Black civil rights movements to fight for political and medical resources for people with AIDS. And we will see how art became central to these efforts by exploring how feminist and queer activists and other people with AIDS produced a vast (and still growing) archive of cultural production, including visual and performance art, film, and literary work, through which they processed the grief and trauma of this crisis while forging new political and artistic visions.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30177  The Ideas that Made America  (3 Credit Hours)  
America is a nation animated by ideas. Yet it has proven impossible for Americans to arrive at any type of intellectual consensus. The history of ideas in America is best understood as a series of clashes between competing visions: democracy vs. republicanism; free vs. slave; science vs. religion; individual vs. society. This course traces a long intellectual arc from the Puritans to the Culture Wars to understand the ideas that diverse Americans have drawn upon to comprehend their world and act in it. We will analyze how ideas get applied to politics to support power; how ideas can also undermine and undercut power; and how ideas move across borders and through time. Between Puritan theology and postmodern critique, we will read "The Founding Fathers," abolitionists, the transcendentalists, Darwinists, the pragmatists, and the progressives. We will scrutinize the social, racial, gendered and political positions of the intellectuals who have produced our canonical texts. In addition to the written word, we will consider how photographs and films have constructed the contested figure of "The American Intellectual" as a role of prestige, authority, and cultural power. Lectures and discussions will take up topics such as religion, democracy, equality, liberty, resistance, violence, constitutionalism, and freedom. Most importantly, we will ask, time and again: What makes an idea American?
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30178  Public Affairs Reporting  (3 Credit Hours)  
This course builds on and hones skills learned in Fundamentals of Journalism by cultivating students' abilities to develop story ideas, gather information, conduct interviews, and then write and edit articles under deadline pressure. It introduces students to "beat" reporting, allowing them to cover a variety of newsworthy subjects and events. Students will be expected to conduct in-depth reporting and interview multiple sources to write four or five stories suitable for print, digital or broadcast media. Coursework will include reading, watching and discussing historic and contemporary reporting to learn about the evolution of the industry, professional ethics, and best practices.
AMST 30179  Religion and Politics in America  (3 Credit Hours)  
“On my arrival in the United States,” wrote Alexis de Tocqueville in Democracy in America (1835), “the religious aspect of the country was the first thing that struck my attention.” This course is an introduction to the history of religion in the United States from the pre-colonial period to the present, with special attention to its interplay with politics, law, and governance. Taking stock of the broad range of religious traditions that Americans have practiced, we will move chronologically through US history and explore rich primary sources like films, diaries, novels, art, sermons, and court records to help us make sense of religion’s evolving role in American politics and society. Along the way, we will delve into questions of religious pluralism and its challenges; conversion and religious experience; the legal history of the First Amendment’s religion clauses; civil religion; immigration; anti-Catholicism and anti-Semitism; religion, slavery, and the civil rights movement; the shifting identities of religious “insiders” and “outsiders” in American life; the “culture wars”; and secularization, among other topics.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30182  Sports Media  (3 Credit Hours)  
This course is a practical and conceptual immersion into the world of contemporary sports journalism. Students will learn how to write and report for multiple journalism platforms, including newspapers, magazines and digital media. Students will practice a variety of reporting techniques and study writing styles ranging from features to news articles to profiles, while also taking a rigorous look at the legal, ethical and cultural issues surrounding the intersection of media, sports and society. In addition, students will gain hands-on sports writing experience by preparing articles for the university's independent, student-run newspaper, The Observer.

Enrollment is limited to students with a program in American Studies.

AMST 30183  Applied Multimedia for Journalists  (3 Credit Hours)  
Applied Multimedia for Journalists - The main focus of this course is that students will learn how to shoot and edit videos. It will briefly touch on how to produce audio stories and podcasts. Students will also study the legal and ethical issues surrounding the use, creation and publication of digital media. The use of drones and the legal issues surrounding them will also be discussed.

Enrollment is limited to students with a program in American Studies.

AMST 30184  The Civil Rights Movement & the Globe  (3 Credit Hours)  
This course will examine the U.S. Civil Rights Movement in global contexts. From the 1920s to the 1990s, Black Americans' activism, organizing, and political efforts shaped their relationship with the Black Diaspora and U.S. Foreign Affairs. This class will cover an array of topics and historical moments such as Communism and the Red Scare, WWII, the Cold War, the formation of the United Nations, African Independents Movements, and Apartheid. We will study various activists, scholars, celebrities, and Black travelers whose movements around the world transformed how they viewed the United States' treatment of its Black citizens. By the end of this semester, students will know how Black Americans understood civil and human rights on U.S. soil and abroad.
AMST 30185  LGBTQ American History  (3 Credit Hours)  
How have LGBTQ people shaped modern America? And how has modern America shaped LGBTQ lives and experiences? In the popular imagination, the Stonewall Riots often mark the beginning of the modern gay rights movement and a turning point in the visibility and cultural acceptance of LGBTQ people. In this course, we will think about the longer and wider histories of LGBTQ people in the United States, tracking their cultural and political histories from the late 19th century to the historical present. We will also discuss theoretical approaches to studying the history of sexuality, including how sexual and gender categories (and people’s experiences of them) have changed over time and how they intersect with histories of race, class, religion, and region. In true American studies fashion, we will think with a wide range of primary texts—spanning across music, political zines, photography, film, law, and historical newspapers—and read interdisciplinary scholarship ranging from classics in LGBTQ history to more recent works that expand our archive of LGBTQ studies. Students will also pursue a historical research project on a topic of their own choosing, bringing their own interests and insights to the class.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30186  Indigenous Cinema  (3 Credit Hours)  
This course will examine the global field of Indigenous Cinema. This class will utilize screenings of Indigenous film along with accompanying lecture, reading, and discussion, to examine the ways in which Indigenous filmmakers, actors, and communities are subverting genre and decolonizing the industry to tell and reclaim Indigenous stories and make room for Indigenous futures.
Corequisites: AMST 31186  
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30188  Sport and Media  (3 Credit Hours)  
From the Olympics to Formula 1, sports are a central part of global culture and everyday life. Our experiences of sport, however, are largely shaped—and often even constructed—by media. Rather than simply presenting sports, media play an active role in producing the values, identities, emotions, and conflicts we associate with sport. This course examines the historical roots and current conditions of the convergence of corporate sport and corporate media. We will analyze how media—from early 20th-century newsreels to live Twitch streams—do more than distribute sports content; they shape its cultural meanings and social impact. Centering sport media as both an industry and a cultural practice, we will explore how it intersects with issues of gender, race/ethnicity, labor, nationalism, and globalization. By analyzing the forces shaping sport media production and the meanings audiences make of them, we will consider the ways sport media production and consumption might be reimagined. Assignments in the course include a variety of reflection and application projects, as well as larger research project.
AMST 30189  Civil Rights in America  (3 Credit Hours)  
This course explores the Black Freedom Struggle from the Civil Rights Movement to Black Power and into Black Lives Matter. How have African Americans mobilized to secure recognition of human dignity from the American Political system? How did the Freedom Struggle shape American culture? By studying the Civil Rights Movement in America, this class opens up conversation on the central issues of American history: race, racism, rights, and freedom.
AMST 30190  Religion in America  (3 Credit Hours)  
This course introduces students to the history of religion in the lands that became the United States. it focuses on how diverse peoples imagined and transformed the landscape, interacted with one another at different sites, and moved within and across borders. It is divided into two main sections. We begin --and end--by asking: How should we tell the story of religion in America? To help students clarify their thinking and provide them with a wide variety of intriguing sources, the next two sections introduce different ways to tell that story--by chronology or theme. Section one provides an historical overview, telling the story of U.S. religion by tracing chronological shifts, and we turn in the next section to explore a series of theses drawing on varied sources from multiple groups and historical periods. The topics we discuss in that section include gender, sexuality, science, class, race, ethnicity, violence, politics, pluralism, and law. Along the way, students plan and write a research paper on a topic of their choice and present their findings to the class. At the end, we circle back to the questions we posted at the start-how do we tell the story of U.S. religion?-as we write our own narrative on the last day of class.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30191  Black Geographies: Power and Difference in the Americas and Beyond  (3 Credit Hours)  
This course explores the emerging sub field of Black geographies through an American studies framework. Black activists and artists as well as scholars in geography, Africana studies, anthropology, history, and many other fields have begun to use Black geographic theory as an analytic: to think critically about Black space making practices, to recover hidden and suppressed histories, to reorient Black folks relationship to the environment, and to grapple with the ways power is shaped differently at various scales in various places. In this course, we will examine the development of Black geographies as a school of thought in field geography. We examine its relationship to the field of Black Studies through Black Feminist Thought, the Black Radical Tradition, and Black ecologies. And finally, we will think carefully and critically about the way Black spaces and places are produced in the Americas (and slightly beyond) to understand how the Americas have been underwritten socially, culturally, economically, and politically by Black geographies.
AMST 30192  Sports and American Culture  (3 Credit Hours)  
Sports play a big role in American culture. From pick up soccer and the Baraka Bouts to fantasy football and the Olympics, sports articulate American identities, priorities, aspirations, and concerns. They reflect our dominant values but also highlight our divisions and serve as a means to question those values. Athletes, organizers, spectators, fans, and the media all have a stake. This course will examine sport's role in American society and culture thematically, covering the late 19th century to present and paying special attention to sport as a physical performance (including issues of danger, drugs, disability, spectatorship, and fandom), sport as an expression of identity (the construction of race, gender, class, community, and nation), sport as a form of labor (with issues of power and control, safety, and amateurism), and sport as a cultural narrative (how do writers, historians, and the media attach meaning to it?). We will examine history, journalism, documentary film, and television coverage; topics will range from Victorian bicyclists and early college football to Muhammad Ali. Requirements include reading and regular discussion, a variety of short analytical papers, and a culminating project in which students will choose one course theme to analyze through a topic of their own choice.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30193  Malls of America: Consumption, Culture, and Capital  (3 Credit Hours)  
In the 20th century, the “Mall” was an indelible component of the American Dream. It was a social, economic, and cultural space that signified American prosperity alongside automobile and home ownership. However, in the 21 st century, the mall is no longer the center of conspicuous consumption in the US.  Instead, it has become a site of fiscal crisis, it has been dislodged from the cultural imagination, and it has firmly been replaced by Amazon and Instacart as the premier intermediaries of consumption. While its physical “ruins “have become a dystopic reminder of decline, stagnation, and obsolesce illustrating what happens when capital is injected and then forcibly extracted from the landscape. This course will examine the complex relationship between the “Mall” and American culture through popular culture, print media, digital media, planning and zoning ordinances, retail practices, and technological innovation. From the Mall of America in Minneapolis to The Grove in Los Angeles to The Galleria in Houston, the “Mall” will serve as an entry point to think about America at its current moment. Central to this course will be understanding the roles that technology, consumer culture, and capital accumulation and dispossession play in contemporary US culture.
AMST 30195  Local Reporting  (3 Credit Hours)  
What role does a local reporter play in their community? How does the unique nature of a small community impact the journalism profession? Local reporters are the backbone of journalism, an unsung majority holding up a field on minimal resources and stretched for time. Oftentimes, local reporters are the only members of the public present at government meetings where decisions are made that impact everyone in a municipality. This class is meant to prepare you for the work required to be a reporter in a small community. This class will revolve around consuming, understanding, and producing local journalism. Students will write local news stories, read examples of good local reporting, and interact with local and regional journalists. Students will learn to understand their unique local audience, and how to interpret the importance of news for that audience and through their lens. Note: the only required text for this course will be a subscription to a local newspaper.
AMST 30196  Religion and American Culture  (3 Credit Hours)  
How has religion shaped American culture and politics? According to one story we tell, the First Amendment of the U.S. Constitution declared the separation of church and state, but that wall of separation has always been more porous than many have expected–or desired. And it never separated religion from American culture. Indeed, some historians argue that the separation of church and state spurred Americans to become even more religious in their daily lives and in public culture. And the United States has become one of the most devout–and most religiously diverse–countries in the modern world. Religious people, ideas, and practices have shaped how Americans understand politics, identity, race, gender and sexuality, immigration, community, democracy, and freedom. Religion animates our visual art, literature, music, and film. It moves people to take up arms against perceived enemies and to call for nonviolent civil disobedience. It provides moral comfort and spiritual frustration in turn. Thinking across American history and culture, this course asks how we ought to understand the role of religion in the United States. We will read leading scholarship in the study of U.S. religion alongside a broad range of historical and contemporary sources, including material culture and film. Students will also have the opportunity to pursue their own research on topics that interest them.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30197  Public Art & Memory in America  (3 Credit Hours)  
Public art is a major facet of modern and contemporary American culture and is often controversial: in the 1980s, the Vietnam Veterans Memorial was criticized by some for being "anti-American," in the 1990s, the Smithsonian cancelled an exhibit on the atomic bombing of Hiroshima after certain members of Congress said it was not "patriotically correct," in the 2000s, the design and construction of the National September 11 Memorial (dedicated in New York in 2011) was beset by protests. This course examines the politics and aesthetics of public art in America from the perspectives of its producers and audiences. What is public art? Why is it made? Who is it for? How and why does it embody tensions in American culture and society regarding identity, authority, and taste? Specific topics to be explored include American memorials and remembrance rituals, the development of the public art "industry," community art projects (such as murals), national arts programs and policies, landscape architecture, tourism, museums, and national fairs. Our objectives are to recognize how public art shapes and directs local and national understandings of history and memory, self and society, in the United States. Course includes field trips; students will develop their own "Wiki Public Art" pages.

Enrollment is limited to students with a program in American Studies.

AMST 30199  Race, Migration, and Deportation  (3 Credit Hours)  
This course examines the histories, politics, and lived experiences of deportation and detention in the United States. Drawing on scholarship from ethnic studies, sociology, and law, the course explores how immigration enforcement and removal policies have been shaped by race, empire, and global migration from Chinese exclusion to the current moment. Particular attention is given to Asian American deportation experiences, including those involving communities from Vietnam, Cambodia, and Laos, alongside Latine, African, and other migrant communities. The course also examines transnational lives after return, including family separation, health, labor integration, and community organizing across borders. Through analysis of memoir, oral histories, policy, film, and media, students will consider stories of resistance and abolition, as well as how deportation reshapes families, social mobility, and identities.
AMST 30200  Apocalypse Now: Reading End-of-the-World Narratives in American Literature  (3 Credit Hours)  
The world is ending, and, surprisingly, has ended multiple times throughout history. Terrible events have occurred, and are occurring as we move through climate change, the Covid pandemic, and international wars. Yet, in the moment of apocalypse that, as James Berger notes, “burns away layers of habits of perception,” our perception is made anew and we begin to create new histories, narratives, and futures through the debris of trauma. This course will look into literary and cinematic representations of apocalypse that reflect, annihilate, revolutionize, or reconfigure the economic, social, demographic changes in US society. We will begin by discussing how (post)apocalyptic narratives reinforce the traditional binaries of Global North and South, self and other, by illustrating contact with the non-white race – both physical and psychological - as “the End.” We will then move on to see how other writers like Toni Morrison and Gloria Anzaldua rework this genre as they revisit the traumatic sites of history to identify the cultural symptoms and allow the unmourned ghosts to speak.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30201  Haunting in American Literature  (3 Credit Hours)  
Description: In this course, we will examine writers who engage ghosts, haunting, and the supernatural to explore how oppressive systems of power, though pervasive, are rendered imperceptible due to their historical persistence. We will unpack how writers engage with ghosts and the supernatural to interrogate issues of power, gender, race, sexuality, and class. We will critically examine what these classed, gendered, and raced intersections reveal to us about American culture, ideology, history, identity, and future trajectories. We will interrogate, reflect, and deconstruct how writers affirm, challenge, and negotiate identity and conceptualize American society through their engagement with ghosts.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30203  Black American Horror Aesthetics in Literature and Film  (3 Credit Hours)  
Considering the contemporary rise in the aesthetics of the genre of black horror, this course will explore literary and artistic horror(s) that black artists examine in America. We will work to study how black horror reminds us of the power of crafting narratives in America. We will be watching numerous horror films and shows and reading numerous literary authors. We will be reading and working with authors like: Toni Morrison, Richard Wright, Gwendolyn Brooks, James Baldwin, Octavia Butler, and many others. A close observation of this genre will allow us to question what constitutes horror and how is it connected to the humanities, law, and elements of science as well? This course is designed to help you build sound critical arguments and analysis by writing multiple genres of essays like a narrative essay, a close analysis essay, a podcast essay, and a final research essay.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30204  Novels of American Naturalism  (3 Credit Hours)  
In this course we will undertake a comparative survey of the materialisms of twentieth-century American naturalist novels, tracing a trajectory from turn-of-the-century texts by Frank Norris and Stephen Crane, to the neo-naturalist fiction of a few decades later that operated alongside developments in modernist literary form (Gertrude Stein, Ann Petry, John Steinbeck), and concluding with a look at its postwar resurgence in the novels of authors such as Don DeLillo and Cormac McCarthy. We will also discuss the return to these novels in recent films including There Will Be Blood and No Country for Old Men. Students will be asked to write one short formal analysis and two mid-length papers, in addition to regular discussion assignments.
AMST 30205  In Search of the Great American Novel  (3 Credit Hours)  
In this course, we will discuss debates surrounding the Great American Novel, including examples on and off the syllabus. Why don’t we begin with Moby-Dick or The Last of the Mohicans, you might ask? Which William Faulkner and Toni Morrison novel can you possibly choose? What happened to the Nobel Prize winners Pearl Buck and Saul Bellow? Does the Great American Novel have to be a hefty tome, or can it be shortish? Does it have to engage with lofty ideals or can it be thoroughly ensconced in everyday life? Is it national, anti-national, or regional? How does it approach the problems of universality? This course will offer a broad examination of novels that might contend for the title of the Great American Novel, while also taking a thorough look at each individual example. As a result, the course will be a mixture of lecture and seminar discussion, with an attention to how books were historically received as well as how they resonate (or don’t) in the present moment. We’ll be reading some books that have long been considered Great American Novels—Adventures of Huckleberry Finn and Invisible Man, for example—as well as books that might cause us to reconsider the very idea of a Great American Novel in the first place. Note: students with majors from outside the cross-listed departments should contact the professor to request admittance.
AMST 30206  In Some Glamorous Country: The New York School Poets  (3 Credit Hours)  
In this course, we will deploy critical and creative modes of inquiry as we undertake a survey of mid- to late twentieth-century American poetry arising from New York City, which in the postwar period became a nexus of literary and artistic experimentation. It is within this geographic and historical framework that the New York School of Poets coalesced around the core figures of Frank O'Hara, John Ashbery, Kenneth Koch, Barbara Guest, and James Schuyler. Focusing on this dynamic array of poets as well as their precursors (e.g., Langston Hughes, Gertrude Stein, Federico García Lorca), fellow travelers (e.g., Allen Ginsberg, Amiri Baraka, Frank Lima), and subsequent "generations" of New York poets (e.g., Joe Brainard, Bernadette Mayer, John Yau), we will consider how lines of affinity and intimacy as well as the cultural reverberations of the city drew together writers so diverse in outlook and method that Ashbery remarked, "our program is the absence of any program." In this light, to figure out what it means to be part of the this anti-programmatic community, we will explore how the New York School intersected with the Beats, the Black Arts Movement, the Boston and San Francisco Renaissances, the Nuyorican Movement, and L=A=N=G=U=A=G=E Poetry—prompting us to consider how the concept of an avant-garde becomes, in this period, a ramifying network of friends, lovers, and intellectual rivals engaged in aesthetic cross-pollination. Our undertaking will be attentive to the intermedial dialogue between these poets and New York painters (e.g., Willem de Kooning, Fairfield Porter, Jane Freilicher), methods of collaboration, the influence of postmodern theory, and how race, gender, sexuality, and place shaped what has been cited as one of the most enduringly influential bodies of literature in the postwar world. Assignments will engage students' critical and creative talents.
AMST 30207  Gender & Sexuality in American Drama  (3 Credit Hours)  
Ever since Nora Helmer walked out on her husband and slammed the door in Henrik Ibsen's 1879 play A Doll's House, modern drama has been closely connected with the struggles to redefine gender and sexuality that have shaped the twentieth and twenty-first century. In this course, we will look at how this story plays out on the American stage, as we examine the works of American playwrights who have participated in the many long-running debates about gender and sexuality in modern and contemporary America. We will read both canonical American playwrights - Eugene O'Neill, Tennessee Williams, Lillian Hellman, Arthur Miller, Edward Albee, Lorraine Hansberry, etc. - and a variety of contemporary American playwrights, including but not necessarily limited to Maria Irene Fornes, Tony Kushner, Sara Ruhl, and Susan Lori-Parks.
AMST 30209  Literature of Reconstruction and the Gilded Age  (3 Credit Hours)  
This new course highlights literary works written in the 40 years after the American Civil War, spanning the Reconstruction era and the Gilded Age. The era's fiction was remarkably innovative, and writers from the U.S. took their place on a global stage in a way rarely seen before. We will explore the riches, reading major novels by Henry James (Portrait of a Lady), Mark Twain (Huckleberry Finn), Stephen Crane (The Red Badge of Courage), Kate Chopin (The Awakening), Charles Chesnutt (The Marrow of Tradition), Simon Pokagon (Queen of the Woods), and Edith Wharton (The House of Mirth). Short stories by Sarah Orne Jewett ("A White Heron") and Charlotte Perkins Gilman ("The Yellow Wallpaper") will round things out. The end of the Civil War produced abiding conflicts over race and questions about the future of American democracy, which we will consider in works by Walt Whitman (Democratic Vistas and selected poetry), along with selections from the postbellum writings of Frederick Douglass and Ida B. Wells-Barnett's anti-lynching journalism. This volatile period of territorial expansion, income inequality, domestic political and racial conflict, large-scale immigration, and rising international influence transformed the United States from a largely homogeneous and agrarian society to a version of what it is today. We are living in what is sometimes described as a "Second Gilded Age," while Reconstruction has become the subject of renewed attention in connection with the persistence of racial injustice. The historical context, and its parallels with the present, will provide an animating framework for our close readings of the literature. There will be around 25 pages of writing, with specific assignments at the beginning of the semester. Participation - possibly including an oral report - will also factor in the final grade.
AMST 30210  Early American Horror Stories  (3 Credit Hours)  
Proposing a broad definition of "horror," this course features authors often associated with grisly topics, such as Hawthorne and Poe, yet it also highlights nonfiction accounts of horrific experience, such as those by Mary Rowlandson and Harriet Jacobs. The course also explores terrifying imagery in the sermons of Jonathan Edwards and the Civil War poetry of Whitman. Ultimately, this course invites us to query the effectiveness of horror, fear, and the like as literary techniques. Why do we enjoy these texts (or not)? What is their effectiveness on readers' engagement and authors' persuasiveness? Moreover, what do these authors suggest as the sources of horror, and how do we address them as literary critics?
AMST 30211  Literature in Times of Change: The Case of Reconstruction  (3 Credit Hours)  
How can a nation rebuild after being ripped apart by extreme polarization? What happens when a group of people who have been excluded from a national project seek to join that national project on equal footing? And what is the role for writers, musicians, and intellectuals in these projects of national transformation? In this upper-level seminar, we’ll do a deep dive into American literature of the Reconstruction era. Reconstruction formally lasted from the end of the Civil War in 1865 until the Compromise of 1877, but its attendant political and social effects—and the ramifications of the project’s undermining and abandonment—continued to shape American life, especially for African Americans, for many more years, and in the literature of the period, writers explored and experimented with what role literature could play in times of massive political and cultural flux. We will read novels and poetry by writers including Francis E.W. Harper, Charles W. Chesnutt, Pauline E. Hopkins, and Albion Tourgee, alongside works by the major Black intellectuals of the period—Frederick Douglass, Booker T. Washington, and W.E.B. Du Bois—and more recent critical assessments by literary scholars including Saidiya Hartman and Hazel Carby. Coursework will include a robust reading load, required in-class presentations, seminar papers, reading responses, and original research.
AMST 30213  "Remembering the Ladies": Literatures of Reform and Revolution in Early America  (3 Credit Hours)  
"...and by the way, in the new Code of Laws ... I desire you would Remember the Ladies, and be more generous and favourable to them than your ancestors." - Abigail Adams, Letter to her husband, John, March 31, 1776 In this course we will consider the ways in which women writers shaped social, political, and religious dialogue from the British colonial period to the 21st century in North America. Taking up Abigail Adams' charge to "Remember the Ladies," we will ask how American women writers took up the mantle for social change, adapting and inventing literary tools to fit their reforming interests. We will explore a variety of genres from personal poetry to political declarations, considering how women writers over the course of three centuries both unsettled and reenforced systems of social hierarchy and inequality, applying the questions these reformers asked to our own present-day experiences. Throughout our reading, writing, and class discussions, we will continually return to the guiding questions of the course: In what ways do women writers complicate, dismantle, or otherwise reinscribe systems of inequality in early America? And what can we, in our twenty-first-century context, learn from them?
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30214  Sense of Place in American Lit  (3 Credit Hours)  
For the last five centuries, American literatures have reflected diverse and changing relationships between people and their environment. Scholars in human geography and other fields call this a sense of place, our "sixth sense." In some instances, sense of place is so strong, so deeply imbued with meaning, that it becomes a part of individual or cultural identity, such as one's childhood home, famous historical landmarks, fictional landscapes, and even Notre Dame's campus. This course explores the many ways American writers have represented senses of place - and senses of being displaced, or of placelessness - in literary prose. What does it mean to belong to a place? How does connection to place impact specific literary traditions? What is our responsibility to place, and how might notions of place help us understand diverse people and cultures? We'll consider these questions throughout the term in class discussions and in formal papers, and students will explore their own sense of place in regular informal writing assignments.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30223  Multiethnic Literatures of Chicago  (3 Credit Hours)  
Lifelong Chicago resident Gwendolyn Brooks once said of her Bronzeville home, "If you wanted a poem, you had only to look out of a window." This "life in the raw" that inspired the Pulitzer-winning poet has also spoken to generations of Chicago writers and poets. What can the writing of Chicago, a place proud of its diversity but dogged by inequities, tell us about race and citizenship in the U.S.? And what does it even mean to talk about the literature(s) of a city? We'll tackle these big questions as we learn about the 1893 World Fair; the Chicago Renaissance; the Great Migration; The Black Arts Movement; the Latino Arts Movement; and Chicago's contemporary literary scene. Through discussion, several short writing assignments, and a longer, research essay, we'll sharpen our analytical and writing skills and seek to become empathetic but also critical readers of Chicago's writers of color.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30224  Keeping it Real-ism: Constructing Reality in U.S. Fiction  (3 Credit Hours)  
What does it mean when we label something - an experience, a story, a work of art - as "real" or "realistic"? How do we evaluate the correspondence between reality and fiction? Literary realism has often been associated with a steadfast and often unimaginative faithfulness to reality. In this course, we will read realism differently. Studying the evolution of literary realism, we will consider how writers and their narratives struggle to reflect their fidelity to the real-world and art-world. What happens when narrative worlds cannot be reduced to or "pin down" reality? We will focus on the creative and imaginative, often experimental, capacity of literary realism that works to defamiliarize, multiply, or challenge constructed realities. Humans, as Gertrude Stein wrote, "are interested in two things. They are interested in reality and interested in telling about it." This course will take up the study of American literary realism to trace how these two interests intersect in how we construct representations of reality. We will consider different forms of realism, from social realism, naturalism, and magical realism to realism in philosophy, pop-culture, film and television, and videogames.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30244  Citizenship and the American Novel  (3 Credit Hours)  
This course will explore how civic life has been represented in classic American fiction. We will take up questions of form and style as they relate to distinctive visions of US citizenship in Nathaniel Hawthorne's House of the Seven Gables (1851), Harriet Beecher Stowe's Uncle Tom's Cabin (1852), Henry Adams's Democracy: An American Romance (1880), Upton Sinclair's The Jungle (1906), Ralph Ellison's Invisible Man (1952), and Chang-Rae Lee's Native Speaker (1995). Several of these novels are quite long, so be prepared to do a good amount of reading. Course requirements include regular attendance and consistent high-quality participation; presentations and/or group work; and a mix of short and longer writing assignments totaling around 25 page
AMST 30247   "How Fully Can We Feel in the Doing": Labor in American Literature  (3 Credit Hours)  
In this course, we will examine the role of labor in American literature from the decades before the Civil War to the late 20th century through the critical lens of Audre Lorde's theorization of the erotic. Through this theorization, Lorde identifies the intimate and varying relationships to power that are revealed when gender identity, race, sexuality, and class intersect with labor in U.S. American culture. We will critically examine what these classed, gendered, and raced aspects of labor reveal about American culture, ideology, identity, and future trajectories. We will interrogate, reflect, and deconstruct how writers affirm, challenge, and negotiate identity and conceptualize American society through representations of labor.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 30249  American Modernisms  (3 Credit Hours)  
Discussions of the late nineteenth and early twentieth century literary and cultural movement of Modernism often center on those qualities of the movement described in the work of early Modernist literary critics, such as Harry Levin or Edmund Wilson. Such examinations emphasize the Modern movement's experiments in form, structure, linguistic representation, characterization, etc., while paying much less attention to the role of the Modernist movement in the larger context of a given culture. In this course, we will explore the significance of the Modern movement from the perspective of American culture, as well as the manner and meaning of American literary participation in the movement. To that end, we will consider not only the work of authors generally accepted as Modernists, such as F. Scott Fitzgerald, Ernest Hemingway and Gertrude Stein; we will also consider the role of authors such as Sherwood Anderson and Waldo Frank, of the early Chicago Renaissance (1910 - 1925), and a number of authors from the Harlem Renaissance. We will examine the work of these authors not only in the context of Modernism, but also as it relates to many issues of the day, including progressivism, primitivism, race and ethnicity, immigration, cosmopolitanism vs. regionalism, and the importance of the vernacular, in addition to the question of "Americanness" and its importance to an understanding of American literature during this time. Considering these different vantage points in American literary Modernism, we will try to imagine the contours of "American Modernisms," and draw some conclusions about their significance within the larger Modernist context. In so doing, we'll seek to arrive at a more comprehensive, more nuanced perspective on the meaning of the Modern in American literature and culture. Course texts: Edith Wharton, <i>Age of Innocence</i>; Willa Cather, <i>O Pioneers!</i>; Sherwood Anderson, <i>Dark Laughter</i>; Waldo Frank,<i> Holiday</i>; Theodore Dreiser, <i>Sister Carrie</i>; Ernest Hemingway, <i>Torrents of Spring</i>; F. Scott Fitzgerald, <i>The Great Gatsby</i>; Gertrude Stein, <i>Three Lives</i>; Jessie Fauset, <i>Plum Bun</i>; Jean Toomer, <i>Cane</i>; William Faulkner, <i>Absalom! Absalom!</i> Course Requirements: Two 10-page essays, one mini-presentation, one larger presentation
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 30250  American Prophets: U.S. Poetry and Social Protest  (3 Credit Hours)  
American poets have long used their poetry to speak truth to power, writing against war, racialized injustice, gender and income inequality, and the climate crisis. Figuring themselves as spokespoets for the nation, many see this kind of writing as prophetic work. But what is the nature of prophecy in American poetry? What do prophetic poets sound like, and what kind of poems do they write? How do we know a prophet when we hear one? In this course, students will explore the various traditions of prophetic poetry in the U.S., applying theories from the Black prophetic tradition, Jewish and feminist criticism, and others. Readings include American poets from the nineteenth century through the present day, including: Walt Whitman, Allen Ginsberg, Gwendolyn Brooks, Adrienne Rich, Kaveh Akbar, and others. At the end of the semester, students will research social protest poetry relating to a cause of their choice, and propose an addition to the syllabus, arguing for their own definition of what makes an American poet a prophet.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30255  American Migrant Communities  (3 Credit Hours)  
In this class, we will explore various American migrant communities. Along with Sui Sin Far's Mrs. Spring Fragrance, we will begin with W.E.B. DuBois's classic sociological and literary text, The Souls of Black Folk, initiating the semester with a provocative and urgent question: Should we consider the European colonists the paradigmatic bearers of American identity, or rather the people whose labor and/or land was used to build the United States? By pursuing this question, we will explore the many facets and difficulties of American identity. We will end the semester with Janet Campbell Hale's Women on the Run. Thus, rather than positioning American Indians at the beginning of American history - and thus repeating the myth of their disappearance - we will end with an exploration of what it means to survive, renew, and flourish in contemporary America, a question made particularly poignant and potent in Hale's novel.The various migrant communities we will explore are: African Americans, Chinese Americans, Caribbean Americans, Filipino Americans, Anglo Americans, Southern Americans, "Okies," Armenian Americans, Mexican Americans, Dominican Americans, and American Indians. While this is by no means exhaustive, it gives us an idea of the diversity of peoples who find themselves in the demonym "American" - and what it means to navigate this identity as a migrant. What are the benefits and pitfalls of migration? What should one's relationship be to assimilation? What does migration do to the idea of homeland? As you can see, we will also tackle tough political issues while keeping in mind the role of literature in creating identities: national, local, ethnic, and racial (and that's just the beginning). Although we will be working chronologically through the 20th Century, our progress will be atypical. Our circuitous route through the literature in this class will be a literary journey that echoes the various movements of people in the American 20th Century. Potential course texts include: Mrs. Spring Fragrance, Sui sin Far (Edith Maude Eaton); Bread Givers, Anzia Yezierska; Quicksand, Nella Larsen; Whose Names Are Unknown, Sanora Babb; My Name is Aram, William Saroyan; Migration (series of paintings), Jacob Lawrence; America Is in the Heart, Carlos Bulosan; Maude Martha, Gwendolyn Brooks; ...y no se lo tragó la tierra, Tomás Rivera; The Rain God, Arturo Islas; How The Garcia Girls Lost Their Accents, Julia Alvarez; Women on the Run, Janet Campbell Hale.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30271  American Literary Traditions I  (3 Credit Hours)  
"Nations are narratives" - so our historians tell us. That means the voices of a nation's artists and writers help to tell us who we are, even to create our very identity as a nation. So what are the narratives of our nation, the United States? This course traces the emergence of what we now know as "America" from the small and struggling British colonies of Virginia and New England, founded early in the 1600s on lands cultivated for millennia by Native Americans. We will consider the early "contact zones" in which settler societies from Europe met and mingled with indigenous Native American cultures, languages, and literatures; the institution of slavery as the foundation of American economies, and the growing contributions of free and enslaved African-Americans to the development of a distinctive American voice and literary tradition; and the literature of the American Revolution that established the United States as an independent nation. Finally, we will conclude with several works from the American Renaissance that characterize an emerging modern American literary tradition.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  

Enrollment is limited to students with a program in American Studies.

AMST 30272  American Lit Traditions II  (3 Credit Hours)  
In this course, we will study landmark literary works published in the United States from 1865 to the present. Reading closely, we will track fundamental tensions in the history of this nation and its literatures, including tradition/change, inclusion/exclusion, and unity/diversity. Proceeding from an understanding of US literature as multiracial and polyvocal, our historically grounded units will bring us through major developments including Reconstruction, realism and naturalism, modernism, midcentury social movements, postmodern narrative innovations, and contemporary engagements with the past that never really goes away. We will read novels, short stories, poems, and essays, and we'll also attend to popular music and other forms of art and media that influence US literature. Texts will include works by Charles Chesnutt, W.E.B. Du Bois, Henry James, Jack London, T.S. Eliot, Gertrude Stein, James Baldwin, Thomas Pynchon, Toni Morrison, Jennifer Egan, and many others.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  

Enrollment is limited to students with a program in American Studies.

AMST 30279  Sound, Popular Music, and American Literature  (3 Credit Hours)  
US literature and popular music between the mid-19th century and the end of World War II. This interdisciplinary course will incorporate methods from performance studies, sound studies, and musicology in addition to literary criticism. We will read key works of American prose (as well as some poetry) from the period's principal literary movements, including realism, naturalism, modernism, and multimedia documentary. We will also listen to musical works--Broadway tunes and blues songs, spirituals and symphonies. We'll pay particular attention to how segregation and other racial politics, changing roles for women, and the mass production of commodities influenced the art of this period. Texts will include writing by Stephen Crane, W.E.B. Du Bois, Charlotte Perkins Gilman, Ernest Hemingway, Langston Hughes, Harriet Jacobs, and Edith Wharton, as well as music by George M. Cohan, George Gershwin, Scott Joplin, Paul Robeson, and Bessie Smith. Course requirements will include two argumentative essays, several shorter writing assignments, regular online reading responses, and active class participation.
AMST 30295  In a Glamorous Country: The New York School Poets  (3 Credit Hours)  
In this course, we will deploy critical and creative modes of inquiry as we undertake a survey of mid- to late-twentieth-century American poetry arising from New York City, which in the postwar period became a nexus of literary and artistic experimentation. It is within this geographic and historical framework that the New York School of Poets coalesced around the core figures of Frank O'Hara, John Ashbery, Kenneth Koch, Barbara Guest, and James Schuyler. Focusing on this dynamic array of poets as well as their precursors (e.g., Langston Hughes, Gertrude Stein, Federico García Lorca), fellow travelers (e.g., Allen Ginsberg, Amiri Baraka, Frank Lima), and subsequent "generations" of New York poets (e.g., Joe Brainard, Bernadette Mayer, John Yau), we will consider how lines of affinity and intimacy, as well as the cultural reverberations of the city,drew together writers so diverse in outlook and method that Ashbery remarked, "our program is the absence of any program." In this light, to figure out what it means to be part of this anti-programmatic community, we will explore how the New York School intersected with the Beats, the Black Arts Movement, the Boston and San Francisco Renaissances, the Nuyorican Movement, and L=A=N=G=U=A=G=E Poetry - prompting us to consider how the concept of an avant-garde becomes, in this period, a ramifying network of friends, lovers, and intellectual rivals engaged in aesthetic cross-pollination. Our undertaking will be attentive to the intermedial dialogue between these poets and New York painters (e.g., Willem de Kooning, Fairfield Porter, Jane Freilicher), methods of collaboration, the influence of postmodern theory, and how race, gender, sexuality, and place shaped what has been cited as one of the most enduringly influential bodies of literature in the postwar world. Assignments will engage students' critical and creative talents.
AMST 30300  Frames of History: Latinx History through Graphic Novels   (3 Credit Hours)  
The legacy of comics is ever present in society today. Many graphic novels are present in culture today, from various streaming services to box office sensations and flops to superheroes. For decades, graphic novels have provided critiques of environmental pollution, racism, the urban crisis, xenophobia, and authoritarianism. From rewriting the history of Texas to advocating for labor rights for Latina domestic workers, Latina/o creators have turned to graphic novels as a medium for documenting and disseminating their history. This course offers a broad overview of and introduction to the production of Latina/o History through Graphic Novels. The course will balance a thematic approach of central themes throughout Latina/o History, such as migration, labor, and social movements, and the methodology and terminology of reading comics. Once the center point of culture wars, graphic narratives are increasingly accepted today as forms that cultivate sophisticated types of verbal-visual literacy that actively critique forms of knowledge and contemporary policies and offer alternative forms of history. This class will explore how Latina/o graphic narratives have long been an essential source of cultural expression and central to the Latina/o communities documenting their history on their terms. From revisionist accounts to biographies of leaders to instilling superpowers to child migrants and domestic workers, graphic novels offer a compelling perspective into complementary historical narratives.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30301  Global Catholicism  (3 Credit Hours)  
Global Catholicism will explore the past, present, and future of the Catholic Church from a variety of perspectives. The largest and oldest transnational organization in the world, the Catholic Church also embodies the people of God and the Body of Christ. It therefore lends itself to analysis from many academic disciplines, and, in this course, priority will be given to insights from theology and history, though with reference to other fields such as art history, literature, and the social sciences. Besides exploring the university’s art and archival collections, readings thus will include a novel, a memoir, primary sources both historical and theological, as well as analyses of pertinent issues and episodes that feature historical, theological, sociological, and anthropological approaches. There will also be a visit to Chicago’s Catholic parishes that reflect the Church’s global reach. Besides participation and engagement in class meetings, course requirements include regular brief responses to assigned readings, several group oral reports, and a mid-term and final exam. In addition, students will also prepare a final project that will seek to draw upon historical and theological reasoning to address a contemporary issue of importance for the Catholic Church, proposing a response to the issue from the perspective of a church leader (for example, a bishop, head of religious congregation, Catholic university president, etc.)
Satisfies the following University Core Requirements: WKCD-Core Cathol & Disciplines, WKHI - Core History  
AMST 30302  American Feminist Thought  (3 Credit Hours)  
This course traces American feminism from the margins of democratic thought in the eighteenth century to the center of modern political discourse and culture. Drawing on primary sources and recent scholarly work, we will investigate how the goals and meaning of feminism have changed over time, as well as how the boundaries drawn around who could and could not claim the title of "feminist" have shifted. We will approach feminism as an argument--not a received truth--responsive to contemporary historical developments and marked by divisions of race, class, sexual orientation, age, and religion. Course readings are organized around major turning points in the American feminist movement and chart significant continuities and contradictions that have animated each new wave, including questions of gender difference, economic dependence, reproductive rights, marriage, subjectivity, and citizenship.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30303  Picturing America: Photography in American History  (3 Credit Hours)  
This course explores the history of photography in America, and the history of America in photography. Beginning with the medium's introduction in 1839, we consider the many ways in which photographic images have been used (and abused) to advance arguments, demarcate social boundaries, define racial and ethnic types, document poverty and injustice, and capture conflict. This course is also about looking and seeing, and how to look and see. The images we will consider in their context come first as a form of beguiling transport to a moment in time—a scene, a person, a place that is more immediate than any painting, drawing, or description. But they also invite work. The picture is not just a view, it is also, we will work to understand, a point of view that we will work to explore, examine, and, as best we can, to inhabit as we reconstruct and recreate the points of view and assumptions that helped to make them. This course invites students to see how US history shaped the development of photographic styles and technologies and how photography, photographers, and photographs have changed the course of US history.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30304  Terrorism in American History  (3 Credit Hours)  
This course examines the role of terrorism in US history from the colonial era to the present day. Examining a wide range of violent networks and movements, we will consider how domestic and international terrorism have historically shaped national security considerations, immigration law, and the US criminal code. This course also introduces an interdisciplinary body of scholarship on terrorism and train students in researching FBI files, federal legislation, related government documents, and terrorism databases. Perhaps most importantly, we will consider the different ways that terrorists have challenged US commitments to the constitutional freedoms of speech, press, and association. Bombers, assassins, international terror networks, and online extremists have long tested the limits of American freedom. Sometimes, these actors have led public officials to weigh individual liberty against public safety and (inter)national security. The course focuses on US history since 1865, but we will spend the first three weeks exploring the deep roots of American terrorism in the colonial, early American, and antebellum pasts. Historians, sociologists, political scientists, criminologists, behavioral scientists, public officials, and even literary scholars debate the meaning of “terrorism.” Our class will develop and refine our own working definition, which will help us analyze how terrorism has shaped US life, law, and culture over the centuries.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30306  Women's Voices and Activism in American History  (3 Credit Hours)  
This course traces the history of American women’s activism and pursuit of equal rights from the late eighteen to the twenty-first century. Drawing on primary sources and recent scholarly work, we will investigate how the goals, meaning, and pursuit of gender equality in the United States have changed over time. We will also consider shifting attitudes toward the label “feminist” and how it has been historically understood and deployed. We will approach feminism as an argument—not a received truth—responsive to historical developments and marked by divisions of race, class, sexual orientation, age, and religion. Course readings are organized around major turning points in the American women’s movement and chart significant continuities and contradictions that have animated each new wave, including questions of gender difference, economic dependence, reproductive rights, marriage, subjectivity, and citizenship.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30313  U.S. Gilded Age and Progressive Era  (3 Credit Hours)  
This course offers an introduction to the history of the United States from Reconstruction through the First World War with particular emphasis on the social, cultural, and intellectual formations of the period. The United States made a dramatic transition in these years: from a predominantly agrarian and rural society to an urban, industrial society and imperial, world power. It is also said that in this period, a new, national, and distinctly modern culture emerged. We will test the merits of this claim and attempt to understand how Americans grappled with these broad transformations by examining the history of social formations, including class, race, and gender, together with the history of cultural formations - American popular culture, the adaptations of bourgeois culture, and the creation of mass culture. In reading sources such as short stories, poetry, political speeches, and novels, and analyzing photography, film, advertising, and architecture, we will explore the making of a modern America.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30317  Sport, America & the World  (3 Credit Hours)  
This course explores the history of American sport in global context. American football was one of a number of sports (including soccer, rugby and various "football" games) that emerged from common roots. Ice hockey began as a Canadian sport but grew popular in parts of the United States by fusing Canadian talent and management with American capital. Basketball was invented in Massachusetts by a foreign-born educator who viewed physical education as a religious calling, and his creation grew internationally, with the international game developing important differences from the American game. Since the time of sporting goods baron Albert Spalding, businessmen and politicians have used sport to try to market specific products, the American way of life, or a diplomatic agenda. Alone among the industrial nations, the United States developed a talent-development system centered on schools and colleges, with distinctive results - both for the athletes, and for higher education. This course will consider these and other issues.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30318  Law and Religion in US History  (3 Credit Hours)  
This course focuses on the historical tension between Americans' support for religious liberty under law and their belief that religious faith was essential to the success of the Republic. It will examine both official legal discourse, such as judges' rulings and popular understandings of the law as expressed in speeches and letters. Religious faith has taken many forms in the United States and so have the debates over its proper relation to the state Americans argued over how to define religious liberty. They argued over which religion best suited a republic. Some said God had made certain people inferior to citizenship, while others shot back that God had made all people equally capable. One man's piety was another man's oppression. One woman's equality was another woman's blasphemy.. We will look at the colonial background and the founders' concerns, the 19th century and its myriad of reform movements and state building, religion's role in legal thought and education, the Scopes Monkey Trial, pacifism during time of war, the Civil Rights movement and its opposition, and the rise of the New Right. Discussion will be the primary mode of instruction. In addition to a mid-term and final, there will be short writing assignments and an essay.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30321  U.S. Environmental History  (3 Credit Hours)  
This course is an introduction to the new field of environmental history. While many people think "The Environment" suddenly became important with the first "Earth Day" in 1970 (or a few years earlier), environmental issues have in fact long been of central importance. In recent decades historians have begun actively to explore the past sensibilities of various groups toward their surroundings and fellow creatures. They have also increasingly paid attention to the ways environmental factors have affected history. This course will range widely, from world history to the story of a single river, from arguments about climate change to the significance of pink flamingos, and will survey a number of types of history including cultural, demographic, religious, and animal.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30325  US Foreign Policy in Cold War  (3 Credit Hours)  
This course covers the main developments in American foreign relations from the Spanish-American War in 1898 through World War II. It traces the emergence of the United States as a major world power and examines in some detail how the United States became involved in the two world wars. A recurring theme will be the major traditions in America foreign policy and the ways in which these traditions influenced policy makers in the early years of the "American Century."
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30327  Interwar U.S.A.: Society and Culture, 1919-1939  (3 Credit Hours)  
This course considers U.S. history from the "Jazz Age" through the depression decade. Drawing on secondary literature and primary sources including novels, films, and non-fiction writing, we will focus especially on the social and cultural dimensions of consumerism, the rise of industrial unionism, religious fundamentalism, the resurgence of the Ku Klux Klan, prohibition, immigration restriction, and the Great Depression and New Deal. we will consider the U.S. role in the world through a period often characterized as one of American isolationism; understanding of capitalism between the roaring 20s and the descent into economic depression; and intellectual though and the participation of artists and intellectuals in public life.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30330  Moby-Dick and 19th Century America  (3 Credit Hours)  
"I but put that brow before you," Herman Melville wrote in his 1851 novel, Moby-Dick, "read it if you can." Melville was describing the brow of the mighty sperm whale, but his words apply equally to his mighty book. In this seminar, we can and will read Moby-Dick, Melville's maddening masterpiece. We will read Moby-Dick as an invitation into its multiple historical contexts in the 19th-century American and wider worlds. We will explore the world of whaling and the age of sail, the ecological and imaginary expanses of the 19th-century ocean, the intellectual and literary culture of the "American Renaissance," and a nation on a collision course with itself over slavery and empire.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKHI - Core History  
AMST 30331  U.S. Civil War and Reconstruction, 1848-77  (3 Credit Hours)  
Through intensive reading and writing students will explore the social and cultural history of America's most costly war. We will focus on various topics as they relate to the war: antebellum origins, religion, gender, Lincoln's reasons for waging war, dead bodies, freedmen's families, black soldiers, and the uses of war memory. This will not be a guns-and-generals-smell-the-smoke course, though knowledge of military matters can be helpful. We will ask and try to answer who really "won" and "lost" the war.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30332  Crime, Heredity, and Insanity in American History  (3 Credit Hours)  
The 19th century witnessed a transformation in the understanding of the origins of criminal behavior in the United States. For many, a religious emphasis on humankind as sinful gave way to a belief in its inherent goodness. But if humans were naturally good, how could their evil actions be explained? Drawing on studies done here and abroad, American doctors, preachers, and lawyers debated whether environment, heredity, or free will determined the actions of the criminal. By the early 20th century, lawyers and doctors had largely succeeded in medicalizing criminality. Psychiatrists treated criminals as patients; judges invoked hereditary eugenics in sentencing criminals. Science, not sin, had apparently become the preferred mode of explanation for the origins of crime. But was this a better explanation than what had come before?
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30334  Boxing in America: History and Practice  (3 Credit Hours)  
In this course, we will study the history of boxing in the United States and learn a great deal about the craft of boxing, what commentators have called "the sweet science." The class will do so in conventional and innovative ways. The course will explore the story of boxing in America from the eighteenth to the twenty-first centuries. It will start in England and colonial America, move to places like nineteenth-century New York, New Orleans, and the California mining camps where boxing was transformed from a gambling pursuit among the working class into a mass spectator sport, examine the time when boxing became ascendant in America, and end in the late twentieth century when boxing was entangled with urban decay and changing race politics. The story of boxing is the story of America. The class will look at the rise of cities, mass migration, changing understandings of gender, race, and class, urban history, and the fortunes and misfortunes of postwar American culture.
Corequisites: HIST 22606  
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30362  Labor in America since 1945  (3 Credit Hours)  
This course explores the relationships among and between workers, employers, government policymakers, unions, and social movements since the end of World War II, as well as the ways in which those relationships have shaped and been shaped by American politics and culture more broadly. The United States emerged from the Second World War as the globe's unequaled economic and political power, and its citizens parlayed that preeminence into a long postwar economic boom that created, however imperfectly, the first truly mass middle-class society in world history. At the heart of that new society was the American labor movement, whose leaders and members ensured that at least some of the heady postwar profits made it into the wallets of workers and their families - and not just the wallets of union members, as working Americans generally experienced great improvement in wages, benefits, and economic opportunity during the quarter-century ending in 1970. During those same years, civil rights activists challenged the historic workplace discrimination that kept African Americans at the bottom of the labor market, confronting the racism of employers, unions, and the government, and inspiring others, primarily Mexican-Americans and women, to broaden the push for equality at the workplace. Since that time, however, Americans have experienced a transformation in the workplace -- an erosion of manufacturing and the massive growth of service and government work; a rapid decline in number of union members and power of organized labor; and unresolved conflicts over affirmative action to redress centuries of racial and gender discrimination. Meanwhile, income inequality and wealth disparities have grown every year over the past three decades. What accounts for the decline of organized labor since 1970, and why have the people of the mythic land of milk and honey experienced declining upward mobility and widening gaps between the rich and everyone else? Are these phenomena linked? What has the decline of the labor movement meant for workers specifically, and the American economy and politics more broadly? How and why have popular perceptions of unions changed over time? What has been the relationship of organized labor to the civil rights movement, feminism, modern conservatism, and the fortunes of individual freedom more broadly? What is globalization, and what has been its impact upon American workers? Through an exploration of historical scholarship, memoirs, polemical writings, and films, this course will try to answer these questions and many others. It will also address the prospects for working people and labor unions in the twenty-first century. This course satisfies the university history requirement and is open to all students; no previous knowledge of the topic is required.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30364  American Empires  (3 Credit Hours)  
This course is an introduction to colonial American history, from the first contact between Native Americans and European settlers, through the rise of what Thomas Jefferson called the American "Empire of Liberty." Approached through the lens of empires, the class provides a foundation for thinking about the emergence of the United States as a multi-ethnic nation and its ongoing global connections. Students will explore the missionary work of Jesuits and fur trappers in New France, the emergence of plantation-based slavery in the Caribbean and American South, Spanish imperial ambitions in the Southwest, Native American empires in the Great Plains, and the Westward expansion of the United States as a young nation. Less emphasis will be placed on memorizing facts and figures, and more attention will be given to identifying change over time related to social, political, religious, economic, and cultural themes. Students will ask and develop answers to questions like: What was new about the "New World" for both Europeans and Native Americans? How did Native Americans shape the course of European colonization? How did imperial rivalries and conflicts contribute to the outbreak of the American Revolution? When Jefferson referred to the United States as an "empire of liberty," what did he mean? Was the new nation an empire? Through the consultation of primary source material and in-class discussion, you will practice thinking historically. Students will be evaluated on class participation, a group timeline and podcast, in addition to a short midterm paper and final exam.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30375  The American Constitution  (3 Credit Hours)  
"The Constitution holds a unique place in American law and political culture. Not only is it the basis of the federal government, it provides the framework for political debates about all manner of controversial issues in modern America. Today, there is much talk of a "constitutional crisis" in the United States. What does this mean? How can a history help us make sense of the Constitution and of our politics? This course explores the historical context in which the American Constitution was framed, ratified, and amended over time. Together, we will ask and answer the questions of how and why it was written the way it was; how and why it gained legitimacy; and how it was put into practice and interpreted over time. The class will introduce students to central historical problems, which include: Is the American Constitution democratic? Did the Constitution codify slavery into law? Is originalism a useful and valid way to interpret the Constitution? Course readings will consist primarily of primary source material, though students will also read historical interpretations of the Constitution and the process of forming, amending, and interpreting it. The discussion-based class will empower students to think historically about the American Constitution by interpreting primary source material, building arguments about causes and effects of particular constitutional points, and intervening in scholarly dialogues about the founding and its legacy. Students will be evaluated primarily based on class participation, a short primary source analysis, a role-play activity, and a final paper. "
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30388  Gender at Work in US History  (3 Credit Hours)  
Gender has been fundamental to the organization of nearly all human societies, but what gender has meant in terms of identity, opportunity, and economic activity has varied widely across time and space. This course will explore gender at work in US history, taking a chronological approach to show gender's evolution and ongoing intersections with class, race, age, religion, region, and sexuality from 1776 to the near present. The term "gender at work" expresses a double meaning here -- first, it connotes that this is a labor history course, with an emphasis on the ways gender has operated at the workplace; second, it suggests the ubiquity of gender in shaping Americans' lives, experiences, and imaginations not only at the workplace, but also in formal politics, informal communities, and every space in between. By exploring the ways gender has been both omnipresent and contingent throughout US history, students should better understand -- and perhaps act upon -- seemingly intractable contemporary conundrums involving questions of equal opportunity and pay, household division of labor, work-life balance, and the proper relationships among employers, workers, households, and government.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30393  Consuming America  (3 Credit Hours)  
This course traces the development of consumer society in the United States from the colonial era through the late twentieth century. It asks how Americans came to define the "good life" as one marked by material abundance and how transformations in buying and selling have shaped American culture, politics, and national identity. One of our aims will be to develop a usable historical definition of consumer society and to evaluate when such a society emerged in the United States. We will examine the role that consumption has played in defining and policing ideals of gender, race, sexuality, and class. We will also consider how Americans have used consumer practices and spaces to advance political claims and notions of citizenship. The course is organized around key turning points in American consumer capitalism: the consumer boom of the eighteenth century; the market revolution and feminization of consumption; the birth of the department store; the rise of mass consumption and commercial leisure; the development of modern advertising and sales; the spread of chain stores and shopping malls; and the globalization of American consumer culture. In addition to recent scholarship and text-based primary sources, we will analyze artifacts of consumer culture, such as advertisements, catalogs, product labels, broadsides, film, and television.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30402  Black Politics in Multiracial America  (3 Credit Hours)  
This course undertakes a broad examination of black politics in multiracial America. Racial issues have provoked crises in American politics; changes in racial status have prompted American political institutions to operate in distinctive ways. The course examines the interface of black politics with and within the American political system. How successful have blacks been as they attempted to penetrate the electoral system in the post civil rights era. What conflicts and controversies have arisen as African Americans have sought to integrate the American system of power. Now that the laws have been changed to permit limited integration, should African Americans integrate politically, that is should they attempt to 'deracialize' their political appeals and strategy, with an effort to "crossover politically;" are some approaches such as those of President Barack Obama "not black enough?" What internal political challenges do African Americans face; some such as the increasing importance of class and socioeconomic factors, as well as gender and sexuality may reshape the definition of the black community. What intellectual challenges and strategic choices are they facing as the American population has grown increasingly multiracial. Finally, in light of these demographic changes in American life and American politics, how stable will past patterns of political participation, and political organizations and institutions of African American politics remain.
AMST 30403  Global Hispaniola: Empire to Exodus  (3 Credit Hours)  
Images of Hispañiola conjure up extreme contrasts. Romantic, sun-drenched beaches, heroic exploration and discovery, quaint relics, tourists, and happy-go-lucky natives merge in pleasing portraits of one side of the island. Rebellion and revolution, chaos and neglect coalesce menacingly at the other end. This course interrogates the taken-for-granted narrative of the antimony between the Dominican Republic versus Haiti and opens possibilities of recognizing the shared histories, politics, economies, and traditions of the two societies. In the first part of the semester, we examine how Spain’s neglected, undeveloped colony became a rising economic power, while the wealthiest “Pearl of the Antilles,” once freed of slavery and French colonial rule, confronted relentless depletion of its human and material resources. In the second part of the semester, we study the causes of the massive exodus from both countries over the past century. We focus on unanticipated consequences of diaspora, including the inspiration for those “outside” to transcend the borders dividing the “inside” of the island. We learn about innovative formations of transnational communities that span multiple sites linked by constant circulation of digital messages, videos and money, and the comings and goings of people, politicians, and spirits. We appreciate examples of the dynamic, expressive cultures of diasporan Haitians and Dominicans in prose, poetry, film, music, visual arts, and, last but never least, cuisine.
AMST 30404  Central American Narratives in the United States  (3 Credit Hours)  
This course centers the stories and cultural presence of Central Americans in the United States who, despite comprising one of the fastest-growing Latino groups, are often invisible and/or reduced to stereotypes. This course directly addresses this gap by tracing the literary and cultural narratives of Central American life as shaped by migration, transnationalism, labor, and U.S. policy. We will engage the history of Central American experiences of U.S.-led development and intervention in the region. We also study how Central American immigrants have made sense of their lives through literature and the arts, including fiction, poetry, film, theater, and music. Throughout the course, we consider how these narratives contend with race, ethnicity, indigeneity, class, gender, and sexuality. Syllabus will include works by creators from El Salvador, Guatemala, Nicaragua, Honduras, Panama, Costa Rica, and Belize, as well as Garífuna and Maya communities.
AMST 30405  The Cutting Edge in Latino Studies Research: Perspectives from Notre Dame  (3 Credit Hours)  
Notre Dame has been an incubator for state-of-the-art research in the interdisciplinary field of Latino Studies for several decades. This seminar delves deeply into newer research produced by scholars affiliated with the Institute for Latino Studies, the unit on campus that has fostered much of this work. Each week we will read recent research from an ILS-affiliated scholar and, most weeks, meet with the scholars themselves to discuss their research trajectories and current areas of research. Students will read and respond to research in a wide array of fields, prepare questions for visiting scholars, interview them in class, and respond to selected works in writing.
AMST 30406  Race/Ethnicity and American Politics  (3 Credit Hours)  
This course introduces students to the dynamics of the social and historical construction of race and ethnicity in American political life. The course explores the following core questions: What are race and ethnicity? What are the best ways to think about the impact of race and ethnicity on American citizens? What is the history of racial and ethnic formation in American political life? How do race and ethnicity link up with other identities animating political actions like gender and class? What role do American political institutions the Congress, presidency, judiciary, state and local governments, etc. play in constructing and maintaining these identity categories? Can these institutions ever be used to overcome the points of division in American society?
AMST 30407  The American Presidency  (3 Credit Hours)  
This course provides a political science perspective on the American presidency, covering the design elements of the office, fundamental features of presidential elections, the power of the presidency, and more.
AMST 30416  Ballads to Hip-Hop: Race, Music, and American Latinos  (3 Credit Hours)  
This course is designed to introduce students to important historical and stylistic musical developments as part of the cultural experience of ethnic Mexicans in the United States. To this end, we examine both music-making and performance as aesthetic dialects of the social texture of "everyday life". We will cover various styles and genres, including corridos (the Mexican ballad form), Chicano rock 'n- roll and hip-hop, jazz, and contemporary folk-derived styles (i.e. Banda, Pasito Duranguense, Norteño) with attention to their historical, political, and musical significance. In order we achieve our aims, the course is organized along two axes: one chronological, the other conceptual - neither complete. The chronological portion will allow us to survey the various genres, styles, and ensembles of ethnic Mexican musical production. We dovetail this effort with a focus on important themes and concepts, identity, race, gender, migration, hybridity, that pertain to the present and historical social conditions of this community. Our approach, such that we are dealing with music-cultures, is at once anthropological and ethnomusicological, yet we are guided more broadly, by the paradigm of cultural studies, as we interrogate the expressive terrain where history, language, performance, and social bodies intersect.

Enrollment is limited to students with a program in American Studies.

AMST 30428  U.S. Foreign Policy  (3 Credit Hours)  
The United States is the most powerful state in the world today. Its actions are important not just for US citizens, but they also affect whether others go to war, whether they will win their wars, whether they receive economic aid, whether they will go broke, or whether they will starve. What determines US foreign policy? What is the national interest? When do we go to war? Would you send US soldiers into war? If so, into which wars and for what reasons? How do our economic policies affect others? Does trade help or hurt the US economy and its citizens? We first study several theories about foreign policy. We then examine the US foreign policy process, including the President, Congress, the bureaucracy, the media, and public opinion. To see how this all works, we turn to the history of US foreign policy, from Washington's farewell address through the World Wars and the Cold War to the Gulf War. We then study several major issue areas, including weapons of mass destruction, trade and economics, and the environment. Finally, we develop and debate forecasts and strategies for the future.
Satisfies the following University Core Requirements: WKSS - Core Social Science  

Enrollment is limited to students with a program in American Studies.

AMST 30431  Race and Ethnicity in American Politics  (3 Credit Hours)  
This course introduces students to the dynamics of the social and historical construction of race and ethnicity in American political life. The course explores the following core questions: What are race and ethnicity? What are the best ways to think about the impact of race and ethnicity on American citizens? What is the history of racial and ethnic formation in American political life? How do race and ethnicity link up with other identities animating political actions like gender and class? What role do American political institutions the Congress, presidency, judiciary, state and local governments, etc. play in constructing and maintaining these identity categories? Can these institutions ever be used to overcome the points of division in American society?

Enrollment is limited to students with a program in American Studies.

AMST 30435  Landscapes of Urban Education  (3 Credit Hours)  
This seminar course explores the intersection of the physical realities of urban environments, race, and education and will be a question based seminar. As a group we will work to answer a cluster of questions surrounding the course topic in a systematic, interdisciplinary format. Questions may include: How does the physical landscape/structure of schools matter to urban education? How does the high concentration of poverty and racial segregation impact curriculum, school culture, and neighborhood? How do early childhood programming, college preparatory programs, and after school programs factor into the landscape of urban education? What are "best practices" involved with teaching in urban environments? The final question we will work on as a group will be: What are the implications of what we know about race and urban landscapes in propelling positive micro and macro level change for our educational system? This course demands a high level of class participation and student initiative.

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 30453  History of American Education: Race, Class, Gender and Politics  (3 Credit Hours)  
American Education mirrors American society with myriad challenges, successes, and ideologies. This course will look at how political struggles over race, language, gender, and class have all played out in the battle over American schools, schools that ultimately hold the literal future of America. This course will explore the History of Education in American from the late 1865 to the present and will have special emphasis on segregated schools in the 19th century and today. The course will also look closely at the very best programs re-shaping American education such as The Alliance for Catholic Education and KIPP. The course will look at education from Kindergarten all the way through graduate programs as we study how our institutions have formed and how they form and transform our society.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 30454  Creating Citizens: History Education in America  (3 Credit Hours)  
This course is not for the faint of heart, but will explore the feint, adept, and deft use of Civics and History courses to try and create one ideal American narrative in K-12 classrooms. History in American K-12 classrooms and beyond is always political! Historical thinking is also supposed to be an active way of learning and establishing new ideas when there are new pieces of information or additional epistemologies not a passive regurgitation of facts. Join this class to struggle with how a more representative curriculum might help foster better-rounded citizens and broader critical thinking skills. Historical narratives created and true are installed in American curricula to create ‘good citizens,’ but who determines what ‘good’ is and who and what ‘citizens’ are is an ever-changing pantheon of characters seeking god-like power over the nation’s past, with aspirations of helping shape and control the nation’s future. This course examines how historical events are molded and taught in curricula in different eras and shows the evolution of textbooks and curriculum firsthand. Students explore how early textbooks think of Native peoples as "Noble Savages" and how that ‘nobility’ disappears in later texts. We’ll have the opportunity to study the re-shaping of ethnic identities in the United States History curriculum and how the Cold War not only re-configures the size and orientation of the maps in our history books but also how the stories of other nations and their forms of government become commonplace slurs as a way to whip up righteousness for US policies in the Cold War and to quash rising ideologies connected to labor movements and those other nations simultaneously. We’ll examine the rise and righteousness of both sides of the current debate over Critical Race Theory in the K-12 classroom and so much more. You will have the opportunity to explore additional historical narratives of Native peoples and many different groups who immigrants by choice, force, and forced annexations and their representations in curricula. This course recognizes the privileges that race, class, and gender has played in creating the historical narrative for K-12 classrooms through the study of the groups who make decisions about what civics and historical lessons are taught to students in American schools in different eras. This course will have writing and research elements go through multiple drafts and the final version of student works is not just academic in nature but is to demonstrate that you can utilize your knowledge and understanding for the good, to in essence show ‘what you are fighting for’ in the parlance of all at Notre Dame working to bring academic thinking to the forefront for the common good. This course will require critical thinking, creative solutions and ideas on curricular philosophy, great classroom participation, a willingness to do original historical research, and a tremendous desire to share.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30459  Urban Politics  (3 Credit Hours)  
This course introduces students to major actors, institutions, processes, and policies of sub-state governments in the United States. Through an intensive comparative examination of historical and contemporary politics in city governments, we will gain an understanding of municipal government and its role within the larger contexts of state and national government.

Enrollment is limited to students with a program in American Studies.

AMST 30460  Introduction to Latino Studies  (3 Credit Hours)  
This course will examine the Latino experience in the United States, including the historical, cultural, and political foundations of Latino life. We will approach these topics comparatively, thus attention will be given to the various experiences of a multiplicity of Latino groups in the United States. This course has an optional community-engaged learning component with La Casa de Amistad.
Satisfies the following University Core Requirements: WKHI - Core History, WKSS - Core Social Science  

Enrollment is limited to students with a program in American Studies.

AMST 30463  Latinos in the Future of America: Building Transformative Leadership  (3 Credit Hours)  
This course will examine the opportunities and challenges facing Latino communities today as they simultaneously transform and are transformed by their continuing growth in U.S. society. Through a careful examination of the biographies of leaders in Latino communities, we will examine what role they have each played in empowering Latino communities to advance in business, arts, education, community organizing, entertainment, medicine, religion, law, academia, politics, and other areas. The course will coincide with the Transformative Latino Leadership Speaker Series sponsored by the Arthur Foundation through the Institute for Latino Studies. Students in the class will have the opportunity to interact with invited leaders in several setting including the classroom, meals, receptions, and university-wide events. The primary course requirement is a research essay about the life and career of a chosen leader.

Enrollment is limited to students with a program in American Studies.

AMST 30467  History of American Indian Education: Sociology, Race, Class, Gender, and Schooling  (3 Credit Hours)  
Work on a real-world project that can impact Native American education in the present while learning the history that shaped the modern era. Native American Education is deeply intertwined with American history, education, and policy. The current American government is seriously investigating the past uses of education as a tool for assimilation (and worse) in Native American communities. In 2022 the Pope went to Canada and apologized for the role the Church played in the residential boarding schools, and the Subcommittee on Native American issues for the USCCB is investigating the same here in the United States. This course blends primary source historical work with active and engaging projects with Native communities to engage students in both history and historical thought to do consulting and problem-solving that will help shape real policy in the present day! This class promises to be like no other course you’ve had and get you working with others in truly collaborative manners very quickly in the semester. Not in ESS? Write me and see what accommodations we can make!
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30468  American Politics  (3 Credit Hours)  
This course surveys the basic institutions and practices of American politics. The goal of the course is to gain a more systematic understanding of American politics that will help you become better informed and more articulate. The course examines the institutional and constitutional framework of American politics and identifies the key ideas needed to understand politics today. The reading and writing assignments have been designed not only to inform you, but also to help develop your analytic and research skills. The themes of the course include the logic and consequences of the separation of powers, the build-in biases of institutions and procedures, the origins and consequence of political reforms, and recent changes in American politics in the 21st century. This semester we will emphasize the significance of the upcoming 2016 elections, and the course will include election-related assignments. Although the course counts toward the Political Science major and will prepare prospective majors for further study of American politics, its primary aim is to introduce students of all backgrounds and interests to the information, ideas, and academic skills that will enable them to understand American politics better and help them become more thoughtful and responsible citizens.
Satisfies the following University Core Requirements: WKSS - Core Social Science  

Enrollment is limited to students with a program in American Studies.

AMST 30480  US National Security Policymaking  (3 Credit Hours)  
This course serves as a gateway for subsequent coursework in international security. It is a required course in the Notre Dame International Security Center's undergraduate certificate program requirements, but it is also appropriate for, and open to, any Notre Dame students interested in U.S. national security policymaking. It will begin with an account of the history and development of U.S. national security policy from the Founding through the present. Next, it examines the current state of the primary institutions involved in U.S. national security policymaking. Finally, it explores the tools and instruments of military statecraft as applied by the United States. The course culminates with a simulation exercise in which students will role-play key participants in the U.S. national security policymaking process. At a minimum, that students will gain from it the analytical tools, historical knowledge, and current-events background to become more informed citizens, particularly with respect to important national debates about when and how our country should use military force. At a maximum, the course may lead some students to become interested enough in the topic to pursue a career in either the practice or the study of U.S. national security policy. The current draft version of the syllabus is posted at https://www3.nd.edu/~dlindley/handouts/ND_NDISC_cert_gateway_syl.pdf.
AMST 30500  Race and Ethnicity in the United States: Social Constructs with Real World Consequences  (3 Credit Hours)  
Race is often thought of as a biological characteristic of individuals. Yet research consistently demonstrates that race, rather than a biological reality, is a social reality. This course will introduce you to how to think sociologically about race and racism. We will explore the origins of race, and the theoretical and empirical analysis of race, ethnicity, and immigration. We will also examine patterns of racial/ethnic inequality in a variety of domains including education, income and wealth, criminal justice, media, and health. Throughout the course we will view race through an intersectional lens, emphasizing the interplay between social categories such as race, ethnicity, gender, and social class. We will also discuss immigration patterns and how they affect race and ethnic relations. While we will talk about historical and global processes and patterns, most of the class will focus on racial and ethnic stratification in contemporary U.S. society (post-1960s).
AMST 30501  Social Consequences of Mass Incarceration  (3 Credit Hours)  
Given the dramatic rise in mass incarceration over the last 50 years, understanding the spillover consequences of this uniquely American phenomenon has become increasingly important as a growing number of families now have direct experience with imprisonment. This course will provide a broad overview of the ripple effects of mass imprisonment on family life and how it shapes opportunity and structures disadvantage for communities, families, and especially children. This will be done through 1) exposure to mixed-media portrayals of imprisonment’s effects on family and community life and 2) the close analysis of empirical research on the spillover and intergenerational consequences of incarceration across a range of outcomes. With the concentration of imprisonment falling among poor, minority families, much of the readings in this course will focus on family life in urban communities of color, however, we will spend a little time exploring broader accounts, including those of rural communities and encourage students to consider impacts for families exposed to incarceration due to white-collar crimes.
AMST 30502  Hip Hop Public Health  (3 Credit Hours)  
This course delves into the intersections of art, culture, and public health, particularly Hip Hop as a form of public health knowledge acquisition. Through an examination of various texts, archives, and research methods such as ethnography, autobiography, and social and oral history, students will explore how different forms of creative and cultural expression force us to reimagine what health justice looks like, feels like, and sounds like. Students will also reflect on Hip Hop and its presence in everyday life, from questions about narrative medicine to its use in public health campaigns.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration  
AMST 30503  Where is Sociology in U.S. School Reforms?  (3 Credit Hours)  
This course aims to challenge our assumptions about which education as an institution in the United States is predicated and ask some fundamental questions about the relationship between education and society. Why does everyone go to school? Why do some students seem to learn more and “get ahead” than others? What factors shape how schools are run and organized, and what curricular materials are taught? How do schools help to maintain our capitalist system, and how do the factors of race, class, and gender affect the educational experiences of students within schools and classrooms? How can schools become more effective? What interventions have worked to improve schools? These are among the questions we will consider this semester. A primary focus of this course will be on the effects of schools and classrooms on educational outcomes. We will cover topics in the sociology of education related to school effects, sector effects, tracking and ability grouping, and classroom and teacher effects. We will look at the structure, practices, content, and outcomes of schooling, primarily in the light of their relationships to the wider society in which schools are situated. As part of the course, we will also consider the social and organizational context of contemporary education reforms in the United States—particularly test-based accountability for schools, teachers, and students—and place these reforms in a more global perspective.
AMST 30504  Race and Activism  (3 Credit Hours)  
Throughout much of American history, individuals have organized and acted collectively to advance interests based on a common racial or ethnic identity. In some instances, groups have organized in an attempt to overcome discrimination and to stake a claim to rights and privileges enjoyed by majority group members. In other cases, members of the majority group have organized to restrict opportunities for the minority and to protect an advantaged position. We will consider the causes and consequences of both progressive and conservative social movements--such as the civil rights movement, the Ku Klux Klan, and the contemporary alt-right—giving particular attention to how theories of social movements help us to understand episodes of race-based collective action.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
AMST 30505  Decarbonizing Catholicism and the Common Good  (3 Credit Hours)  
How has the use of fossil fuels for heat, energy, and raw material shaped contemporary Christian ethics and social teachings? Has the Catholic pursuit of virtue and the common good driven climate change? Is there a need to “decarbonize” Christian concepts, cultures, and communities? While the concept of decarbonization is most commonly applied to technology, policy, and the economy, what would a “decarbonized” vision of human flourishing and the common good look like? In this course, we will generate responses to these questions by examining the extent to which fossil fuels have shaped Catholic concepts of moral virtue, human dignity, and the common good in the modern world, as well as how Catholic moral and social teachings can inform a just transformation of energy systems. In recent years, scholars from multiple disciplines have argued that there is a two-way influence between the material properties of things, like coal and oil, and human values and cultural ways of life. These dynamics are the object of our study in this course. In addition to engaging with developments in history, we will also explore emerging models of non-carbon intensive human flourishing and the common good as well as the virtues and practices needed to sustain them. Throughout the course, each student will conduct a case study of one moral virtue or Catholic social principle both to examine how it has been “carbonized” and to develop an argument about whether or how it should be “decarbonized.” This course in energy and environmental studies engages with perspectives drawn from history, environmental/climate studies, ethics, theological studies, philosophy, and cultural anthropology. There are no required prerequisites.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30508  Introduction to Disability Studies  (3 Credit Hours)  
Disability Studies is an academic discipline that explores social categories and lived experiences of disability in order to create a more equitable and accessible world. This course introduces students to the central questions, methods, and debates in this field. Topics include definitions and conceptual models of disability; the history of disabled people and communities; ableism and its intersections with racism, sexism, and other forms of oppression; disability rights and disability justice movements; representations of disability in art, literature, and popular culture; theories and perspectives on normalcy and difference, and legal and social policy frameworks. The course culminates in a student-driven project aimed at increasing access, inclusiveness, and awareness of disability and ableism on campus.
AMST 30516  Unequal America  (3 Credit Hours)  
Although America is the world's richest nation, it has the most unequal distribution of wealth and income in the industrialized world. In this course, we will examine why this is so. In particular, we will examine the following questions: What social forces create inequality in society? Is inequality inevitable? Is there such a thing as "social class"? Who gets ahead and why? Why is race/ethnicity and gender still related to social status, wealth, and income? Does America have a "ruling elite?" Who are "the poor" and what explains their poverty? Are there social policies that can create more equality in American society -- and is that what Americans really want?

Enrollment is limited to students with a program in American Studies.

AMST 30518  Inner City America: Decoding  (3 Credit Hours)  
Most Americans think of the "inner city" as a place of misery, danger, and despair. Why do most American cities have racially segregated areas dominated by concentrated poverty? What are the lives of inner city residents like? Why do the legal, political, economic, and educational institutions that serve these communities struggle so mightily to improve the lives of inner city residents? In this course, we will address all of these questions by viewing all five seasons of The Wire, David Simon's epic tale of life in inner city Baltimore. Sociological theory and research will serve as powerful tools to help students "decode" The Wire, and better understand of the social forces that create and sustain inner city poverty, violence, and disorder. (Sophomores, Juniors & Seniors Only)

Enrollment is limited to students with a program in American Studies.

AMST 30519  Social Inequality & American Education  (3 Credit Hours)  
Many have claimed that the American educational system is the "great equalizer among men." In other words, the educational system gives everyone a chance to prosper in American society regardless of their social origins. In this course, we will explore the validity of this claim. Do schools help make American society more equal by reducing the importance of class, race, and gender as sources of inequality, or do schools simply reinforce existing inequalities and reproduce pre-existing social relations? Topics covered in the course include: unequal resources among schools, sorting practices of students within schools, parents' role in determining student outcomes, the role of schooling in determining labor market outcomes for individuals, and the use of educational programs as a remedy for poverty.
Satisfies the following University Core Requirements: WKSS - Core Social Science  

Enrollment is limited to students with a program in American Studies.

AMST 30603  Global Indigenous Politics: Indigeneity, Property, and Cultural Appropriation  (3 Credit Hours)  
Images of Hispañiola conjure up extreme contrasts. Romantic, sun-drenched beaches, heroic exploration and discovery, quaint relics, tourists, and happy-go-lucky natives merge in pleasing portraits of one side of the island. Rebellion and revolution, chaos and neglect coalesce menacingly at the other end. This course interrogates the taken-for-granted narrative of the antimony between the Dominican Republic versus Haiti and opens possibilities of recognizing the shared histories, politics, economies, and traditions of the two societies. In the first part of the semester, we examine how Spain’s neglected, undeveloped colony became a rising economic power, while the wealthiest “Pearl of the Antilles,” once freed of slavery and French colonial rule, confronted relentless depletion of its human and material resources. In the second part of the semester, we study the causes of the massive exodus from both countries over the past century. We focus on unanticipated consequences of diaspora, including the inspiration for those “outside” to transcend the borders dividing the “inside” of the island. We learn about innovative formations of transnational communities that span multiple sites linked by constant circulation of digital messages, videos and money, and the comings and goings of people, politicians, and spirits. We appreciate examples of the dynamic, expressive cultures of diasporan Haitians and Dominicans in prose, poetry, film, music, visual arts, and, last but never least, cuisine.
AMST 30604  American Adventurism in the Muslim World  (3 Credit Hours)  
This course examines US engagement in hotspots across the Muslim world before and after 9/11. In particular focus are nations in South Asia and the Middle East: Afghanistan, Pakistan, Iran, and Iraq. We will also look at US relations with important Muslim countries like Saudi Arabia and Egypt, as well as policies toward Israel-Palestine and the Bosnian War in Europe. US engagement abroad takes many forms, including public diplomacy, trade, sanctions, alliances, covert operations, financial and military aid, and direct military intervention. What are the drivers of American decision-making in the region? Why is there so much anti-American sentiment in Muslim societies? Does peace depend on a critical reassessment of US foreign policy or the reform of a radical Islamist theology? Do certain interpretations of religion make conflict inevitable, or is it possible to attain reasonable outcomes even when dealing with extremists? Through a blend of history, investigative journalism, case studies, opinion polls, literature, and film, this course broadens our perspectives on some of America's longest wars in the Muslim world.
AMST 30605  "Charlie Don't Surf" and Other Stories from Southeast Asia  (3 Credit Hours)  
In Apocalypse Now (1979), a single phrase marks an iconic enemy and creates a chain of associations that separate Western Selves from Eastern Others. The story behind the phrase, "Charlie don't surf," is one of many complex narratives characterizing the Southeast Asian region that call for further critical understanding. This course is an anthropological journey through Southeast Asia, a region rich in cultural diversity, linguistic complexity and archaeological significance. Including the Philippines, Vietnam, Indonesia, Malaysia, Laos, Cambodia, Thailand, and Myanmar (Burma), students can explore the ecological, historical, and socio-cultural patterns of this ethnographic region through analyses of its societies and institutions. With a holistic approach to the cultural influences that characterize Southeast Asia, we will chart the region's indigenous, social, political, economic, artistic and religious formations over time. The course offers a broad overview of the historical factors affecting the region, including the impact of Indian, Islamic, Chinese, and European exchange, colonization, and violence. These transregional influences provide a window from which to view contemporary issues in the cultural politics and economics of Southeast Asia. The course provides an overview of the major cultural features of the region to enable students to gain a better understanding of the current developments within the region and the lives of Southeast Asians. Overall, we will contribute to the development of anthropological ideas about Asia while also providing a means to organize and analyze Asian ethnographic perspectives.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
AMST 30606  Drop It Like It's Hot: Pop Art through Screen Printing  (3 Credit Hours)  
This course is an introduction to screen printing and will focus on the emergence and development of the Pop Art Movement. The Pop Art movement brought forward a critique of popular culture, consumerism, mass-production, and the deconstruction of images in everyday life. The class will explore predominant silkscreen artists and their contribution to the Pop Art movement. Students will create projects using photographic stencil-making techniques with an encouragement experiment, explore color, and develop individual ideas.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30607  Martial Arts & Popular Culture  (3 Credit Hours)  
This course enlists the martial arts to explore themes from history, philosophy, anthropology, aesthetic theory, media studies, and sports as embodied practice. By merging multiple dimensions of historical identity, artistic expression, and cultural practice, martial arts have a unique ability to access the human imagination. From Hong Kong cinemas, to MMA pay-per-view events, to online video games, martial arts are intertwined with global popular culture. This course synthesizes the global transmission of martial arts through an interdisciplinary approach to the anthropological history of symbolically violent media. By tracking the proliferation of the martial arts in popular media, from Yip Man film sequels, to muay thai youtube clips, to karate supply catalogues and dojo iconography, the cultural lives of these arts are revealed. We will examine these cultural expressions in a range of styles including gōngfu styles in China, jujitsu in Japan, kali/escrima in the Philippines, pencak silat in Indonesia, and savate in France. In this way, the course crafts informative linkages between the cultural variations of martial arts and their global influence in popular consciousness.
AMST 30613  Indigenous Environments  (3 Credit Hours)  
The ancestors interrelated with the environments we live in today and will interact with in the future. This course explores indigenous cultures and perspectives on the importance of traditional knowledge and the environment. In this seminar-style course, we will learn about how indigenous groups in the Americas, both past and present, think about the world around us and how their cultural livelihoods are threatened by climate change and ongoing development. The goal is to provide students with a strong foundation in indigenous environmental issues. We will cover a range of topics that intersect with traditional ecological knowledge, land use and perceptions, reciprocity, sense of place, memory-making, and environmental justice.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30614  The Indigenous Southwest  (3 Credit Hours)  
This course seeks to explore connections between environment and culture change by introducing students to the diversity of cultures living in the Southwest. We begin by learning about indigenous people living in the Southwest today including the Pueblo peoples (e.g., Hopi, Zuni, Santa Clara, Cochiti, Acoma), Navajo, Ute, and Tohono O’odham using ethnography and contemporary native histories. We will then travel back in time to learn about the complex histories of these people, particularly the ancestral Pueblo, to places like Chaco Canyon, Mesa Verde, the Rio Grande, the Mimbres Valley, and the Phoenix Basin. Our explorations will cover from the earliest Paleoindians (11,500 years ago) to the 13th century Migrations to European contact, the establishment of Spanish Missions, and the Pueblo Revolt of 1680-1692. We will then bring this discussion full circle to today. Along the way, we will explore the impact of large-scale, long-term processes such as the adoption of agriculture, village formation, religious change, migration, and warfare on the rich historical landscape of the Southwest.
Satisfies the following University Core Requirements: WKHI - Core History  

Students cannot enroll who have a program in American Studies.

AMST 30623  The Culture of College  (3 Credit Hours)  
What is college? How do students experience it? How is it structured? How does it contribute to the development of adulthood or, possibly, to the extension of childhood? How do different types of colleges differ, and how does higher education vary around the world? We’ll investigate the goals of college, student life, learning, athletics, entertainment, social and racial inequality, gender and sexuality, mental health and wellbeing, drawing on published research, our own experiences, and our own research findings.

Enrollment is limited to students with a program in American Studies.

AMST 30635  Black Ethnographers  (3 Credit Hours)  
What is ethnography, broadly defined? How is a scholar's ethnographic product shaped by their racialized experience? This course will reference texts over time and across academic disciplines to consider genre, style, audience, and purpose when engaging with this research method. We will read, listen to, and watch works to think through the various ways that Black intellectuals have used ethnography to make sense of our everyday social worlds.
AMST 30636  Exploring Anthropology Through Science Fiction  (3 Credit Hours)  
Anthropology is a social science with a holistic perspective on the human condition. It attempts to understand any aspect of humanity in the broadest sense anywhere and anytime. Anthropological perspectives can be used to speculate on what it meant to be human in the distant past, or what it may mean in the far distant future. While we cannot travel into the past, future, or an alternative universe to visit other societies or contact alien civilizations, we can imagine what those trips would be like. In our own culture, science fiction has moved from a fringe literature to an essential part of modern art and entertainment because it allows us to imagine alternate realities, and to speculate about the past, present and future as way to learn about ourselves and others. This class will introduce you to the basic principles of anthropology as a social science using science fiction text and video to illustrate various anthropological principles. You will learn how to critically evaluate anthropology's diverse applications and how they are reflected in popular culture (sometimes accurately and sometimes not). You will also sharpen your writing skills by using anthropological principles to critique science fiction.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
AMST 30637  Making Science Matter: Anthropological Approaches to Meaningful Research Design  (3 Credit Hours)  
This graduate level seminar will explore the philosophical, theoretical, and ethical underpinnings for inclusive and collaborative practices in anthropology, particularly research that combines approaches from more than one anthropological subfield. Taking a global approach, students will examine a wide range of case studies in community-based and collaborative anthropology, aiming to identify best practices and develop skills which students can then apply to their own projects. Attention will be paid to the importance of context, including geography, colonial histories and decolonization, war and conflict, economy, and environment, that shape engaged approaches to working for and serving communities instead of working on or studying communities with an extractive approach.
AMST 30702  South Bend Stories  (3 Credit Hours)  
In “South Bend Stories” students will produce reported narratives across a variety of nonfiction genres, including prose writing and documentary filmmaking. This course draws its inspiration and subject matter from the city of South Bend and the greater Michiana region, as you will work with classmates and community partners to tell stories of local interest and significance. Topics may include close-up looks at a wide range of ideas—family, sport, education, history, etc.—but the ultimate goal is to describe real-world truth at the “felt-life level,” revealing something of what it means to be alive in this particular time and place. We wish to highlight the daily lives, cultural events, natural and built spaces, and social issues of South Bend. Projects are collaborative, with students working in teams. With guidance, you will look for stories, request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Each group will produce several different stories, though subjects and forms will often converse with one another. For instance, storytelling teams may create short moving-image documentaries, works of prose journalism, photo essays, audio narratives, creative nonfiction essays, or more avant-garde documentary projects, etc. The class will interrogate the boundaries between subgenres of these factual artforms. Students will decide which types of stories they will produce. Telling others’ stories is a profoundly ethical act. It is also a creative process that allows us to grow as individuals and as a community. This challenging process demands your respect and your time as a media-maker. The class will regularly engage in discussions about media ethics and accountability, in the traditions of journalism and documentary filmmaking courses. Students must be prepared to use resources to travel beyond campus and engage with people who are not students and may not be affiliated with the university. Additionally, you must act ethically as a storyteller and collaborator. Further, you must solve a range of challenges—conceptual, logistical, and narratological—while being prepared to spend time with your subjects outside of class time and often according to others’ schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30703  History of Television  (3 Credit Hours)  
Television has been widely available in the United States for only half a century, yet already it has become a key means through which we understand our culture. Our course examines this vital medium from three perspectives. First, we will look at the industrial, economic and technological forces that have shaped U.S. television since its inception. These factors help explain how U.S. television adopted the format of advertiser-supported broadcast networks and why this format is changing today. Second, we will explore television's role in American social and political life: how TV has represented cultural changes in the areas of gender, class, race and ethnicity. Third, we will discuss specific narrative and visual strategies that characterize program formats. Throughout the semester we will demonstrate how television and U.S. culture mutually influence one another, as television both constructs our view of the world and is affected by social and cultural forces within the U.S.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  

Enrollment is limited to students with a program in American Studies.

AMST 30704  Art, Gender, and Indigeneity in the Americas  (3 Credit Hours)  
In this course, we will engage with the academic fields of Native American and Indigenous Studies, Performance Studies, and Gender Studies. Inspired by groundbreaking work of Indigenous scholars, artists, and activists, we will explore how the body has constituted (and continues to constitute) a site for Indigenous peoples to explore gender identities and gendered community roles. Throughout the course, we will engage with cultural productions by Indigenous peoples in various media, including literature, music, theatre, public performance, and film to learn about the fight of Indigenous peoples to reclaim sovereignty over their own bodies. Using this survey of Indigenous ideas about gender as a frame of reference, students will critically explore their own ideas and beliefs. The course’s geographic focus is the Americas, from the Canadian Arctic to Tierra del Fuego, the southernmost tip of the South American mainland.
AMST 30705  Sport and the Cold War  (3 Credit Hours)  
This course aims to accomplish the following: 1) to develop students' understanding of the Cold War and its major political developments; 2) to develop students' understanding of the ways sports and society influence and reflect political developments; 3) to see sports programs as a reflection of the nation-states in which they develop, and to use athletic traditions in different nations to develop students' understanding of different societies; 4) to improve students' ability to use contemporary periodical sources in historical research; and 5) to improve students' analytical reading and writing skills through readings, exams, and a paper.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in American Studies.

AMST 30706  William Faulkner and the Bible: Modernism, Metaphysics, and Prophecy  (3 Credit Hours)  
Though William Faulkner is one of the most significant and critically scrutinized novelists of the 20th century, both the author and his work remain shrouded in mystery. How did this seemingly provincial writer from the rural American South, with almost no formal education, come to be one of the most internationally influential, acclaimed, and debated writers of the 20th century? Why do his morbid and exhaustingly difficult stories continue to inspire critical interest with each new generation of readers? What questions and concerns animated his radically experimental imagination? Of all the mysteries that continue to haunt this vast critical legacy, there is perhaps none more intractable than the matter of religion. Though Faulkner's novels are charged with biblical references and elaborate Christian symbolism there is no scholarly consensus as to the significance and function of these disorienting and often grotesque biblical allusions, or even whether the fiction is grappling with any distinctly religious questions or concerns. Though some theologically minded critics, such as Thomas Merton, have heralded Faulkner’s fiction as biblically prophetic, there are others who interpret his work as fundamentally secular, deeply critical of religion, and even nihilistic. This course will explore the matter of Faulkner and religion by focusing on the influence of the Christian and Hebrew scriptures on several short stories, public addresses, and major works. The course will not only provide an opportunity for deep reflection on the relationship between theology and literature—metaphysics and modernism—but also the opportunity to engage one of the most enduring, challenging, and rewarding novelists of the 20th century.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
AMST 30734  Home/Homelessness in US Cinema  (3 Credit Hours)  
If, as John David Rhodes argues, “the detached single family home is one of the most powerful metonymic signifiers of American cultural life – of the dreams of privacy, enclosure, freedom, autonomy, independence, stability, and prosperity that animate national life in the United States,” that is not to say that then home in American cinema is by no means a simple or stable construct, but is, if anything, represented most often as troubled, precarious, invaded, porous, unstable, or out of reach. This class considers meanings of home in American cinema by looking at films that confront the problem of how to live in a home, offer alternate structures, and show the fantasy of home to be out of reach. The class will analyze films about unhoused figures during the Depression, housing shortages during World War II, the rise of modern homelessness in the 1980s, and contemporary precarity. We will consider fantasies of home related to family, class status, age, and race. We will consider the roles of banks, landlords, gentrification, and other institutions and structural causes of home insecurity and homelessness. Students will read various theories and histories of housing and homelessness to frame understanding of films. Students will write weekly one page reflections, an 8-10 page paper, and a 15 minute conference presentation.
Corequisites: AMST 31734  
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30801  Islam and Feminism  (3 Credit Hours)  
What is Islam? What is Feminism? On their own, these two terms are debated enough. But what about their intersections? This interdisciplinary seminar will explore the complex, contested, and evolving relationship between Islam and Feminism through an intersectional, historically grounded, and power-conscious approach. We will trace historical shifts in gender norms within Muslim-majority societies, examine how diverse Muslim beliefs and practices intersect with contemporary rights debates, and study the important roles Muslim women have played in the history of transnational feminism. We will learn about contested readings of Islam’s key religious texts, the impact of colonialism and imperialism, and cultural hybridization on the so-called "Muslim woman question" This will be our opportunity to read pioneering works by Muslim women and queer authors and watch and discuss the coolest Muslim- and POC-led TV series in recent memory, This is Lady Parts.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 30802  Feminist and Queer Prison Studies  (3 Credit Hours)  
Antiracist and decolonial feminist scholars and activists have long understood that sites of confinement--such as the prison, the asylum, and the detention center--produce and police genders and sexualities. This seminar introduces students to feminist, queer, and trans work in the field of critical prison studies, exploring gender and sexuality at shifting intersections with racism, ableism, militarism, capitalism, and the state. Our readings will integrate the work of free-world academics with theory, research, art, and personal narrative produced by prisoners and survivors. While we will read and discuss a variety of texts, our study will center Black, im/migrant, and Indigenous feminist scholarship and organizing in movements for abolition and transformative justice. Class activities will emphasize collaboration and skill-building.
AMST 30803  Research and Writing for Social Change  (3 Credit Hours)  
This course invites students to explore the ways writing can develop our moral imagination about what poverty is and what our world could be without poverty. We will read and write intensively in a wide variety of genres and modes--memoir, podcasts, letters, poetry, creative nonfiction, fiction, and more. Class will include active participation from students through rhetorical analysis of published texts and workshopping of peer writing to create a portfolio of diverse expressions, insights, and arguments about poverty and injustice. Students will have the opportunity to meet experienced writers and advocates who write for social change. We will seek inspiration and insight through community-engaged and campus speakers and events that will prompt us to complicate and elevate our understanding of why poverty exists and what we can do now and throughout our lives to make change. Introduction to Poverty Studies or an equivalent course is desired but not required.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
AMST 30804  New Readings in Transgender Studies  (3 Credit Hours)  
In this seminar, students will engage with texts published within the last five years in the field of transgender studies. Along with academic writing, we will work with literature, memoir, film, and popular culture. Together, these texts expand our shared understanding of what trans* means; pose challenging questions about Western transgender studies and its canon; and link the field of transgender studies with global movements for justice. Students will have opportunities for collaboration and community engagement, and to create their own theory and creative work.
AMST 30806  Love & Sex at ND, 1972-2022  (3 Credit Hours)  
Parietals, ResLife, and SYRs. ND’s Vagina Monologues and the “Gay? Fine By Me!” t-shirt campaign. Controversies over risqué dorm revues. 30+ years of queer student groups (forbidden, unofficial, and official) and the question of what is allowable at a Catholic university. ND’s never-quite-adopted “nondiscrimination policy.” These, and a host of other customs, traditions, events, and scandals comprise the history of love and sex, sexualities, and genders affecting Notre Dame’s undergraduate students. Today most of this history has been forgotten, misremembered, even mythologized. This seminar will continue the barely begun project of retrieving this history, focused on the fifty years after ND became coeducational in 1972. Each student in this research seminar will work as both historian and informal archivist. Because relatively little has been published on this aspect of ND history, our class’s central texts must be primary sources. We will rely especially on old articles from the Observer, Scholastic, The Dome Yearbook, Irish Rover, and other ND student publications. Each student—acting as historian—will use these and other available sources to research and write one or more short, informative essays that uncover, analyze, and explain an important piece of ND’s past. Each student—acting as archivist—will also help build a “love and sex at ND” archival database for current and future researchers. Finally, each student will learn best practices for gathering and processing oral histories and then, using those practices, interview a current or past member of the Notre Dame community who might have useful memories or perspectives for the student’s research area. Most important, this project depends on today’s Notre Dame students applying their own experiences and ideas to their historical research and analysis. This is a student-directed project, written by and for today’s undergraduates with all their varying, generationally specific viewpoints. The larger purpose of this course is to give students the opportunity and tools to ask historical questions and argue about the answers, as all historians do, as they write this history for themselves.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30812  Rethinking Crime and Justice: Explorations from the Inside Out  (3 Credit Hours)  
What are the causes and costs of criminal behavior? How are people and communities affected by incarceration? How can we make our criminal justice system as good as it can be for all stakeholders? This course brings together students from both sides of the prison wall to explore issues including why people commit crime, what prisons are for, realities of prison life and reentry, effects of victimization, and restorative justice perspectives. This course follows the Inside-Out model of prison exchange now well established across the United States. It provides an opportunity for "inside students" (at the Westville Correctional Facility) and "outside students" (from Notre Dame) to learn with and from each other and to break new ground together. Notre Dame students travel to Westville each week of the semester for dialogue with students at the facility, who have read the same relevant texts. Together they examine myths and realities related to crime and to punishment, explore the effects of criminal justice policy, and develop ideas for responding more effectively to crime in our communities.
AMST 30824  Structural & Cultural Violence  (3 Credit Hours)  
This course offers an in-depth analysis of the roles of structural and cultural violence in peace studies. Unit 1 (conceptual/theoretical) explores field-formative debates over the nature, basis, and viability of "structural violence" and "cultural violence" as analytical concepts, asking how they have shaped (or failed to, but perhaps ought to shape) the field of peace studies. We will examine their critical appropriations of early critical theory, and assess comparable theoretical approaches such as reflexive sociology (Pierre Bourdieu and Loic Wacquant), post-structural analysis (Michel Foucault), and later critical theory (Nancy Fraser and Axel Honneth) while asking what advantages, if any, lenses of structural and cultural violence have vis-à-vis these resources for peace analysis and peacebuilding, and where they need to be supplemented. Unit 2 (cases/agents) studies cases in which some version of these analytical lenses have been deployed for purposes of peace analysis and peacebuilding. We examine recent uses of these lenses to examine poverty, global development, and global health in building peace (e.g. Nancy Scheper-Hughes, Paul Farmer, Peter Uvin), religious/cultural identity (Veena Das), and race, class, and gender (Joshua Price on incarceration and prison abolition in the U.S; Alex Mikulich and Laurie Cassidy on white complicity in hyper incarceration).
AMST 30901  Afrolatinidades  (3-4 Credit Hours)  
This course centers Blackness within latinidad. In it, students will learn about the history of Blackness inLatin America, and how that history continues to shape the experiences of AfroLatina/os in the US today. We will approach Blackness from a transhemispheric perspective, payingattention to how it is erased through the discourses of mestizaje and latinidad. We will analyze literary and cultural works by AfroLatina/os with roots in Mexico, Honduras, Nicaragua, Panamá, Puerto Rico, Cuba, Dominican Republic, Haiti, and Perú. This is a CBL course and students will volunteer at La Casa de Amistad once a week. Open to non-Spanish majors who are fluent in Spanish or are Spanish heritage speakers.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKLC-Core Adv Lang & Culture  
AMST 30902  Race, Class, and Justice from The Field to the Table  (3 Credit Hours)  
Food access, equity and justice should be of great importance to everyone. Consistently there has been political, economic, geographic and flawed distribution supply chains within the domestic food system. This interdisciplinary course will utilize digital humanities tools and platforms for students to express their research interests. We will analyze the impact that human actions have on foodways, or the social, cultural, and economic practices of producing and consuming food in relation to race, equity and access, historically and currently. We will explore alternative courses of action toward viable, ethical, and antiracist solutions to questions about sustainable farming, global economic inequality, and hunger. Throughout the semester, participants will use the lens of race and ethnicity to study and discuss how these two concepts affect access to agricultural land, foodstuffs /foodways, environmental justice and nature.
AMST 30903  Readings in Trans Studies  (3 Credit Hours)  
In this seminar, students will engage with texts published within the last five years in the field of transgender studies. Along with academic writing, we will work with literature, memoir, film, and popular culture. Together, these texts expand our shared understanding of what trans* means; pose challenging questions about Western transgender studies and its canon; and link the field of transgender studies with global movements for justice. Students will have opportunities for collaboration and community engagement, and to create their own theory and creative work.
AMST 30904  Food Movement Voices of Change  (3 Credit Hours)  
This course will focus on exercises, research and reading from a diverse range of historical and current influential environmental writings from philosophers, economists, environmentalists, theologians, political scientists, naturalists, and practitioners. Learners will analyze the impact that human actions have on the natural world–particularly through foodways, or the social, cultural, and economic practices of producing and consuming food. This course will also explore how our understanding of race/ethnicity, nature, and the environment influences human choices around food. And it offers alternative courses of action toward viable, ethical, and antiracist solutions to questions about sustainable farming, global economic inequality, and world hunger. Throughout the semester, participants will use the lens of race and ethnicity to study and discuss how these two concepts affect access to agricultural land, foodstuffs/ foodways, environmental justice and nature. A fundamental objective will be to create podcasts focused on student’s engagement with the course themes.
AMST 30905  Global Indigeneity  (3 Credit Hours)  
In 2007, after decades of organizing on the part of indigenous activists, the United Nations issued a Declaration on the Rights of Indigenous Peoples. The Declaration was the result of years of work by people from particular communities--each with its own history, culture, language, and home--who decided to call themselves, and work together as, Indigenous people. This creative step allowed indigenous peoples to work collectively for justice on a global scale, rather than individually and in confrontation with single states. This class explores the concept, and reality, of Indigeneity in both historical and contemporary perspective: we will consider the many shared struggles and opportunities of indigenous peoples around the globe today and the ways that similar (or distinct) histories have led to similar (or distinct) present realities.
AMST 30906  Religion, Education, & Democracy: Generational Responsibility for the American Proposition  (3 Credit Hours)  
This is a course in the philosophy of education. The goal of the course is to produce a philosophy of education that engenders in the current generation of students (i.e., you) responsibility for what has been called the “American proposition.” The notion of “America” is distinct from the United States of America, but is often conflated with and conveyed by the latter. It sits at the intersection of religion, education, and democracy, an intersection at which the atrophy of each is seen by many to be caused by the values of the other. With the discipline of education as its platform and Catholicism, among other voices, as a particular conversation partner, the course examines historical, contemporaneous, and ecclesial resources, including notions of the common good, humanism, and ecological thinking, to ask, among other questions: Are religion, education, and democracy commensurable or incommensurable in such ways as to facilitate social coherence in the 21st century? If not, what accounts for decades, if not centuries, of robust educational systems designed to bolster democratic and religious institutions alike?
Satisfies the following University Core Requirements: WKCD-Core Cathol & Disciplines  
AMST 30907  Huey's Healthcare: Humor and Healing in The Boondocks  (3 Credit Hours)  
What does it mean when some of the sharpest insights about health justice come packaged in punchlines? Through satire, the hit-series The Boondocks elevates overlooked aspects of health and material security, transforming systemic failures into resonate comedic sequences. Through engagement with The Boondocks, this course explores the use of humor and other forms of cultural expression to challenge and reimagine our current healthcare practices. Additionally, this course examines how film, video, photography, drawing, and interactive media function as an archive of community health knowledge — ethnographic resources that illuminate the complexities of our social world. Students will explore pressing health issues as well as engage core readings in cultural studies and visual anthropology to develop analytic approaches that extend beyond summaries and plot descriptions. By emphasizing these interpretive skills, students will learn to extract health discourses from different cultural forms, recognizing how seemingly disparate texts — from academic articles to animated satire — collectively participate in broader conversations about well-being, justice, and community care.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration, WRIT - Writing Intensive  
AMST 30911  Slavery in Global History  (3 Credit Hours)  
The purpose of this course is to introduce students to major themes in the global history of slavery with a specific focus on the location of slavery in the making of the modern world bringing together histories from the Atlantic, Indian, and Pacific Ocean worlds. The course will focus upon these themes through literature, economics, and politics. In addition, the course will also introduce students to recent museum exhibitions, art exhibitions, digital history projects, films, and documentary compilations that all together have transformed how the global history of slavery is understood.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30912  Irish in America  (3 Credit Hours)  
This course examines the origins of Irish migration, the history of Irish people and their descendants in America, and the connections and interactions between the Irish at home and abroad. The principal themes are the process of migration and settlement, labor and class, race and gender, religion, politics, nationalism and, encompassing all of these, the evolution of ethnic identity. This course will work closely with the extensive Irish studies collections of Hesburgh Library to provide students with hands-on experience researching and curating historical objects and primary sources related to the history of the Irish in America.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30913  U.S.-China Relations  (3 Credit Hours)  
This course examines the most important bilateral relationship in the world today. It begins with an overview of the major historic episodes in U.S.-China relations, then, adopting a theme-based approach, it examines the relationship among important topics in the contemporary bilateral relationship across the overlapping political, economic and security spheres. The course will stress the importance of perceptions in policymaking, and use student presentations and a crisis simulation to allow students to understand the problem from various perspectives.
AMST 30916  Indigenous Education: Models and Movements  (3 Credit Hours)  
What is the ongoing impact of Native American boarding schools for survivors, their descendants, and Indigenous communities as a whole? How are schools in Indian Country today revitalizing culture, language, and traditions? These are the types of questions this course will investigate as we explore the history of Indigenous education, the modern Native schooling experience, and the links that connect them. With a special emphasis on providing opportunities to interact directly with Indigenous educators in the local Pokagon Band of Potawatomi, Native American Catholic schools, and numerous other spaces, this course is guided through listening to and learning from authentic stories and distinct perspectives. Additionally, our academic inquiry will prioritize theories and frameworks formed by Indigenous scholars such as survivance, storywork, resurgent education, and decolonial theory.
AMST 30917  Love and Violence: Religion, Civil Disobedience and Nonviolent Resistance  (3 Credit Hours)  
This course explores the ways in which religious ethicists, social critics, and activists have employed conceptions of love and violence for the purposes of criticizing and resisting oppressive political conditions, and for radically transforming existing social arrangements. We begin by exploring the writings of Ralph Waldo Emerson and Henry David Thoreau concerning the moral status of civil disobedience in the context of the U.S. abolitionist struggle, with particular attention to the influence of the Bhagavad-Gita upon their thinking. We will examine the ways that both Thoreau's writings and the Gita influenced Mahatma Gandhi on questions of non-violent civil disobedience, Gandhi's exploration of the power of non-violence in light of the Sermon on the Mount from the Christian New Testament, and his correspondence with the Russian novelist Leo Tolstoy. We will investigate how this entire mosaic of influences came to inform Martin Luther King, Jr.'s work and the Civil Rights Movement in the U.S. during the 1960s, Malcolm X, and the black power movement. We will engage critical perspectives on these thinkers and ideas, such as criticisms of Gandhi by George Orwell and Arundhati Roy, Frantz Fanon's claims that colonialism is an essentially violent phenomenon that requires an essentially violent response, Malcolm's criticisms of Martin, arguments against pacifism on the basis of political realism by Max Weber. We conclude by brief examination of principled vs. strategic and revolutionary forms of non-violence in the work of Gene Sharp.
AMST 30918  Religion in International and Global Relations  (3 Credit Hours)  
What is the relation between religion and conflict in international and global relations? What is the relation between religion, violence, and the practices of peacebuilding, locally and globally? How can we understand the role of religion in diplomacy? Why do we need to think about religion's role in Western colonialism, orientalism, and Islamohobia (or racialized anti-Muslim oppression) in order to understand religion in contemporary international affairs? What does religion have to do with political ideology? The so-called resurgence of religion to global politics, conventionally dating back to the Iranian Revolution of 1979, challenged the secularist myopia that informed policy makers and theorists of international relations, but it took the events of September 11, 2001 to fully catalyze a process of rethinking the role of religion, on both the levels of theory and practice, within the contexts of international relations. Both theorists and practitioners in the arenas of international relations are trying to decipher how to theorize religion into the existing explanatory paradigms of realism, liberalism, and constructivism. The course will examine these conversations, dating back to Westphalia of 1648 and the historical role of religion in the construction of the international system of nation-states. Driven by case studies and avoiding simplistic accounts of religious traditions, the course will introduce the students to religion and international relation theory, the practices of peacebuilding, diplomacy, development, and the study of ethnonationalism.
AMST 30919  Education, Schooling, and Society  (3 Credit Hours)  
Formal education plays a large role in socialization processes including teaching around and about economic, political, and social structures. In the United States, while not codified by the Constitution, legal precedents spanning more than a century make "free and appropriate public education" a hallmark of American society. However, from its very inception, public education was (and remains) stratified by race, class, gender, and ethnicity. To understand the conditions of our education system this course explores historical, philosophical, and political markers of American education. It strives to understand learning, motivation, and instruction and how these facets of human growth/development influence, and are influenced within the world of education.
Satisfies the following University Core Requirements: WKIN - Core Integration  
AMST 30920  Amplifying Voices: Multilingual Children and Families in U.S. Schools  (3 Credit Hours)  
Multilingual learners represent one of the fastest-growing student populations in U.S. schools, with more than five million students identified as English learners nationwide. How do schools identify, support, and instruct children who speak a language other than English at home? What responsibilities do educators and schools have toward multilingual children and their families? How do educational policies, federal guidelines, and classroom practices shape the daily experiences of multilingual learners? This course examines the histories, identities, and everyday schooling experiences of multilingual children and families in the United States. Drawing on interdisciplinary perspectives from educational linguistics, sociology, anthropology, and the history of education, students will explore how language development, educational policy, federal guidance, and instructional practices shape children’s experiences in schools. Particular attention will be given to how schools identify, serve, and partner with multilingual learners and their families across diverse educational contexts.
AMST 30921  The Politics and Culture of Black Hair  (3 Credit Hours)  
It is never "just hair." This course is a thematic overview of how the curls, coils, and kinks of Black hair give insight to the political, cultural, economic, and gendered dynamics of the U.S. Students will engage a breadth of interdisciplinary sources focusing on the hair of those of African descent. From questioning societal beauty standards to political debates in the barbershop to passing of California's CROWN Act, how society understands hair is complex. Throughout the course students will study this complexity and produce their own intellectual analyses of hair and society in the U.S.
AMST 30922  US Housing and Social Justice  (3 Credit Hours)  
This course will follow the evolution of housing in the context of American Urbanism over the last hundred years and explore not only the methods employed to discriminate against minority communities, but also how these policies have ended up failing the suburban and rural communities they were intended to privilege. Consequently, the outcomes are not only ongoing racial injustice but also a nationwide affordable housing crisis and crumbling infrastructure. The course will be broken down into three parts. We will explore the history and evolution of housing segregation; the current results of decades of racist policies and actions; as well as potential ideas to reverse the inequities in housing to create a stronger future for all communities. No existing knowledge of architecture or urbanism is required.
AMST 30923  Public Pedagogies  (3 Credit Hours)  
Discussions about curriculum and pedagogy in education have, for the most part, been limited an limiting, exploring curriculum as a written plan of study (often handed down by the state or a district) and pedagogy as the mere equivalence of teacher instruction. Using some foundational and contemporary theories in education combined with those with ideas from public pedagogy and cultural studies, the intent of this course it to broaden and complexify our understandings of curriculum and pedagogy - what they are, what they entail, where and by whom they are enacted, and mostly, what they "do" in education when conceived in more broader terms.
AMST 30930  American Evangelicals and Global Affairs  (3 Credit Hours)  
Since the end of the Cold War, American Evangelicals' political influence has increased significantly. For example, Christian Zionist have continued to contribute meaningfully to American political support for the state of Israel. Additionally, to improve human dignity, Evangelicals have established schools and promoted literacy, built clinics and dispensaries, promoted agricultural development and distributed food aid, created orphanages, and propagated values about the inherent worth of all persons. Twenty-five to thirty percent of the US population is neo-evangelical and another five to ten percent adheres to some form of evangelical theology. That means that 100 million Americans are in one way or another tied to evangelical theology and they seem to pray, think, vote, and lobby as a coalition. This course will examine the rise of American Evangelicalism and explore matters deemed important to Evangelicals: social and political affairs, global engagement, participation in public affairs, international affairs, support of Israel, political and economic development. More generally, this course offers a compelling account of Evangelicals' influence on America's role in the world. Students will learn how to engage more thoughtfully and productively with this influential religious group - a group that has been called political kingmakers! Students will also learn about the largest protestant denomination in the world - Southern Baptists - from the professor, who was a former Southern Baptist Minister and church planter.
AMST 30931  American Advntrsm Muslim World  (3 Credit Hours)  
This course examines US engagement in hotspots across the Muslim world before and after 9/11. In particular focus are nations in South Asia and the Middle East: Afghanistan, Pakistan, Iran, and Iraq. We will also look at US relations with important Muslim countries like Saudi Arabia and Egypt, as well as policies toward Israel-Palestine and the Bosnian War in Europe. US engagement abroad takes many forms, including public diplomacy, trade, sanctions, alliances, covert operations, financial and military aid, and direct military intervention. What are the drivers of American decision-making in the region? Why is there so much anti-American sentiment in Muslim societies? Does peace depend on a critical reassessment of US foreign policy or the reform of a radical Islamist theology? Do certain interpretations of religion make conflict inevitable, or is it possible to attain reasonable outcomes even when dealing with extremists? Through a blend of history, investigative journalism, case studies, opinion polls, literature, and film, this course broadens our perspectives on some of America's longest wars in the Muslim world.
AMST 30950  BLM: Violence vs. Nonviolence  (3 Credit Hours)  
Is violent resistance and destructive populist uprising in response to injustice and structural violence ever justified? The apparent effectiveness of violent rebellion in the Black Lives Matter uprisings of 2020 suggests that the answer is "yes." How do these developments compare and contrast to the debates surrounding violent vs nonviolent rebellion during the U.S. Civil Rights and Black Power Movements? How should the oppressed respond to their oppressors - conceptualize, fight for, and deploy power? What is the difference between rebellion and social movement, and how do their differences affect prospects for transforming systemically unjust and structurally violent conditions? This course explores answers to these questions by examining the conflicts surrounding the Movement for Black Lives over the last decade, while examining examples from the Civil Rights movement as cases for comparison. We will examine the background theories and ethical frameworks by which activists and practitioners conceptualize, implement, and justify - and argue with one another about - the necessities and limits of violent vs. nonviolent action and re-examine the roles that rebellion can play (and has played) in transforming injustice and structural violence, as well as in conceptualizing and pursuing liberation. What does the peace studies concept of "conflict transformation" have to contribute to these understandings and debates? We will consider challenges posed by rioting, property destruction and "looting," and the risks and possibilities of avoiding so-called "backlash" responses of state repression and counter-protest. Readings include works by: Keeanga-Yamahtta Taylor, Omar Wasow, Angela Davis, Danielle Allen, Cornel West, James Baldwin, Eddie Glaude, Martin King, Stokely Carmicheal (Kwame Ture), Frantz Fanon, and Barbara Deming.
AMST 30954  Dancing in the Street: Music and Social Change in the USA  (3 Credit Hours)  
In 1964, when Martha Reeves sang, "Calling out around the world/Are you ready for a brand new beat?/Summer's here and the time is right/For dancing in the street," was she beckoning listeners to join a party or the civil rights struggle? Or both? From spirituals sung by enslaved workers to protest anthems shouted at union rallies, music has provided the soundtrack to social justice causes throughout American History. Whether performed by rank-and-file reformers or famous recording artists -- from Frank Sinatra to Nina Simone to Bruce Springsteen, Beyonce, and beyond -- popular music has accompanied and sometimes fueled transformations in American politics, culture, and social life. In this course students will explore American popular music in its many forms -- blues, country, jazz, folk, rock, punk, disco, hip hop, tejano, and more -- to understand its power and limits as both a force for social change and a window into major themes of the American experience.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30975  Health, Medicine and American Culture  (3 Credit Hours)  
Health and medicine have long been intertwined with cultural factors. This course will interrogate pressing bioethical questions: such as the treatment of mental illness, patient confidentiality, physician-assisted death, and women's and LGBTQ access to health care through literature and culture over the nineteenth, twentieth and twenty-first centuries. Long before the emergence of bioethics as a field of scholarly inquiry, American writers were investigating these issues. They were also paying attention to the social and political factors that shaped health care, such as minoritized populations' entrance into the medical professions, health disparities, and the effects of contagious outbreaks on society. In this course, we will explore literary texts and films that portray illness and health care alongside non-fictional sources that take up similar questions. Moving from Walt Whitman's writings about his nursing in Civil War hospitals to contemporary narratives of contagion, this course will take up critiques of racism in public health; questions of gender, sexuality, and illness; and the politics of disability. How do early debates within the medical profession speak to twenty-first-century concerns about the future of healthcare? The course will involve short writing assignments and class discussion. Prior training in the humanities is not required.
AMST 30991  Borders and Bridges: U.S. Latinx Literary and Cultural Production  (3 Credit Hours)  
What is a border? Who inhabits the borderlands? What function does the border play in the construction of a national or cultural identity? How do we bridge communities? How are borders represented, established, and challenged in the works of US Latino/a writers? These are some of the questions that this course will address within the context of US Latino/a literature and culture. Most of the course will focus on two geographical areas that we tend to associate with these concepts: the traditional US-Mexico border and the lesser studied Caribbean. Students will watch films and read literary works by Mexican-American, Puerto Rican, Dominican-American, and Cuban-American authors in order to gain a deeper understanding of how borders and borderlands inform contemporary discourse and culture. This course has a Community-Engagement Learning (CEL) requirement. Students are expected to sign up for tutoring at La Casa de Amistad once a week for 2 hours. The course will be taught in Spanish and is open to advanced non-majors. This course is for undergraduate students only.
Satisfies the following University Core Requirements: WKLC-Core Adv Lang & Culture  
AMST 30992  American Slavery  (3 Credit Hours)  
This course provides an introduction to the history of American slavery. After examining the origins and transformation of Atlantic world slavery, the courses focuses particularly upon slavery in the United States. Between the American Revolution and the Civil War, the United States grew into the largest slaveholding society in the modern world. U.S. slavery's growth was driven forward by massive global economic transformations and territorial conquest. Yet, in the face of unprecedented violence, enslaved people themselves brought about the end of slavery and transformed the meaning of freedom in the United States. This course focuses upon this history from the perspective of enslaved people themselves with particular attention to struggles for freedom. Through an examination of this history and its legacies, the course will introduce students to histories of resistance.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 30993  U.S. Civil Rights in History and Law  (3 Credit Hours)  
Civil Rights in the US is a living tradition that students can both understand and engage with. This course traces the non-linear, contested and ongoing history of Civil Rights in the US from the founding period to the present. It employs the perspectives of a lawyer and historian to illustrate how: the Civil War and the end of slavery made Civil Rights in the US possible, international human rights and Civil Rights in the US have interacted over time; the complicated relationship between the definition of Civil Rights and the realization of these rights played out over time, and the tensions between the federal government and the states continue to shape Civil Rights down to the present. The course is structured around three key historical periods in which Civil Rights in the US developed and the divisive legacy of these periods of possibility: The Founding and Constitutional period 1776-1790, Civil War and Reconstruction, 1863-1883 and the Civil Rights Era 1945-1991. Through an examination of social movements, Supreme Court cases, and congressional action the course illustrates how the meaning of citizenship and civil rights, who constituted a citizen, and what institutions—state and local government, private individuals, and so on—posed the biggest threat to equal treatment under the law changed over time. Finally, the course provides opportunities for students to actively participate in the US Civil Rights tradition.
AMST 30994  American Hate: White Radicalism, Religion and Domestic Terror in Contemporary America  (3 Credit Hours)  
Incidents of hate-driven political violence and domestic terrorism have increased in the United States in recent years and are the highest they have been in decades. Non-partisan studies show this upsurge in violence has been driven primarily by white-supremacist, anti-Muslim, and anti-government extremism. What are the causes of this upsurge in extremism and political violence? What is its impact upon contemporary society, religion, and politics? What do the categories and practices of peacebuilding have to offer for purposes of constructive and transformational responses to such violence and its causes? This course explores answers to these questions. It examines how the causes and conditions of the upsurge in extremist politics and political violence relate to racism, nationalism, xenophobia, and the political weaponizing of American religion. We will explore such factors as the role of ethno-nationalism in the wide-spread Evangelical Christian embrace of QAnon conspiracy theories and political organizing, the merging of Catholic and Orthodox Christian "traditionalism" with political authoritarianism (e.g. especially as modeled by contemporary Hungary, Poland, and Russia), the so-called "Alt-Right" organizing and activism (e.g. the "Unite the Right" marches and rallies in Charlottesville), the January 6, 2021 attack on the U.S. Capital, the relation of the so-called "Gun Lobby" to increased militance of political rhetoric and organizing, militia organizing and participation in political violence and terrorism, and invocations of a looming "civil war" as the inevitable result of deep and persistent political polarization in the U.S. Readings will include Janelle Wong's Immigrants, Evangelicals, and Politics in an Era of Demographic Change; Kristen Kobes Du Mez's From Jesus to John Wayne; Cynthia Miller-Idriss' Hate in the Homeland; Barbara Walters' How Civil Wars Start; Sarah Riccardi-Swartz's Between Heaven and Russia; and Ryan Busse's Gun Fight, among others.
AMST 30995  Race Locales: Race, Space, and Place in the U.S.  (3 Credit Hours)  
This course examines the socio-histories, movement, and settlement patterns of racial minorities in the U.S. The course will focus on how race and racial imaginaries shape the movement and settlement of racial minorities. It will include deep examinations of these mobility patterns and how they are constructed and articulated through laws, policies, and social arrangements. Special attention will be paid to the racialization of the United States, American-ness as whiteness, and the consequences for the social and physical landscape. And finally, the course will consider how the racial construction of the U.S. is manifested and buttressed through the built environment and the consequences.
AMST 31162  Latinx Representation in Hollywood Lab  (0 Credit Hours)  
This film lab will be used to show fillms from the Latinos in American Films course.
Prerequisites: (AMST 30162 (may be taken concurrently) or ILS 30005 (may be taken concurrently) or FTT 30162 (may be taken concurrently))  
AMST 31186  Indigenous Cinema Lab  (0 Credit Hours)  
This lab is co-requisite of the the Indigenous Cineman course
Prerequisites: (AMST 30186 (may be taken concurrently) or FTT 30186 (may be taken concurrently) or ANTH 30186 (may be taken concurrently))  
AMST 31734  Home/Homelessness USCinema Lab  (0 Credit Hours)  
This is the lab for AMST 30734 Home/Homelessness in US Cinema
Corequisites: AMST 30734  
AMST 32129  Notre Dame and America Discussion Section  (0 Credit Hours)  
Discussion section meets every Friday for Notre Dame and America course
AMST 32334  Boxing in America Tutorial  (0 Credit Hours)  
This course is the tutorial section to the Boxing in America course AMST 30334
Corequisites: AMST 30334  
AMST 34102  Imperialism to Globalism  (3 Credit Hours)  
"Global integration is not only a fact of modern life, but of modern history writing. The interconnectedness of distant societies and states, and powerful forces making for social, cultural and economic interaction have prompted significant scholarly assessment. This module investigates some of the events and processes which have led to a more integrated world order between the mid-nineteenth century and the later twentieth century. For most of that period much of the world was carved up between a number of inter-continental empires centred in Europe. How those empires grew, exerted control and in due course retreated will be the particular focus of the module. But other processes, too, will be considered, not least the integrating force of economic changes and the spreading power of capitalism across the globe. Attention will be given to the evolution of ideologies of imperialism and social Darwinism and to whether or not such ideologies impacted upon changing global power relationships. The module is designed on a comparative model, though course reading will be provided in English, and while broadly chronological in approach will focus on a wide range of themes in cultural, economic and political history."
AMST 34104  Native American History and Traditions  (3 Credit Hours)  
The course aims to broaden students' understanding of the history, culture, and contemporary situations of Native Americans. The course uses historical, literary, and anthropological analysis to explore American Indian life and culture. It also examines the contemporary legal and social institutions that affect Native American life.
AMST 34105  War, Terrorism, and Violence in Media   (3 Credit Hours)  
This course examines violence and terror as inherent structural components of contemporary politics and media.
AMST 34107  American Literature on Screen  (5 Credit Hours)  
A large number of films and television programmes are adapted from literary sources, and often produce powerful responses from viewers and critics. This module explores the phenomenon of American literature on screen, comparing the adapted screen versions with their literary originals to consider how and why the decision to adapt is taken, and what effect is achieved. This module provides the tools to critically assess and interpret how American literature adapted for the screen approaches key issues in American culture such as race, gender, class, identity, and power. We will also explore the intersectional nature of systemic structures such as settler colonialism, patriarchy, capitalism, organised religion, etc. Additionally, this module will consider the ways that screen adaptation appropriates literary texts, and assess the political and economic dimensions of such appropriations. Literary genres covered will include autobiography and the novel, including the graphic novel, with examples ranging from the 19th to the 21st centuries; screen media will include both film and television adaptations. Students will be encouraged to explore the connections and the differences between the uses of specific media, and to think through how and why adaptation works in a range of critical and often tense American cultural contexts. Students will also consider narrative and narration, characterisation, voice, point of view, style, and audience. The module is team taught by a wide variety of American Studies specialists, and our approach is firmly interdisciplinary and intersectional; students will be encouraged to take similarly diverse critical approaches. Weekly seminars will explore a range of texts and films from the 19th to 21st centuries, and students will be expected to devise their own essay topics from the interests they develop across the module.
AMST 34108  Wishing Upon Stars: Disney's America  (5 Credit Hours)  
The plaque at the entrance of Disneyland Park, opened in 1955, reads, 'Here you leave today and enter the world of yesterday, tomorrow and fantasy' Escapism is and always has been a key Disney approach, but by being absorbed in nostalgia, and fantastic imaginings of worlds to come, what happens to the political present, and what are the effects of its exclusion? Disney has had a long, successful, and influential career over the 20th century and into the 21st, and whilst it has moved with the times, often spearheading the changes in terms of technology, its choice of story-lines, and its underlying and largely conservative views on American life and morality have too often been problematic. This is especially true in terms of those its chooses to represent in its productions, and the nature of this representation. Throughout its history, Disney has been significantly racist, homophobic, misogynistic and imperialistic in its world views. Much has changed in the last 20 years, but it still maintains a sense of largely apolitical idealized America. On this module you will explore Disney from multiple approaches, employing historical, political, and cultural analysis to explore Disney's Dream America, and to see the extent these dreams really do come true.
AMST 34109  Young America  (2 Credit Hours)  
La Jeune Amerique explores American history and the current cultural perceptions of historical events and figures from the American and French perspectives.
AMST 34110  Arts and Media  (2 Credit Hours)  
Arts et medias explores the cultural impacts of new technologies such as radio, film, talkies, and colored film, using both past and contemporary examples from the United States and United Kingdom.
AMST 34114  Irish Presence in America  (2.5,3 Credit Hours)  
This module will address the influence and effect of the Irish diaspora in America and explore the input, contribution, and impact of the enormous Irish community there. Some 35.5 million people in America claim Irish descent. The time period under review begins with the mass emigration caused by the Great Famine in Ireland in 1845 and the assimilation and influence of this diaspora on American culture. It will analyse the reaction of the Irish-Americans to the rising nationalist movement in Ireland from 1890 to 1922. Moving to second wave emigration in the 1950s, lectures will discuss how the strength of the Irish community grew in postwar America to become a recognisable force politically, socially, and culturally. The current status of the Irish in America will also be considered.
AMST 34116  America and Australia: The Issues Compared  (3-4 Credit Hours)  
In this unit we explore major American social issues by comparing them with similar issues in Australia. What makes America different? How do personal rights, from gun rights to LGBTI rights, work differently in the two countries? What differences and similarities exist on issues like race and mass incarceration? How much do we either exaggerate or downplay political differences between the United States and ourselves?
AMST 34252  Contemporary American Politics  (3 Credit Hours)  
This module explores contemporary politics and political institutions in the United States. Students are introduced first to the basics of the American democratic system and then to examples of contemporary political issues. The module examines the basic American policy-making system, contemporary public opinion and voting behavior, and the election of Donald Trump in 2016 and his defeat in 2020. The module will also examine pressing contemporary issues such as race-relations, gun violence, populism, economic inequality, concerns about the election process, and America's changing position in the world economically and politically.
AMST 34253  Antropologia Americana: Habitar, Reivindicar y Reconocer  (3 Credit Hours)  
Through an anthropological approach, the course will study both the history of and the modern context and demands of indigenous people and groups in the Americas.
AMST 34612  Black Freedom Struggles: The Civil Rights Movement  (5 Credit Hours)  
The African American freedom struggle did not begin or end with the civil rights protests of the 1950s-1960s. Since the demise of slavery, black activists have been forcefully demanding racial equality. From 1865 to the present day, African Americans have not only asserted their rights as citizens, but have demanded an end to economic injustice, while questioning the actions of the U.S. government both at home and abroad. Throughout this module, you will examine black political and cultural protest in the United States over the course of the ‘long' civil rights movement. Covering the period from the first years of freedom following the Civil War to the emergence of Black Lives Matter, you will learn about the breadth and diversity of African American activism. You will challenge popular narratives of the civil rights movement and uncover the radical impulses that have animated the freedom dreams of black America. You will study how African Americans responded to disenfranchisement, racial violence and economic inequality. You will also learn about the lives of key figures in the black freedom struggle such as Booker T. Washington, Nannie Helen Burroughs, Marcus Garvey, Mary McLeod Bethune, Stokely Carmichael and Angela Davis. Ultimately, through the study of primary sources and secondary texts, you will grapple with the complexity of black political thought and develop a detailed understanding of how African Americans counteracted white supremacy. On successful completion of your module you will have a broad understanding of the major trends in African American political and cultural history from the nineteenth century to the present day. You will able be able to clearly articulate how African Americans have shaped our understanding of the American nation, democracy and the meaning of human rights. Finally, through the close study of a range of cultural and political texts including autobiographies, speeches, newspapers and film, you will develop key analytical skills that are vital to the interdisciplinary study of history and politics.
AMST 34613  Stand Up USA: American Comedy and Humour  (4 Credit Hours)  
From Trickster to TikTok, this unit charts comedy's negotiations of race, class, gender, and sexuality, and of party and identity politics in the form of parody and satire. Influenced by ethnic, minority, and working-class cultures, comedy challenged and transformed existing norms of American family and institutions, and American identity. Through forms such as literature, television, stand-up, cinema, and new media, students will learn that comedy provided a space for resistance, profit, and community.
AMST 34618  America in the World: The History of U.S. Foreign Relations  (5 Credit Hours)  
This module offers a critical introduction to understanding America's place in the world. It provides historical and political analyses of US foreign relations, looking at themes and traditions that have shaped America's increasing influence in global affairs from the late nineteenth century to present day. From the war of 1898 to the conflicts of the early twenty-first century, it examines how America's involvement abroad has changed over time. Has the US helped or harmed the rest of the world during its rise to world power? The course analyses traditional political and diplomatic issues, as well as the link between foreign and domestic policies, the role of foreign actors and private organisations - from religious groups to citizen organisations to NGOs - that have served to shape America's actions abroad. It also engages with important contemporary trends in the historiography of US foreign policy, including those that emphasise he significance of race, gender, emotions, and modernisation theory. The module provides a richer discussion of the origins and evolutions of America's multifaceted global power.
AMST 34622  Irish-America: Culture & Society  (3 Credit Hours)  
This module will address the influence and effect of the Irish diaspora in America and explore the input, contribution and impact of the enormous Irish community there. Some 35.5 million people in America claim Irish descent. The time period under review begins with the mass emigration caused by the Great Famine in Ireland in 1845 and the assimilation and influence of this diaspora on American culture. It will analyse the reaction of the Irish-Americans to the rising nationalist movement in Ireland from 1890 to 1922. Moving to 'second wave' emigration in the 1950s, lectures will discuss how the strength of the Irish community grew in Post-War America to become a recognisable force politically, socially and culturally. The current status of the Irish in America will also be considered. A number of academic field trips related to the module content will be organised throughout the trimester.
AMST 34648  Visualizing Race in the USA  (3-5 Credit Hours)  
Using still photographs, this module will explore how representations of race are produced and circulate in the USA. While our focus will be on Indigenous Americans, African Americans and other racialized groups, we will juxtapose our explorations with assessments of images of Whites and representations of whiteness. The module aims to introduce students to strategies and techniques for exploring and analysing photographs and, more specifically, using the visual record to study and illuminate the racial history of the USA. Viewed here as sites of historical evidence, photographic portraits, family albums, anthropological illustrations, lynching postcards, advertisements, food packaging, and news images, are just some of the photographic images that we will "read" and evaluate to illuminate the history of the USA. We will explore how visual texts can contribute to our understanding of race (often inseparable from nationhood, class, sexuality, identity) in the USA. The invention of photography changed ways of looking and seeing, from the nineteenth century up to the present day. Opening sessions will focus on ways of "reading" visual texts. Students will gain skills and techniques to enable them to recruit photographs as evidence to support work in this as well as future modules. We will start with the birth of photography in the mid-nineteenth century, and end our enquiry in the present day, analysing how images constantly reflect and contribute to constructions of race in American culture. Students will be encouraged to pursue and research their own interests, for both classwork and written assignments. [No previous experience of working with images is necessary. A grounding in American history would be beneficial].
AMST 34649  History in the Present  (3 Credit Hours)  
This module will involve looking at how events, people, places and objects from the past have taken on a 'history' and at how we encounter it in the present day. This will include looking at how a particular incident has been remembered or commemorated, perhaps in a painting, a monument, a ceremony or even a song, and the kinds of meaning attributed to it over time. It could also mean looking at how a particular location has become a site where the past is encountered, perhaps through exhibitions, street names or city design; at individuals whose reputations reflect changing approaches to the past; or at objects which are taken to represent past experiences. It may also involve considering how specific events or people might be made use of to advance political claims, whether over contested territory or for the inclusion of excluded communities. The module will make use of case-studies selected from different periods and places. It will also involve looking at how we might understand the multiple ways in which the past can be conveyed and presented to, or participated in by, different audiences. In 2025-6 a thread connecting several of the lectures and tutorials will be questions of national, imperial and colonial pasts.
AMST 34751  Americans and The Greek Revolution  (3 Credit Hours)  
The outbreak of the Greek revolution of 1821 against Ottoman rule made a deep impression on Americans. This course examines the wide-ranging forms of support Americans offered the Greeks including calls on the government to recognize Greece, creating a broad-based philhellenic movement that raised funds for the rebels; and for a few, crossing the Atlantic to fight as volunteers on the side of the Greeks. We will explore the causes of American philhellenism that Greece's 1821 crystallized: an education based on the Classics; the liberal content of the Greek uprising that echoed 1776; the religious impulse of supporting fellow Christians fighting for freedom; and a humanitarian empathy toward a people who faced death or being sold into slavery. We will also examine how the philhellenic movement legitimized the involvement in public affairs of ordinary Americans, especially women, and how many of them joined the abolitionist movement in the Antebellum era. Taught in Athen, Greece abroad program
AMST 34801  History of US-China Relations  (3 Credit Hours)  
An examination of the formation and development of political, economic, and cultural relations between China and the United States from the late 18th century to the mid-20th century.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 34802  American Constitution  (3 Credit Hours)  
This course covers the making of the American Constitution, the institutions and systems of government which it established, and its long turbulent history over the past two centuries. However, the primary focus of the course is upon the difficulties faced in recent decades by modern Americans in reconciling the aspirations of late twentieth- and early twenty-first century social, cultural and political aspirations with institutional forms which were - to a large extent - set in aspic over two hundred years ago. The course examines the interplay of eighteenth-century and twentieth-and twenty-first century concerns and the controversies which have arisen out of the encounter - in the Supreme Court especially - of America's eighteenth-century constitutional inheritance with modern social and political realities.
AMST 34901  America Contemporanea  (3 Credit Hours)  
The course provides a broad vision of the history of the 20th century in Latin America, focusing on both the common elements and the diversity of experiences that can be found in the different historical processes that have marked the continent. Special emphasis will be placed on the cultural aspects of social and political processes that were significant during the 20th century, approaching them from analytical perspectives of race, class, and gender. The general contents of the course include the emergence of new political actors at the turn of the century, revolutions, the rise of populism, the influence of the United States, the role of the Catholic Church on the continent, military dictatorships and the construction of post-dictatorship historical memories in Latin America. The course will address the history of Contemporary Latin America through group discussions of academic texts and analysis of sources.
AMST 34902  Genocide  (3 Credit Hours)  
The course examines such violent forms of identity politics as ethnic cleansing and genocide in an international and historical perspective. The program covers the genocides in Europe against the Jews and Roma, in Armenia, the Balkans, the Ukraine, Cambodia, Rwanda, and the Darfur region.
AMST 34916  History of American Capitalism  (3 Credit Hours)  
The aim of this course is to provide students an introduction to the history of capitalism in the United States. Our focus will be upon the twentieth and twenty-first centuries, but the course will refer to and incorporate the entire history of the United States. Topics covered include the rise of capitalism in North America and its distinctive qualities; Populism; Fordism; the Great Depression and the New Deal; the character of post-WWII US global hegemony; post-1980 financialization and service work; Trumpism; the current and future trajectory of US capitalism and its relationship to the wider world. Throughout, the course will use capitalism as a means of achieving a broad historical perspective on the United States, spanning economy, politics, culture, society, environment, and more. Another aim of this course is to expose students to the discipline of history and the sensibilities of historical interpretation, including the ability of history to incorporate perspectives from across the social sciences and humanities.
AMST 34917  Children in Social Contexts  (3 Credit Hours)  
This module will introduce students to some of the key theories in child development and the sociology of childhood, and challenge them to apply these theories to real-world experiences. Using Bronfenbrenners ecological systems theory, it will emphasise the interconnectedness between social contexts, including but not limited to the family, the peer group, the school, and wider society. It will also look at social constructions such as gender and social class and the processes by which children can be marginalised in society.
AMST 34918  Introduction to Policymaking  (3 Credit Hours)  
This module introduces students to the study of the policy process in the context of Irish government. It explores the structures, institutions and processes of policymaking, and some of the key theories and approaches of public policy. The theoretical approaches will be examined through the use of case studies.
AMST 34919  Understanding Family and Society  (3 Credit Hours)  
This module is concerned with the nature of family and its relationship with wider society. Family does not exist in isolation from wider systems, cultures and ideologies and these influences continually shape and re-configure peoples experiences and understanding of family and family life. Issues relating to family life are complex and have been the subject matter of intense debate and academic focus for centuries. The module will highlight the range of perspectives and positions that have been adopted in attempts to understand family.
AMST 34920  Independent Study Abroad-Rome  (3 Credit Hours)  
Study to research the housing situation for migrants and refugees when they arrive to Italy. The project will take up form in a final paper and portfolio of certain Church properties that handle and aid migrants and refugees in Rome.
AMST 40613  From homosexual to LGBTQIA+: How we got queer in the USA, 1920—present  (3 Credit Hours)  
This course covers the varied experience of Lesbian, Gay, Bisexual and Transgender (and other gender-fluid) Americans over the course of the twentieth century. As much as possible, it will focus on the voices of LGBT people themselves, in the context of the changing meanings of what it was to claim those identities. To do this we will draw on primary sources--art, music, film, literature, interviews and oral histories, memoirs and autobiographies, plays, films. The focus will be on the ways people understood who they were--and what homosexual/ gay/ lesbian/ queer/ transsexual/ transgender/ et al identities meant to them--and how these identities changed over the course of the twentieth century, using a wide variety of primary sources and relevant disciplinary frameworks.
Satisfies the following University Core Requirements: WKHI - Core History  
AMST 43142  Death in America  (3 Credit Hours)  
The Senior Seminar is designed as a culminating experience for American Studies majors, an opportunity to hone the skills, methods, and interests acquired in previous American Studies classes and direct them toward a specific and significant research project. Readings and assignments explore themes in the field of American Studies. Requirements include seminar-style discussions of course readings, a final research paper of 20-25 pages (or the equivalent), and a presentation of that project in class. This Senior Seminar focuses on changing cultural understandings of death, dying, and mourning in modern and contemporary America. Examining different visual, material, and media cultures, it explores topics such as: permanent and temporary memorials (like crosses erected at the sites of roadside fatalities, "ghost bikes" left at the scenes of pedestrian fatalities, and "dead-man" t-shirts worn at funerals), funeral practices and cemeteries (including traditional cemeteries, virtual cemeteries, "green" cemeteries, and Living Monuments), death related humor (too soon?), dark tourism (visiting sites of tragic and traumatic death), death-related rituals (Day of the Dead), dead bodies and sensational exhibitions like Body Worlds, Deadheads, death metal, and forensic-based TV shows like CSI and Bones. Our objectives are to consider what death means in America today on cultural terms. Course includes field trips.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

Enrollment limited to students in the American Studies department.

AMST 43144  Humor and Power  (3 Credit Hours)  
How many American Studies seniors does it take to analyze a joke? By studying humor seriously in its historical and sociocultural contexts, this senior seminar will introduce students to critical approaches to humor and power in the United States. Instead of taking humor and laughter for granted as self-evident phenomena, we will consider how practices of humor might intersect with structural hierarchies, including those of race, gender, sexuality, nationality, and religion. Students will engage with a wide variety of sources, including primary documents such as films and political cartoons, theories of humor, and critical scholarship on key American texts of humor. We will also explore vernacular theories about the value of having "a sense of humor" and explore how entire groups of people have historically been excluded from this category. The senior seminar is designed to be a culminating experience for American Studies.

Enrollment is limited to students with a program in American Studies.

AMST 43145  Sports and Recreation  (3 Credit Hours)  
Sports and recreation are a huge part of American life. What we do for fun reflects who we are and what we aspire to be as individuals, as members of a group or subculture, and as a nation. Amusement parks, city parks, national parks, stadiums, and sports fields shape the built and natural world around us; sports media, outdoor recreation, and tourism represent billion-dollar industries and influence American politics and culture. Because sports and recreation foster community and identity, they also become sites of conflict. As a result, they provide a useful lens for examining major themes and questions integral to the field of American Studies. Just as Introduction to American Studies served as your gateway to the major, this seminar will be the culminating experience. Readings and assignments will explore research and scholarship examining sports and recreation in the context of American Studies as a field, and students will develop research projects on a topic of their own choice. Requirements will include seminar-style discussions of assigned readings, a final research project of 20-25 pages, and an oral presentation of that project in class, as well as some smaller writing assignments.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 43151  Religion and Irreligion  (3 Credit Hours)  
Religion-and challenges to religion-are everywhere in the American cultural landscape, and in recent years American Studies scholars have expressed renewed interest in studying how religious and secular forces have made competing claims on the national imagination. In the early decades of the discipline, American Studies scholars highlighted the Puritan "errand into the wilderness" and the spiritual impact on U.S. culture. That began to change as new theoretical perspectives-poststructuralism, postmodernism, and postcolonial theory-combined with increasing attention to race, class, and gender. That shift, which led to an emphasis on power relations more than meaning making, nudged the study of religion to the disciplinary margins. Yet the situation changed again especially after 9/11, as religion's enduring significance in daily life and public culture seemed hard to deny. This senior seminar begins by tracing the history of American Studies, focusing on the ways scholars have studied religion. That discussion of diverse sources, methods, and themes will provide an angle of vision on the field, while other readings will prepare students to do their own research on a topic of their choice. There are lots of choices. it could mean exploring the religious history of your hometown. It might mean focusing on a particular religious traditon-from Catholicism in politics to Buddhism in popular culture-or analyzing challenges to religion-from feminist criticism within churches to affirmations of the atheism.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 43155  Notre Dame and America  (3 Credit Hours)  
In this course, we will interpret Notre Dame-an institution often defined as America's only truly national University-from the perspective of American studies. Notre Dame--much like America--can be defined and understood in multiple ways: as a physical location, as social and institutional world, and as an imaginary. We will explore Notre Dame from its pre-history as the homeland of the Pokagon Band of Potawatomi, to its founding as a missionary outpost of the European Catholic Church, through its evolution during the late nineteenth and twentieth centuries, through its present profile as a top-tier research university and the nation's premier Catholic educational institution. We will focus not only on obvious subjects such as Catholicism and football but also on as other key topics and themes in American studies that intersect with Notre Dame's story in the past and present. This course is designed to fulfill the History and CAD requirements.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 43156  Drugs in American Life & Death  (3 Credit Hours)  
Mind-altering substances have various, often conflicting meanings in American history and culture. This senior seminar explores the history, meanings, myths, and realities associated with narcotics in the United States. We will pay special attention to drugs and social difference, exploring the ways that American ideas about narcotics relate to such matters as race, class, gender, sexuality, ability, citizenship, and nation. Students will conduct original research into a chosen aspect of drugs in America.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 43157  Race and Racism  (3 Credit Hours)  
This course examines key issues and methodological approaches in Critical Race and Ethnic Studies. Students choose to write a 20-25 page paper or to develop a seminar project based on their interests.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 43158  American Microstudies  (3 Credit Hours)  
This research seminar asks students to practice American Studies on a "micro" scale. Students will be introduced to the method of microhistory. Microhistory looks at a single person, object, place, or event and asks big questions. It takes a single and specific unit of analysis and connects it with much wider and broader contexts. Thinking micro is in fact an ambitious attempt to rewrite the macro. The historian Linda Gordon studied an abduction of orphans by vigilantes in 1903 to write a wider history about early twentieth century immigration, race, and the American West. Timothy Gilfoyle wrote the story of a single pick pocket (thief) to illuminate the inner workings of the nineteenth century urban underworld. Jim Murphy rewrote the history of the American Revolution by writing about the event from the perspective of a boy. Microhistory is a way of asking big questions in small spaces. Students, in consultation with the instructor, will write a microhistory of the topic of their choosing. After consulting key studies that use this method, and canvassing the articles that lay out how to think like a micro scholar, students will practice it for themselves.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
AMST 43159  Indigenous Literatures  (3 Credit Hours)  
This course will undertake a comparative analysis of modern Native American Literature. Through multi-work studies of authors, interrogations within and across genre, and analysis of cultural, thematic, and literary modalities, this course will help students better understand the significance of Native American Literature for not only Native peoples and communities, but for the broader landscape of literature. This course encourages and relies upon engaged discussion, and will build towards a large term paper through layered writing assignments that build an analytical profile of authors, genres, and thematic elements.
AMST 43166  Gender and Material Culture  (3 Credit Hours)  
This interdisciplinary Seminar will use the lens of material culture to explore the intersections between gender, race, class. Material culture--the study of things and their meanings--offers a wide ranging and interdisciplinary set of methods for analyzing how objects become gendered, and in turn, how objects construct gender. The emphasis will be on objects used in North America (eg. the pink pussy hat of 2016), and the sources and methodologies will include surviving objects, archives, printed matter, and visual sources. Students will work on research papers that will allow them to explore objects and themes of particular relevance to their own research interests and fields of study.
AMST 43703  Camp  (3 Credit Hours)  
This course examines theories and practices of camp. Camp has been described as a sensibility, an aesthetics, a mode of performance, and a mode of spectatorship and consumption. Camp embraces artifice, exaggeration, theatricality, and irony. Initially described as exclusively a gay male practice, theorists have since analyzed forms of “straight” camp, feminist camp, lesbian camp, Black camp, and more. What is camp? To whom does camp belong, and how do different demographics use it? Does camp have a politics? How has the meaning and import of camp changed over time? Is camp still necessary? This interdisciplinary seminar will read essays and books on camp by Susan Sontag, Jack Babuscio, Richard Dyer, Pamela Robertson, Barbara Brickman, Quinn Miller, AJ Christian, and many others. We will consider camp in literary texts by Oscar Wilde, Christopher Isherwood, and Jacqueline Susann. We will consider camp in painting and photography, including historical styles such as Mannerism, and contemporary artists such as Cindy Sherman, Barkley Hendricks, and others. We will consider camp in relation to drag. We will consider camp films by Douglas Sirk and Busby Berkeley, films starring Mae West and Joan Crawford; and certain genres such as the musical and horror; camp TV such as Bewitched; and camp stars such as Lady Gaga and Beyonce. Students from all disciplines are welcome; no prior knowledge of camp is expected.
AMST 46920  Directed Readings  (1-3 Credit Hours)  
Directed readings taught by individual faculty members. Permission required.
Course may be repeated.  
AMST 47909  The Senior Thesis: Theory, Method, and Composition  (3 Credit Hours)  
The Senior Thesis Capstone provides a culminating experience for American Studies majors who are writing a Senior Thesis. It is only offered during fall semesters and should be followed in the spring by 3 credit hours of AMST 47910 Senior Thesis Writing with the thesis advisor. This course encourages students to think about how their coursework fits together as a whole and gives them an opportunity to put what they've learned as American Studies majors into practice. In this course students will be expected to demonstrate significant progress towards their senior thesis, a year-long experience developed with a faculty advisor that aspires to make an original contribution to the field. Class readings and discussions will address current issues and themes in the field of American Studies as well as how student theses will develop, support, or revise those themes. During the semester students will work on refining a topic and developing a supporting bibliography, conducting a significant amount of research (whether in libraries or in the field), situating their research among relevant secondary sources, writing an abstract or prospectus to guide further research and writing in the spring, and planning the project's final form (paper, exhibit, documentary, etc.). Specific expectations for each project/student will be developed in consultation with the course instructor and the student's thesis advisor. It is expected that each student meet at least twice with their thesis advisor during the semester. This course will be graded on a Satisfactory/Unsatisfactory basis.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in American Studies.

AMST 47910  Senior Thesis Writing  (3 Credit Hours)  
This course is a 3 credit hour independent writing course for students working on a senior thesis. It follows the Senior Thesis Capstone course and is taken in the spring semester with the student's primary thesis advisor. During the semester students complete their research, refine their project's argument and form, and develop a final draft of their thesis. The advisor meets regularly with their thesis students throughout the semester to evaluate each student's progress and review preliminary drafts. Students are expected to finish their final thesis by the first week of April, and to present their thesis at the American Studies Celebration of Undergraduate Research in late April. Final theses will be evaluated by the student's primary advisor as well as their secondary advisor. The student's course grade is based on these two evaluations (which will be given equal weight) as well as their presentation and the progress they demonstrated throughout the semester.

Enrollment is limited to students with a program in American Studies.

AMST 60103  Disability at Notre Dame  (3 Credit Hours)  
Disability has long been constructed as the opposite of higher education. Universities are places that valorize, even demand, physical and intellectual ability. Disability, in turn, is often seen as something that does not fit within a university context, a problem that must be fixed. This antithetical relationship between disability and the university is rooted in history eugenical curriculums, research programs that study disabled people but it continues today. Despite a growing focus on diversity in university admissions and populations, disabled students enter higher education at a lower rate than non-disabled students and are less likely to graduate. In addition, universities perpetuate cultures of ableism in both faculty and students by prioritizing ability, perfection, and achievement. This course interrogates the relationship between disability and higher education with a special focus on our university, Notre Dame. Students will be introduced to fundamental principles in disability studies; explore the place of disability in higher education; and, drawing on scholarship in critical university studies, consider intersections between ableism, racism, and sexism in university contexts. Students will also think and learn about what inclusive and accessible education might look like. The course will conclude with a student-driven project designed to increase access, inclusiveness, and awareness about ableism and disability at Notre Dame.
AMST 60104  Public Art & Memory in America  (3 Credit Hours)  
Public art is a major facet of modern and contemporary American culture and is often controversial: in the 1980s, the Vietnam Veterans Memorial was criticized by some for being "anti-American," in the 1990s, the Smithsonian cancelled an exhibit on the atomic bombing of Hiroshima after certain members of Congress said it was not "patriotically correct," in the 2000s, the design and construction of the National September 11 Memorial (dedicated in New York in 2011) was beset by protests. This course examines the politics and aesthetics of public art in America from the perspectives of its producers and audiences. What is public art? Why is it made? Who is it for? How and why does it embody tensions in American culture and society regarding identity, authority, and taste? Specific topics to be explored include American memorials and remembrance rituals, the development of the public art "industry," community art projects (such as murals), national arts programs and policies, landscape architecture, tourism, museums, and national fairs. Our objectives are to recognize how public art shapes and directs local and national understandings of history and memory, self and society, in the United States. Course includes field trips; students will develop their own "Wiki Public Art" pages.
AMST 68601  Graduate Directed Readings in American Studies  (3 Credit Hours)  
Graduate studies with American Studies faculty member

Journalism, Ethics, and Democracy (JED)

JED 22760  Discussion: Witnessing Climate Change  (0 Credit Hours)  
This is the discussion session for Witnessing Climate Change (ENGL 20760), thus, enrollment in both ENGL 22760 and ENGL 20760 (Or JED 30144) is required.
JED 30100  Fundamentals of Journalism  (3 Credit Hours)  
What is news? What are the most effective ways of presenting news to the public? What ethical decisions are involved in gathering and reporting news? These are a few of the questions addressed in this class. Fundamentals students may not enroll in any other JED course - this includes all the cross lists listed under the JED courses - until spring semester.
JED 30105  Ethics of Journalism  (3 Credit Hours)  
This class will focus on how print, broadcast and online journalists work - how they think and act as well as the ethical dilemmas they face today in delivering news, analysis, and commentary. We will study the processes involved in the creation of news and the effects or consequences of the news on the public. This is not a course that teaches the techniques of journalism. Rather it is an examination of the practices of professional journalists and a survey of the impact of what they do.
Prerequisites: JED 30100  

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30112  Persuasion, Commentary and Criticism  (3 Credit Hours)  
This course will consider the roles of persuasion, commentary, and criticism in contemporary American culture and will explore the techniques of these forms of expression. Students will prepare and discuss their own writing assignments, including opinion columns, editorials, and critical reviews of performances or books. Ethics and responsibilities in contemporary American journalism in expression of opinions also will be explored. Assignments will serve as the examinations in this course, which is taught by the opinion editor at the South Bend Tribune. Non AMST majors and JED minor applicants must submit a writing sample for review for course permission.
Prerequisites: JED 30100  
JED 30122  Witnessing the Sixties  (3 Credit Hours)  
The purpose of this interdisciplinary course is twofold: to examine the social context and cultural change of the sixties and to explore the various journalistic and aesthetic representations of events, movements, and transformations. We will focus on the manner in which each writer or artist witnessed the sixties and explore fresh styles of writing and cultural expression, such as the new journalism popularized by Tom Wolfe and the music/lyrics performed by Bob Dylan. Major topics for consideration include the counterculture and the movement--a combination of civil rights and anti-war protest.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30123  American Political and Media Culture  (3 Credit Hours)  
This course is an introductory and interdisciplinary examination of American political and media culture, particularly contemporary political thinking and behavior. Although we will examine the roots and development of U.S. political culture from the nation's founding into the 21st century, a principal concern of this class will be the involvement of the mass media (journalism, broadcasting, advertising, etc.) in our political life since the 1930s. In considering politics, government, and the media, we will attempt to come to terms with the role and influence of different forms of popular communications in modern political culture. Are traditional media forms fading in significance with the rise of social media? What methods of media assessment work most effectively in analyzing political and governmental issues? Does emphasis on a public figure's personality or image--as transmitted by the media--become more important than policy positions in the citizenry's assessment? Students will read several books and individual articles throughout the semester. Grading will be based on a mid-term and a final examination as well as a short paper and a more comprehensive, detailed essay.

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30131  Sports Media Newsroom  (3 Credit Hours)  
This course is a practical and conceptual immersion into the world of contemporary sports journalism. Students will learn how to write and report for multiple journalism platforms, including newspapers, magazines and digital media. Students will practice a variety of reporting techniques and study writing styles ranging from features to news articles to profiles, while also taking a rigorous look at the legal, ethical and cultural issues surrounding the intersection of media, sports and society. In addition, students will gain hands-on sports writing experience by preparing articles for the university's independent, student-run newspaper, The Observer.

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30132  Applied MultiMedia for Journalists  (3 Credit Hours)  
Applied Multimedia for Journalists - The main focus of this course is that students will learn how to shoot and edit videos. It will briefly touch on how to produce audio stories and podcasts. Students will also study the legal and ethical issues surrounding the use, creation and publication of digital media. The use of drones and the legal issues surrounding them will also be discussed.

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30134  Investigative Reporting  (3 Credit Hours)  
This course will explore the techniques of investigative journalism and produce high-quality public service projects based in the state of Indiana. It begins with a survey of the history of investigative reporting, from early 20th century muckrakers like Upton Sinclair to Woodward and Bernstein to new models in today's online world. Students will learn how to identify and judge potential investigative topics, work with databases to find solid documentation, interview a wide range of sources, and write stories appropriate to different journalism platforms. Students this semester will work toward producing a piece that is publishable in the Indianapolis Star.

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 30136  The Art of Science Journalism  (1 Credit Hour)  
The Art of Science Journalism (Deanna McCool) TR 9:30-10:45 a.m. This course will prepare students for the way articles based on scientific research or technological advancements are developed, reported, and written. After a brief historic look at science journalism, from H.G. Wells to Rachel Carson, students will also read/listen to works by contemporary print and radio journalists. Students will learn how to find and use scientific journals to supplement their articles, how to recognize a solid study from "junk science," and how to work with scientists to avoid jargon. Learning how to explain difficult concepts in detailed but accessible prose will not only benefit journalists who write about science, but also those who cover topics as diverse as city services or the arts. Students will create a short piece that can be published in a magazine or on a website with a focus on science. Please note: Please note: This is a one-credit course that will meet from Sept 29 to Oct.29.
JED 30140  Football in America  (3 Credit Hours)  
Football is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, football has occupied an important place for those wishing to define and understand "America." And Notre Dame football plays a central role in that story, with larger-than-life figures and stories, from Knute Rockne's "Win one for the Gipper" line to the "Four Horsemen" backfield that led the program to a second national championship in 1924. The mythic proportions of the University's football program cast a long shadow on the institution's history, cultural significance, and traditions. This course focuses on Notre Dame football history as an entry point into larger questions about the cultural, historical, and social significance of football in the U.S. Who has been allowed to play on what terms? How have events from Notre Dame football's past been remembered and re-imagined? How has success in Notre Dame football been defined and redefined? In particular, the course will focus on how Notre Dame football became a touchstone for Catholic communities and institutions across the country navigating the fraught terrain of immigration, whiteness, and religious practice. This course will take up those questions through significant engagement with University Archive collections related to Notre Dame football, working toward increased levels of description and access for these materials. This course will include hands-on work with metadata, encoding and markup, digitization, and digital preservation/access through a collaboration with the University Archives and the Navari Family Center for Digital Scholarship. Readings for this course will include chapters from texts such as Murray Sperber's Shake Down the Thunder: The Creation of Notre Dame Football (1993), TriStar Pictures' Rudy (1993), Steve Delsohn's Talking Irish: The Oral History of Notre Dame Football (2001), Jerry Barca's Unbeatable: Notre Dame's 1988 Championship and the Last Great College Football Season (2014), David Roediger's Working Toward Whiteness: How America's Immigrants Became White (2005), David Roediger's The Wages of Whiteness: Race and the Making of the American Working Class (1991), and Noel Ignatiev's How the Irish Became White (1995). Class meetings will be split between discussions of conceptual readings and applied work with library and information science technologies and systems. Coursework may include response papers, hands-on work with data, and a final project. Familiarity with archival methods, library/information science, data science, or computer science tools and methods is NOT a prerequisite for this course.
JED 30141  Public Affairs Reporting  (3 Credit Hours)  
This course builds on and hones skills learned in Fundamentals of Journalism by cultivating students' abilities to develop story ideas, gather information, conduct interviews, and then write and edit articles under deadline pressure. It introduces students to "beat" reporting, allowing them to cover a variety of newsworthy subjects and events. Students will be expected to conduct in-depth reporting and interview multiple sources to write four or five stories suitable for print, digital or broadcast media. Coursework will include reading, watching and discussing historic and contemporary reporting to learn about the evolution of the industry, professional ethics, and best practices.
JED 30142  Principles of Science Communication  (3 Credit Hours)  
Communicating about science has always been a necessity in public discourse, but communicating complex or ongoing science, health, and technology issues can be a challenge. This one-semester core Writing Intensive course, taught in Spring and Fall semesters, immerses students in the art of communicating about science in many forms, from writing for magazines and newspapers, to institutional writing for universities or medical centers, to giving speeches to lay audiences and creating descriptive museum displays. The areas of focus will be on writing concisely without jargon, workshopping/re-writing/editing, communicating and writing with accuracy, and developing empathy for both the scientist and the science communicator. Each week will include short reading assignments, as reading about science is critical to writing about science. Communicating about science has always been a necessity in public discourse, but communicating complex or ongoing science, health, and technology issues can be a challenge. This one-semester core Writing Intensive course, taught in Spring and Fall semesters, immerses students in the art of communicating about science in many forms, from writing for magazines and newspapers, to institutional writing for universities or medical centers, to giving speeches to lay audiences and creating descriptive museum displays. The areas of focus will be on writing concisely without jargon, workshopping/re-writing/editing, communicating and writing with accuracy, and developing empathy for both the scientist and the science communicator. Each week will include short reading assignments, as reading about science is critical to writing about science.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
JED 30143  Broadcasting the News  (3 Credit Hours)  
This course is a practical immersion into the world of broadcast journalism. Class will function much like a television newsroom, with time dedicated to workshopping and exploring a variety of reporting techniques. Students will spend time outside of the classroom engaging with asynchronous materials, practicing on-camera skills, and exploring the many roles that make up a newsroom. Students will build a professional reel or portfolio to demonstrate storytelling techniques essential to broadcasting the news.
JED 30144  Witnessing Climate Change  (3 Credit Hours)  
The Earth's climate is changing faster than expected. Industrialization, fossil fuel use, consumption, and exploitation are radically transforming the planet we live on. In "Witnessing Climate Change," we work to make sense of the science behind this planetary crisis and practice writing about it for the public. This is a large, writing-intensive, public-facing course that engages key contemporary issues and core ways of knowing from a values-oriented perspective, through large lectures and small group workshops. Readings include Jeff VanderMeer, Nukariik, Barry Lopez, Aldo Leopold, Wanda Coleman, J.M. Coetzee, and St. Francis, among others. Find out more at witnessingclimatechange.nd.edu. Please note: for this class students are required to sign up for a discussion section (ENGL 22760).
Corequisites: JED 22760  
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKCD-Core Cathol & Disciplines, WKIN - Core Integration, WRIT - Writing Intensive  
JED 30145  Global Freedom of Speech in the Digital Age  (3 Credit Hours)  
Designed for English majors, this cross-disciplinary course is an invitation to thinking about contemporary freedom of expression as it has been reshaped by technosocial, economic, and legal features of the digital age. We will approach the topic through case law, short fiction (including near-future speculative fiction), cinematic and televisual works, political philosophy, and the history of mass media. Among the subjects of scrutiny will be: the purpose of free speech in pluralistic democracies; intersections of law, literature and technology; the counter-majoritarian First Amendment; disinformation and propaganda; hate speech; platform governance and emerging information architectures; parody, satire, copyright, and intellectual property. The course may be of special interest to those considering the application of an English major to the study of law or careers in media and technology.
JED 30146  Documentary: Fact of Fiction?  (3 Credit Hours)  
Over the past decade, network television producers have reimagined the situation comedy with great success by utilizing mockumentary film techniques. This course will examine the ever-changing boundaries between fiction and non-fiction film and television by analyzing a series of works which question these discrete categorizations. We will consider canonical examples of documentary and the challenges posed to these known forms by pseudodocumentary and other media which reveal the devices used to establish cinematic realism. We will also explore a selection of film and television work which ascribes to realist modes of representation while subverting this approach. Issues such as testimony, performance, reflexivity, and ethics will be addressed in an effort to deepen the complex discourse of realism in visual media. Students must register for the lecture and lab for this course - Lab - FTT 41257
JED 30147  Media Entrepreneurship  (3 Credit Hours)  
A generation ago, students interested in media were likely journalism, broadcasting, or FTT majors aspiring to work full-time for big TV networks or newspapers. Today, that’s not usually true. Digital tools have blown open what it means to create and consume media. Whether you see yourself as a creative, a community organizer, an entrepreneur, or an influencer, you no longer have to launch your content through established channels, hoping to someday catch your big break. You could manage a YouTube channel with thousands of subscribers from your dorm room. Some of you probably already do. But how do you monetize such ventures? How do you turn a cool hobby or vision into a side hustle or career? In Media Entrepreneurship, we’ll explore how you can combine your passion, skills, and awareness of social needs to capitalize on the media's exciting new frontier. You’ll gain the knowledge, tools, and confidence to see creating your own digital media startup as a realistic possibility. And it’s not just about you. When you hear the phrase “media entrepreneur,” you might think of a tech bro pitching an idea to venture capitalists on Shark Tank. But, at its best, media entrepreneurship is an act of service. It’s about identifying community needs, building trust with audiences, and expanding whose voices we hear as a society. In this course, you’ll practice conceiving of a media project and working with a team to create a startup business plan.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
JED 30148  The Art of the Interview  (3 Credit Hours)  
This course will be taught by an ND alum, who is the host of a Chicago based PBS show. We will examine what the interview process is and its preparation. Students will have an understanding of what are the types of interviewing in journalism. Which types are intended for a news story? Which types are for a feature story?
JED 30149  Storytelling and Sport  (3 Credit Hours)  
This course is about telling great, factual stories within the realm of human endeavor we call sport. That is, you will read and write substantial nonfiction narratives, and your main subject of inquiry will be near-at-hand happenings in sport, play, and performance. You can call it longform sportswriting, literary journalism, creative nonfiction, or anything in between—and, indeed, this course will ask you to interrogate the boundaries between subgenres in the literature of fact. Through your ethical efforts in research, exploration, and storytelling, you will seek to define and describe real-world truth through the art of the longform essay. With guidance, you will look for potential stories locally—on campus, or nearby—request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Together, we will ask fundamental questions about the time-honored act of storytelling and explore the history of the "longform" narrative form. What impact—culturally, socially, politically—can a well-told story have? We will build personal toolkits for writing nonfiction while reading and discussing exemplary essays. We will ask big questions about the role of sport and play in culture, mindful of local significance: What is the relationship between play and identity, for instance? How do conceptions of race, class, or gender find expression (or deconstruction) in sport? How does socioeconomic division affect access to sport and play in America? Most fundamentally, in this course, we will write and share our work with others. This course requires the completion of a substantial writing project, among other assignments, and you should be prepared to spend time with real people and your writing subjects outside of class time, and often according to their schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
JED 30150  Newsroom Leadership Seminar  (1 Credit Hour)  
This one-credit seminar is open exclusively to students in the journalism minor who are also in leadership positions with student media organizations. Students who meet that criteria may register for this course for up to three semesters, earning a maximum of three credits. The class will meet 10 times throughout the semester with a rotating group of visiting professional journalists who will critique student media work and help cultivate story ideas. In addition to feedback on published and broadcast work, the class sessions will focus on principles of news judgment and editorial decision-making, innovative storytelling approaches, and practical advice for reporting on complex or controversial subjects. The visiting journalists also will provide insights and examples from their own work and offer advice on establishing a career in the news industry.
JED 30151  Game Day Media: Play by Play, Color Analysis & News Conference  (3 Credit Hours)  
Taught by former ESPN anchor, Emmy award-winning sports reporter, and President of Game Day Communications Betsy Ross, Game Day Media will delve into the preparation and performance of game day media opportunities: play by play personnel, color analysts, Public Address talent, news conference moderators and more. This is a 50/50 zoom and class will meet in person and over zoom/ class. Students will record play by play/analyst segments from campus sports, conduct pre-game interviews and post-game news conferences and observe the intricacies of public address announcing.
JED 30152  Catching Lives: The writing of profiles and biographies  (3 Credit Hours)  
In a new book about her work as longtime obituary writer for the Economist, Ann Wroe dubs the task "catching lives": i.e., capturing and conveying the crucial elements that illuminate a subject's personality, behavior, motivation, and even their soul. We will explore journalistic techniques, along with ethical and even moral considerations, in the writing of lives, both the living and the dead, in formal biographies, in informal profiles, in obituaries, and in appreciations. From current books such as His Name Is George Floyd and Elon Musk and Going Infinite, to the pithy profiles of contemporary figures written on deadline in the wake of news events, how do life-writers — who must be part detective, part psychoanalyst, part historian, and part gossip-trawler, but always fair and thorough — go about their work?
JED 30154  The Engaged Journalist: Connecting Communities and Newsrooms Across Divides  (3 Credit Hours)  
This course delves into the evolving practice of engaged journalism in the U.S., equipping students with skills to close gaps between journalists and the communities they serve. Students will examine standout examples of engaged journalism in the U.S., highlighting how leading newsrooms build trust, prioritize community input, and make journalism relevant to diverse audiences.  Students will explore engagement as more than audience metrics — focusing instead on inclusive reporting, collaborative storytelling, and trust-building. Through case studies from some of the nation’s best storytellers and investigative journalists, students will learn techniques for involving community voices in creation, from story selection to distribution, enhancing journalism’s accessibility and relevance. As a classroom, we will discuss the ethical challenges journalists face when interviewing people who have experienced trauma or harm. Students will analyze case studies, identifying best practices and key strategies that deepen audience connections. We will apply these practices through assignments, learning to design and implement engagement-focused reporting through community listening exercises and collaborative story creation. This hands-on approach allows students to create audience-centered journalism that bridges gaps between newsrooms and the public and explores what it means to do journalism as a public service.  By semester’s end, students will leave with actionable strategies for fostering sustainable, community-centered journalism and ways to integrate these practices into their budding careers.
JED 30155  Introduction to Writing Creative Non-Fiction  (3 Credit Hours)  
While the words “creative” and “nonfiction” might seem an odd pairing, the combination is rooted in a long tradition of telling stories, making personal observations and employing a variety of literary techniques to communicate facts. In this course, students will read, analyze, and discuss the works of creative nonfiction writers. This course is for beginners as well as more experienced writers who want to delve into the still-evolving genre of creative nonfiction, which includes personal essay, memoir, documentary, and literary journalism. Students will also write their own work and discuss it in class.
JED 30157  South Bend Stories  (3 Credit Hours)  
In “South Bend Stories” students will produce reported narratives across a variety of nonfiction genres, including prose writing and documentary filmmaking. This course draws its inspiration and subject matter from the city of South Bend and the greater Michiana region, as you will work with classmates and community partners to tell stories of local interest and significance. Topics may include close-up looks at a wide range of ideas—family, sport, education, history, etc.—but the ultimate goal is to describe real-world truth at the “felt-life level,” revealing something of what it means to be alive in this particular time and place. We wish to highlight the daily lives, cultural events, natural and built spaces, and social issues of South Bend. Projects are collaborative, with students working in teams. With guidance, you will look for stories, request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Each group will produce several different stories, though subjects and forms will often converse with one another. For instance, storytelling teams may create short moving-image documentaries, works of prose journalism, photo essays, audio narratives, creative nonfiction essays, or more avant-garde documentary projects, etc. The class will interrogate the boundaries between subgenres of these factual artforms. Students will decide which types of stories they will produce. Telling others’ stories is a profoundly ethical act. It is also a creative process that allows us to grow as individuals and as a community. This challenging process demands your respect and your time as a media-maker. The class will regularly engage in discussions about media ethics and accountability, in the traditions of journalism and documentary filmmaking courses. Students must be prepared to use resources to travel beyond campus and engage with people who are not students and may not be affiliated with the university. Additionally, you must act ethically as a storyteller and collaborator. Further, you must solve a range of challenges—conceptual, logistical, and narratological—while being prepared to spend time with your subjects outside of class time and often according to others’ schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
JED 30159  Democracy Defenders In Exile  (3 Credit Hours)  
Victoria Tin-bor Hui will convene a workshop series titled "Democracy Defenders In Exile," in conjunction with a writing seminar at the Political Science Department. The workshops, open to students from all disciplines, will feature six democracy defenders, including four from Hong Kong, Tibet, Xinjiang, and China, one from Congressional staff, and one from a transnational organization like Safeguard Defenders. These workshops will be structured as question-and-answer sessions, where students will interview the speakers and gain hands-on experience writing about human rights work and democracy defense. This course will be repeated, with the best student essays posted on a website, and the top essays compiled into an edited volume.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
JED 30160  Research and Writing for Soci  (3 Credit Hours)  
This course invites students to explore the ways writing can develop our moral imagination about what poverty is and what our world could be without poverty. We will read and write intensively in a wide variety of genres and modes--memoir, podcasts, letters, poetry, creative nonfiction, fiction, and more. Class will include active participation from students through rhetorical analysis of published texts and workshopping of peer writing to create a portfolio of diverse expressions, insights, and arguments about poverty and injustice. Students will have the opportunity to meet experienced writers and advocates who write for social change. We will seek inspiration and insight through community-engaged and campus speakers and events that will prompt us to complicate and elevate our understanding of why poverty exists and what we can do now and throughout our lives to make change. Introduction to Poverty Studies or an equivalent course is desired but not required.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
JED 30161  Sport and Media  (3 Credit Hours)  
From the Olympics to Formula 1, sports are a central part of global culture and everyday life. Our experiences of sport, however, are largely shaped—and often even constructed—by media. Rather than simply presenting sport, media play an active role in producing the values, identities, emotions, and conflicts we associate with it. This course examines the historical roots and current conditions of the convergence of corporate sport and corporate media. We will analyze how media—from early 20th-century newsreels to live Twitch streams—do more than distribute sport content; they shape its cultural meanings and social impact. Centering sport media as both an industry and a cultural practice, we will explore how it intersects with issues of gender, race/ethnicity, labor, nationalism, and globalization. By analyzing the forces shaping sport media production and consumption, we will consider the meanings audiences make of those messages, we will consider the ways sport media production and consumption might be reimagined. Assignments in the course include a variety of reflection and application projects, as well as larger research project.
JED 30162  Big Picture, Narrow Focus: Profiles that Illuminate the World  (3 Credit Hours)  
A story centered on one person can be a useful way to illuminate a big issue. For example: An immigrant student living in fear of government policies on immigration. A local store owner forced to close shop because the economy is changing. A worker afraid of being put out of work by AI. In this class, we'll focus on that kind of story and on the building blocks of any good story: How do you find the right people to interview? How do you earn your subject’s trust? How do you conduct an effective interview? How do you bring a person to life with details, quotes and action? How do you weave the person’s life with the bigger issue? How do you collect facts—and check them? How do you structure a story? How do you convey meaning and feeling? We’ll examine stories—short and long—to see how the writers did it. We’ll listen to some good interviews. You’ll build several stories of your own.
JED 30163  Local Reporting  (3 Credit Hours)  
What role does a local reporter play in their community? How does the unique nature of a small community impact the journalism profession? Local reporters are the backbone of journalism, an unsung majority holding up a field on minimal resources and stretched for time. Oftentimes, local reporters are the only members of the public present at government meetings where decisions are made that impact everyone in a municipality. This class is meant to prepare you for the work required to be a reporter in a small community. This class will revolve around consuming, understanding, and producing local journalism. Students will write local news stories, read examples of good local reporting, and interact with local and regional journalists. Students will learn to understand their unique local audience, and how to interpret the importance of news for that audience and through their lens. Note: the only required text for this course will be a subscription to a local newspaper.
JED 30164  Global Storytelling: The Power of Narrative.  (3 Credit Hours)  
From ancient myths to Pixar films, from Superbowl commercials to political campaigns, we understand our world through stories and take actions because of stories. In this course we will examine the major components of narrative by viewing storytelling through a global lens. We will study how narrative works, link narrative analysis and practices across professions, and explore narrative effects across cultures. With the storytelling we practice every day we will learn to tell a story of “self,” of “us,” of “them,” of “now.” To craft compelling narratives on topics such as “change” and “difference,” and create powerful accounts by means of data, visual tools and on social media. By the end of the semester, we will develop skills to understand the power of stories more profoundly; to use them in our own lives and within the frameworks of organizations, marketing and advertising; to identify better social change strategies; and to become aware of all the new professional and academic fields that are recognizing the importance of storytelling to enhance effectiveness and emotional connection.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration  
JED 30165  Baseball & America  (3 Credit Hours)  
Baseball is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, baseball has occupied an important place for those wishing to define and understand "America." Who has been allowed to play on what terms? How have events from baseball's past been remembered and re-imagined? What is considered scandalous and why (and who decides)? How has success in baseball been defined and redefined? Centering baseball as an industry and a cultural practice, this course will cover topics that include the political, economic, and social development of professional baseball in the United States; the rise of organized baseball industry and Major League Baseball; and globalization in professional baseball. Readings for this course will include chapters from texts that include Rob Rucks's How the Major Leagues Colonized the Black and Latin Game (2011), Adrian Burgos's Playing America's Game: Baseball, Latinos, and the Color Line (2007), Daniel Gilbert's Expanding the Strike Zone: Baseball in the Age of Free Agency (2013), Robert Elias's How Baseball Sold U.S. Foreign Policy and Promoted the American Way Abroad (2010), and Michael Butterworth's Baseball and Rhetorics of Purity: The National Pastime and American Identity During the War on Terror (2010). Coursework may include response papers, primary source analysis, and a final project.
JED 30166  Democracy and Journalism for the 21st Century: Reporting on Solutions  (3 Credit Hours)  
In the United States, democracy and journalism go together: the Continental Congress placed ads in local newspapers to crowdsource the grievances that appeared in the Declaration of Independence; the framers of the Constitution enshrined freedom of the press as the First Amendment; Black and immigrant journalists centered community collaboration to make change in the 19th century and beyond. Today, however, both democracy and journalism are in decline. Roughly 3,500 local papers have vanished across the past two decades, and political scientists have argued that in 2025, the American political system is best described not by “democracy” but “competitive authoritarianism.” Tracking these dual crises, this course seeks to discover and follow mutually supportive paths for revitalizing democracy and journalism. As we seek answers in theory and practice, we’ll adopt a pro-democracy, but non-partisan lens, and we’ll take a local, rather than national, focus to observe how democracy operates from the ground up and what we miss when local journalism goes missing. As we report on solutions that citizens bring to bear on democratic problems, we’ll endeavor to make the abstract values of liberty and equality into something people can feel and touch, rendering democracy as tangible an issue as the functionality of Wi-Fi in your dorm room or the wages paid the person who prepares your dinner. The course will conclude with a phased reporting project that centers a concrete element of democracy in a student-produced story (medium open). As a Gallivan elective, this class will interest students in the Journalism, Ethics, and Democracy minor; but insofar as journalism and democracy shape our common future, the course aims to engage students from all majors and minors, and it will embrace diverse disciplinary lenses and ideological points of view.
JED 30177  Magazine Writing in America  (3 Credit Hours)  
This course will examine various forms of magazine journalism, from the direct presentation of information to narrative journalism to the art of the first-person essay. The class, requiring students to complete a variety of written assignments while performing in a workshop setting, will emphasize those storytelling techniques essential to writing for publication.

Enrollment is limited to students with a program in Journalism, Ethics & Democracy.

JED 34115  Politics and Media in the Contemporary Age  (3 Credit Hours)  
The aim of the course is to study the interaction between politics and communication and it will analyze, with a comparative approach, the role of mass media in the consensus building process from the end of the 19th century to the present.
JED 34116  Media Center: Read and analyze political news content  (2.5-3 Credit Hours)  
The objective of this workshop is to teach students to read and analyze journalistic content in a professional way, on political themes. Its purpose is to question journalistic expression by analyzing the facts and data it provides, the credibility of the information transmitted, and the meaning of their publication on such and such a date and on such and such a distribution platform.
JED 34117  Photographic Reporting Workshop  (3 Credit Hours)  
Understand and master the principles of the language of a photographic report. Know and apply the principles of photo editing, and learn to integrate text and image. Know the main milestones of photography and photographic reporting through history. Learn about the main trends in photographic reporting today. The course promotes the learning of photographic language through the exploration and construction of expressive portraits and documentary stories on various topics.
JED 34119   Introduction to Media and Journalism  (3 Credit Hours)  
In this course, students will develop the tools to interact effectively with the press in a future professional context. To do this, the course will analyze the functioning of both traditional media (written press, radio, and television) and online from the perspective of journalism. Through the analysis of cases and exercises in classes, the student will be able to understand their work dynamics and the ways of relationship between media and sources."
JED 34120  How Television Lobotomised the World  (3 Credit Hours)  
This module introduces students to mass communication theory, examining the birth and development of the medium of television as a mass communication and control tool. Particular focus will be paid to advertising, representation and framing, and gender. Learning Outcomes: 1. Apply theoretical concepts and ethical principles of equity and social justice from within the field of communication and media studies to issues of power, privilege, and oppression. 2. Develop methodological capacities in media studies appropriate to the study of television. 3. Recognize and apply foundational historical context from the field of communication and media studies to an examination of the contemporary study of television. 4. Implement intellectually developed critical thinking skills, creative and imaginative use of communicative forms and technologies, and preparedness for the careers of today and the future. 5. Produce work that contributes knowledge and expresses creativity with competent and effective communication skills in media across written, oral, visual, and interactive forms. 6. Display an understanding of critical debates in television studies.
JED 34121  Introduction to Journalism  (3 Credit Hours)  
This course is an introduction to the nature and various aspects of daily journalism, and the fundamental issues in the practice of reporting.
JED 34122  Photojournalism  (3 Credit Hours)  
This course allows students to acquire the technical and narrative mastery of the photographic tool to tell journalistic stories. A clear and well exposed photograph is not enough. It must reflect an intention, a purpose, an angle, a look. Through the study of the fundamental technical concepts as well as the narrative structure of a photojournalistic story, the deontological discussion of the photo taking, the critical reading of image making, and through the learning of the basics of digital image processing, each student will acquire, at the end of the course, the skills to create, develop and tell journalistic critical stories using photography as a means of expression.
JED 34123  Information and Media in the Anglophone World  (2 Credit Hours)  
At a time when the media landscape seems to be changing by the minute, the purpose of this class is twofold. On the one hand, it is intended to provide tools and concepts that can help understand the evolution of the news media in the United States from a historical perspective. On the other hand, it will help (re) familiarize students with traditional newsmedia (newspapers, magazines), alongside new technologies and cultures of information. The class will be mainly organized in a reading and discussion workshop format, and rely on news databases available through the university library. Background readings will also be included to provide context for class activities.
JED 34124  Case Study and Practice of International Journalism  (3 Credit Hours)  
This course introduces major Chinese and Western English-language media outlets and asks students to compare how global news is reported across different platforms and traditions. Through case studies and hands-on projects, students practice producing English, bilingual, or multilingual journalism.
JED 47930  Journalism Practicum  (1-3 Credit Hours)  
A professional work experience in news gathering and presentation for print, video, or online organizations.
JED 47931  Special Studies  (1-3 Credit Hours)  
Special Studies offers students the opportunity to pursue an independent, semester-long reading or research project under the direction of a faculty member. The subject matter of special studies must not be duplicated in the regular curriculum.
Course may be repeated.  

Sport, Media, and Culture

SMAC 20401  Navigating Name, Image, and Likeness (and Ideas) at Notre Dame  (1 Credit Hour)  
On July 1, 2021, the National Collegiate Athletic Association (NCAA) granted to Division I student-athletes the right to commercialize (i.e. make money from) their Name, Image and Likeness (NIL). The goal was to provide student-athletes with the same rights their non-athlete student peers have long enjoyed: the ability to earn compensation in exchange for their NIL by, for example, endorsing a product, selling their autograph, or giving sport lessons. One year after NIL legislation went into effect, the NIL landscape continues to evolve and change, leaving many confused about how to navigate these new opportunities. In this course, students will develop an understanding of: 1) what Name, Image and Likeness opportunities look like in real life, 2) the relevant NCAA, legal and policy guidelines, 3) the personal and environmental factors that can influence how people choose to engage in NIL activities, 4) their personal motivations, interests and goals related to NIL opportunities and, 5) the resources available to help them maximize their NIL opportunities while at ND. Students will be evaluated based on their engagement with guest speakers, collaboration with one another, and their performance in presentations, quizzes and a reflective essay.
SMAC 20402  Inside the NFL: Agent, Team, and Everything in Between  (1 Credit Hour)  
The National Football League is a multi-billion-dollar enterprise intricately interwoven in the ever-changing fabric of our nation's socioeconomic, political, and cultural norms. Although fans see the nice shiny end product on Sunday afternoons, behind the glimmering LED screen, there are a multitude of factions, each with a seat at the table and its own dogmatic agenda, engaged in a tense, combative game of high-stakes liar's poker. This course will deconstruct the NFL machine and examine the key players involved in forging and fueling this cultural phenomenon. We'll analyze and discuss a variety of current topics and events all within the context of the back and forth, give and take, tug of war dynamic between NFL players, teams agents, coaches, media, brand partners, and front office personnel. We'll also examine the impact of recent league initiatives designed to foster meaningful change in the areas of social justice and reform. Through a transparent, wide-angled lens, we'll provide our students with a nuanced perspective and appreciation for the complex inner-workings of the NFL community and the foundational value of industry relationships rooted in servant leadership. The breadth and depth of experiential knowledge will encourage and empower practical and innovative application in the new millennium as our students explore career and community service opportunities at both the macro and micro-levels of professional sport.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 20403  Youth Sports for All  (1 Credit Hour)  
The Play Like a Champion Youth Sports course will aim to introduce students to the challenges facing underprivileged and low income youth from accessing youth sports due to systemic structures including racism and sexism. Structured around the 2023 Conference, “Sports for All: Stronger Together, which is run by Play Like a Champion Today, a non-profit organization dedicated to promoting equity and excellence in youth sports, the course will consider, in tandem with the conference, how communities might come together to transform sports programs for children from marginalized urban neighborhoods. The course will focus on building understandings of equity, equality, diversity, access, inclusion, and belonging in order to then provide guidance on how to coach youth who encounter structural barriers when trying to access youth sports and other opportunities. Coaching and mentoring youth requires building relationships based on trust that are rooted in compassion and understanding. Most importantly, coaches will learn from their athletes and athletes will learn from their coaches; it is a two-way street. Coaches serve in crucial roles as mentors to youth because they have the ability to demonstrate ethical leadership skills and in turn train and mentor youth to be compassionate leaders and effective communicators in their communities. To help our youth Play Like Champions we must first understand the ways in which we can support these future champions as they navigate potential experiences of trauma, gun violence, and discrimination due to enduring cycles of poverty and discriminatory structures of power. The Class will begin with an introductory seminar class on June 12th and conclude with a seminar class on June 19th.
SMAC 20601  The Black Body  (3 Credit Hours)  
How is race embodied and how are bodies racialized? How do gender, sexuality, class, size, perceived beauty, and ability mutually influence embodiment? This course considers anthropological and historical studies of the body, with a critical focus on Blackness. We investigate how Black human bodies are othered, valued, dehumanized, and experienced, across time and space, with a particular focus on the United States. Euro-American philosophies have constructed Black people as transgressive, in a variety of ways, and all these ideas have been inscribed on and through their physical bodies. This normative discourse shapes how Black people interact with the social world, so we will discuss, challenge, and critique these narratives and also consider how the body can be used as a site of resistance. We will engage topics like athletic training, bodily modification and perceptions of beauty, biomedical technologies, labor, disability, and illness, through texts like academic writing, music, podcasts, essays, news media, and social media. Overall, this class demonstrates how bodies are key sites for understanding politics, power, social hierarchies, economics, and social change in our contemporary world.
SMAC 20801  Art and Social Change  (1 Credit Hour)  
Students will work with a South Bend neighborhood to explore a structural challenge and, with the guidance of a local artist, respond to this challenge alongside community members in creating an artistic piece that serves the good of the neighborhood. This seminar will also provide a "hands-on" experience as students are exposed to practices of participatory research methods and the art-making process.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30100  Introduction to American Studies  (3 Credit Hours)  
This course explores the rich and varied field of American Studies, a field dedicated to understanding America's diverse cultures and the ways American national identity has been constructed and contested differently over time. Through lectures, readings, and discussion, we will consider questions such as: How have ideas about race, gender, religion, sexuality, ethnicity, and class shaped the making and meaning of America and Americans, and how have they evolved? What are the dominant myths and values that Americans seem to share? How has the American Dream been defined, and by whom? As a class we will consider the ways in which concepts of America and American are performed and how they have changed over time, across space, and within particular social, cultural, and political contexts. Assignments emphasize critical analysis of texts; requirements include papers, a midterm, and a final.
Corequisites: AMST 12100  
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30101  Sports and American Culture  (3 Credit Hours)  
Sports play a big role in American culture. From pick up soccer and the Baraka Bouts to fantasy football and the Olympics, sports articulate American identities, priorities, aspirations, and concerns. They reflect our dominant values but also highlight our divisions and serve as a means to question those values. Athletes, organizers, spectators, fans, and the media all have a stake. This course will examine sport's role in American society and culture thematically, covering the late 19th century to present and paying special attention to sport as a physical performance (including issues of danger, drugs, disability, spectatorship, and fandom), sport as an expression of identity (the construction of race, gender, class, community, and nation), sport as a form of labor (with issues of power and control, safety, and amateurism), and sport as a cultural narrative (how do writers, historians, and the media attach meaning to it?). We will examine history, journalism, documentary film, and television coverage; topics will range from Victorian bicyclists and early college football to Muhammad Ali. Requirements include reading and regular discussion, a variety of short analytical papers, and a culminating project in which students will choose one course theme to analyze through a topic of their own choice.
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30102  Baseball & America  (3 Credit Hours)  
Baseball is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, baseball has occupied an important place for those wishing to define and understand "America." Who has been allowed to play on what terms? How have events from baseball's past been remembered and re-imagined? What is considered scandalous and why (and who decides)? How has success in baseball been defined and redefined? Centering baseball as an industry and a cultural practice, this course will cover topics that include the political, economic, and social development of professional baseball in the United States; the rise of organized baseball industry and Major League Baseball; and globalization in professional baseball. Readings for this course will include chapters from texts that include Rob Rucks's How the Major Leagues Colonized the Black and Latin Game (2011), Adrian Burgos's Playing America's Game: Baseball, Latinos, and the Color Line (2007), Daniel Gilbert's Expanding the Strike Zone: Baseball in the Age of Free Agency (2013), Robert Elias's How Baseball Sold U.S. Foreign Policy and Promoted the American Way Abroad (2010), and Michael Butterworth's Baseball and Rhetorics of Purity: The National Pastime and American Identity During the War on Terror (2010). Coursework may include response papers, primary source analysis, and a final project.
SMAC 30103  Sports and the Environment  (3 Credit Hours)  
With help from athletes such as Billie Jean King, Colin Kaepernick, LeBron James, Serena Williams, and Megan Rapinoe, Americans are growing accustomed to thinking about sports as embedded in the politics of gender, class, race, sexuality, and the nation. Consider the variety of places where sports happen, however, and the ways we develop and consume those places, and it becomes apparent that sports are also environmental in significant and complex ways. This course will examine the environmental politics of sports from conservation to climate change through the lenses of history and cultural studies. Course content will range from 19th century hunting, Indigenous surfing, and BASE jumping, to pick-up basketball, pro stadiums, and Notre Dame Athletics. Topical sections include outdoor sports and conservation, mountain sports and public land use, parks and recreation, stadiums and environmental justice, sports and climate change, and sustainability in the NCAA. Course requirements include regular reading and discussion, midterm and final essays, and a research project on a topic of the student's choice.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30104  Sports Media  (3 Credit Hours)  
This course is a practical and conceptual immersion into the world of contemporary sports journalism. Students will learn how to write and report for multiple journalism platforms, including newspapers, magazines and digital media. Students will practice a variety of reporting techniques and study writing styles ranging from features to news articles to profiles, while also taking a rigorous look at the legal, ethical and cultural issues surrounding the intersection of media, sports and society. In addition, students will gain hands-on sports writing experience by preparing articles for the university's independent, student-run newspaper, The Observer.
SMAC 30105  Sport and Big Data  (3 Credit Hours)  
Sport is one of the most enduringly popular and significant cultural activities in the United States. Data has always been a central part of professional sport in the US, from Henry Chadwick's invention of the baseball box score in the 1850s to the National Football League's use of Wonderlic test scores to evaluate players. This course focuses on the intersecting structures of power and identity that shape how we make sense of the "datification" of professional sport. By focusing on the cultural significance of sport data, this course will put the datafication of sport in historical context and trace the ways the datafication of sport has impacted athletes, fans, media, and other stakeholders in the sport industry. The course will also delve into the technology systems used to collect and analyze sport data, from the TrackMan and PITCHf/x systems used in Major League Baseball to the National Football League's Next Gen Stats partnership to emerging computer vision and artificial intelligence research methods. Readings for this course will draw on texts like Christopher Phillips' Scouting and Scoring: How We Know What We Know About Baseball (2019), Ruha Benjamin's Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life (2019), and Michael Lewis' Moneyball: The Art of Winning an Unfair Game (2004). Class meetings will be split between discussions of conceptual readings and applied work with sport data and technology systems. Coursework may include response papers, hands-on work with data, and a final project. Familiarity with statistical analysis, data science, or computer science tools and methods is NOT a prerequisite for this course.
SMAC 30106  Media Entrepreneurship  (3 Credit Hours)  
A generation ago, students interested in media were likely journalism, broadcasting, or FTT majors aspiring to work full-time for big TV networks or newspapers. Today, that’s not usually true. Digital tools have blown open what it means to create and consume media. Whether you see yourself as a creative, a community organizer, an entrepreneur, or an influencer, you no longer have to launch your content through established channels, hoping to someday catch your big break. You could manage a YouTube channel with thousands of subscribers from your dorm room. Some of you probably already do. But how do you monetize such ventures? How do you turn a cool hobby or vision into a side hustle or career? In Media Entrepreneurship, we’ll explore how you can combine your passion, skills, and awareness of social needs to capitalize on the media's exciting new frontier. You’ll gain the knowledge, tools, and confidence to see creating your own digital media startup as a realistic possibility. And it’s not just about you. When you hear the phrase “media entrepreneur,” you might think of a tech bro pitching an idea to venture capitalists on Shark Tank. But, at its best, media entrepreneurship is an act of service. It’s about identifying community needs, building trust with audiences, and expanding whose voices we hear as a society. In this course, you’ll practice conceiving of a media project and working with a team to create a startup business plan.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30107  Storytelling and Sport  (3 Credit Hours)  
This course is about telling great, factual stories within the realm of human endeavor we call sport. That is, you will read and write substantial nonfiction narratives, and your main subject of inquiry will be near-at-hand happenings in sport, play, and performance. You can call it longform sportswriting, literary journalism, creative nonfiction, or anything in between—and, indeed, this course will ask you to interrogate the boundaries between subgenres in the literature of fact. Through your ethical efforts in research, exploration, and storytelling, you will seek to define and describe real-world truth through the art of the longform essay. With guidance, you will look for potential stories locally—on campus, or nearby—request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Together, we will ask fundamental questions about the time-honored act of storytelling and explore the history of the “longform” narrative form. What impact—culturally, socially, politically—can a well-told story have? We will build personal toolkits for writing nonfiction while reading and discussing exemplary essays. We will ask big questions about the role of sport and play in culture, mindful of local significance: What is the relationship between play and identity, for instance? How do conceptions of race, class, or gender find expression (or deconstruction) in sport? How does socioeconomic division affect access to sport and play in America? Most fundamentally, in this course, we will write and share our work with others. This course requires the completion of a substantial writing project, among other assignments, and you should be prepared to spend time with real people and your writing subjects outside of class time, and often according to their schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
SMAC 30108  The Asian American Experience  (3 Credit Hours)  
This class will survey the various historical and contemporary dimensions of Asian American experiences including immigration & integration, family & community dynamics, ethnic/gender/class identity, as well as transnational and diasporic experiences. We will explore contemporary and historical issues of racism, the model minority myth, inter-generational relationships, and the educational experiences of Asian Americans. To accomplish this, our class will pose such questions as: Who is Asian American? How did racism create Chinatown? Is there an Asian advantage? Coursework includes essays based on topics of your choice, presentations, and a creative narrative.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
SMAC 30109  Football in America  (3 Credit Hours)  
Football is one of the most enduringly popular and significant cultural activities in the United States. Since the late 19th century, football has occupied an important place for those wishing to define and understand "America." And Notre Dame football plays a central role in that story, with larger-than-life figures and stories, from Knute Rockne's "Win one for the Gipper" line to the 'Four Horsemen' backfield that led the program to a second national championship in 1924. The mythic proportions of the University's football program cast a long shadow on the institution's history, cultural significance, and traditions. This course focuses on Notre Dame football history as an entry point into larger questions about the cultural, historical, and social significance of football in the U.S. Who has been allowed to play on what terms? How have events from Notre Dame football's past been remembered and re-imagined? How has success in Notre Dame football been defined and redefined? In particular, the course will focus on how Notre Dame football became a touchstone for Catholic communities and institutions across the country navigating the fraught terrain of immigration, whiteness, and religious practice. This course will take up those questions through significant engagement with University Archive collections related to Notre Dame football, working toward increased levels of description and access for these materials. This course will include hands-on work with metadata, encoding and markup, digitization, and digital preservation/access through a collaboration with the University Archives and the Navari Family Center for Digital Scholarship. Readings for this course will include chapters from texts such as Murray Sperber's Shake Down the Thunder: The Creation of Notre Dame Football (1993), TriStar Pictures' Rudy (1993), Steve Delsohn's Talking Irish: The Oral History of Notre Dame Football (2001), Jerry Barca's Unbeatable: Notre Dame's 1988 Championship and the Last Great College Football Season (2014), David Roediger's Working Toward Whiteness: How America's Immigrants Became White (2005), David Roediger's The Wages of Whiteness: Race and the Making of the American Working Class (1991), and Noel Ignatiev's How the Irish Became White (1995). Class meetings will be split between discussions of conceptual readings and applied work with library and information science technologies and systems. Coursework may include response papers, hands-on work with data, and a final project. Familiarity with archival methods, library/information science, data science, or computer science tools and methods is NOT a prerequisite for this course.
SMAC 30111  Game Day Media: Play by Play, Color Analysis, and News Conference  (3 Credit Hours)  
Game Day Media will delve into the preparation and performance of game day media opportunities: play by play personnel, color analysts, Public Address talent, news conference moderators and more. This is a 50/50 zoom and in person class. Students will record play by play/analyst segments from campus sports, conduct pre-game interviews and post-game news conferences and observe the intricacies of public address announcing.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30112  Decolonizing Gaming: Critical Engagement Through Design and Play  (3 Credit Hours)  
This course aims to change the way you think not only about the way that we play games, but also about the way that video games teach their players to behave within their digital worlds. This course will encourage students to reflect on and utilize their lived experiences as players, and utilize these experiences to locate themselves within their analysis and writing as well as their design practices. This course will undertake an intensive, interdisciplinary focus on the history of video game development, representation in video games, and the languages that digital games work in as well as decolonial theory and diverse theories of design. This class will engage with a variety of scholarly texts, video games, media posts, videos, and design exercises, in order to illustrate the ways in which video games have shaped the ways we play, think, and behave within their spaces. Students will be required to write and design around these lessons and address and push back against the problematic behaviors and colonial narratives around violence, race, gender, sexuality, and relationship to the land that these gamic languages and lessons have created.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30113  Integration in the US & Europe  (3 Credit Hours)  
This class examines the social, spatial and intellectual history of "integration" in the United States and Europe, from the publication of Jean-Jacques Rousseau's The Social Contract (1762) up to the so-called "global revolutions" of 1968. Students will gain a comprehensive introduction to how peasants, (im) migrants, people of color, and other disempowered populations negotiated confraternity and inclusion - despite tenacious subjugation and exclusion - within and across Western nation-states and colonial possessions. Related topics range from "Indian removal" to religious persecution; from absolutist monarchies to gender discrimination; and from legalized slavery to histories of genocide. Our seminar, eclectic in scope and method, will put particular emphasis on transnational histories of social movements and cultural transformations. In addition to four short writing assignments (4 - 5 pages, double-spaced) connecting two or more course readings, students will develop a final paper (7 - 8 pages, double-spaced) based on cumulative sources, including texts such as: Alexander Pushkin's The Moor of Peter the Great (1837), Maya Jasanoff's The Dawn Watch: Joseph Conrad in a Global World (2017), Todd Tucker's Notre Dame vs. the Klan: How the Fighting Irish Defeated the Ku Klux Klan (2004), and Winston Churchill's "United States of Europe" speech (1946). No prior background in American or European history is either required or assumed.
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30114  American Wilderness  (3 Credit Hours)  
What does it mean to be American? Wilderness, as an idea, a set of places, and a political process, is a big part of the answer. Writers, historians, painters, photographers, and politicians have described American landscapes as wild from colonization into the 21st century to great effect. Henry David Thoreau, John Muir, and Aldo Leopold famously anchor the history of popular environmental thought. But wilderness is not simple. Because places are constantly constructed and reconstructed through culture as well as politics, wilderness has taken shape in concert with relationships of gender, class, race, and nation. National parks protected distinctively American landscapes starting in 1872 by removing the Native American peoples who inhabited them, and the 1964 Wilderness Act built from that legacy. Today Congress has designated about 5% of the United States (over half in Alaska) as part of the National Wilderness Preservation System, and arguments over the protection of public land continue to divide local and national communities. This class will explore how the idea of wilderness, the places associated with it, and the politics surrounding both have developed from the 19th century to today. It will examine how wilderness has underscored our national identity but largely failed to recognize the diversity of American society and culture. Along the way we will discuss literature, history, visual culture, politics, and popular media, and explore historical relationships between wilderness and art, outdoor recreation, public land management, and consumer culture.
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30115  Sport and Media  (3 Credit Hours)  
From the Olympics to Formula 1, sports are a central part of global culture and everyday life. Our experiences of sport, however, are largely shaped—and often even constructed—by media. Rather than simply presenting sports, media play an active role in producing the values, identities, emotions, and conflicts we associate with sport. This course examines the historical roots and current conditions of the convergence of corporate sport and corporate media. We will analyze how media—from early 20th-century newsreels to live Twitch streams—do more than distribute sports content; they shape its cultural meanings and social impact. Centering sport media as both an industry and a cultural practice, we will explore how it intersects with issues of gender, race/ethnicity, labor, nationalism, and globalization. By analyzing the forces shaping sport media production and the meanings audiences make of them, we will consider the ways sport media production and consumption might be reimagined. Assignments in the course include a variety of reflection and application projects, as well as larger research project.
SMAC 30116  Black Geographies: Power and Difference in the Americas and Beyond  (3 Credit Hours)  
This course explores the emerging sub field of Black geographies through an American studies framework. Black activists and artists as well as scholars in geography, Africana studies, anthropology, history, and many other fields have begun to use Black geographic theory as an analytic: to think critically about Black space making practices, to recover hidden and suppressed histories, to reorient Black folks relationship to the environment, and to grapple with the ways power is shaped differently at various scales in various places. In this course, we will examine the development of Black geographies as a school of thought in field geography. We examine its relationship to the field of Black Studies through Black Feminist Thought, the Black Radical Tradition, and Black ecologies. And finally, we will think carefully and critically about the way Black spaces and places are produced in the Americas (and slightly beyond) to understand how the Americas have been underwritten socially, culturally, economically, and politically by Black geographies.
SMAC 30117  Applied Multimedia for Journalists  (3 Credit Hours)  
Applied Multimedia for Journalists - The main focus of this course is that students will learn how to shoot and edit videos. It will briefly touch on how to produce audio stories and podcasts. Students will also study the legal and ethical issues surrounding the use, creation and publication of digital media. The use of drones and the legal issues surrounding them will also be discussed.
SMAC 30118  Persuasion, Commentary, and Criticism  (3 Credit Hours)  
This course will consider the roles of persuasion, commentary, and criticism in contemporary American culture and will explore the techniques of these forms of expression. Students will prepare and discuss their own writing assignments, including opinion columns, editorials, and critical reviews of performances or books. Ethics and responsibilities in contemporary American journalism in expression of opinions also will be explored. Assignments will serve as the examinations in this course, which is taught by a political columnist for the South Bend Tribune who also serves as host of public affairs programs on WNIT-TV, Public Broadcasting. Open to American Studies majors and Journalism, Ethics, and Democracy minors by permission. Other applicants must submit writing samples for review.
SMAC 30119  Race, Activism, and Global Citizenship in the Age of Paul Robeson  (3 Credit Hours)  
This course examines the life and times of one of this nation’s most famous yet understudied figures during the middle decades of the twentieth-century. Over the course of the semester, our readings and discussions will revisit Robeson’s accomplishments as a preeminent college athlete, intellectual, and cultural icon, to better understand the social and political history of the U.S. prior to the legal dismantling of racial segregation. Robeson illuminates the history of race and political activism in modern America. We will also trace how Robeson became one of America’s most internationally recognized entertainers and political activists, despite formal and informal efforts to undermine his commitments to the civil rights movement at home, and human rights abroad. This course includes sports, popular culture, and politics. Drawing on scholarly tools that are central to the discipline of American Studies—the critical analysis of social categories, citizenship and imperial politics—our readings, lectures, and conversations will investigate and unpack how Robeson reshaped the meaning and geographic scope of modern freedom. Required texts will range from primary documents preserved in archival collections to carefully-selected excerpts of secondary materials written by leading Robeson scholars and biographers.
SMAC 30120  Video Games and the American West  (3 Credit Hours)  
Video Games of the American West will utilize digital games as the primary case studies to examine the modern cultural image, understanding of, and interaction with the "space" of the American West. This class will provide historical understandings of the vast, varied, and often mythologized history of the American West, as well as its place as a cite of continued colonial narratives and hegemonic imagery in contemporary popular media such as film, television, and video games. Through the close-playing of a variety of Western games including installations from the Call of Juarez series, Red Dead Redemption, series, Horizon, series, and many others, students will be asked to apply their knowledge of the historical and contemporary understandings and employments of the West as a physical space and a cultural space to the visual and mechanical recreations of it within the digital realm of video games.
SMAC 30121  Sports and Religion  (3 Credit Hours)  
From raucous games of lacrosse in pre-Columbian North America to Tim Tebow’s gameday prayers, sports have long been used as instruments of social cohesion and to connect people to their gods. This course will examine the close relationship between religion and sport, with special attention to modern North America. It will push students beyond the sports-as-religion paradigm to consider sport as a medium of exchange between the overlapping influences of celebrity, national politics, religion, and the economy. We will cover how sports and religion intersect with topics like nationalism, gender, race, sexuality, identity formation, commercialism, mass-media, recreation, and labor. Concepts like ritual, collective effervescence, and sacred space will be used to analyze key historical movements and organizations, such as muscular Christianity, the YMCA, Fellowship of Christian Athletes, the Olympics, amateurism and the NCAA, and Black Lives Matter. Key figures for examining sport as a site of piety and protest include Muhammad Ali, Serena Williams, Tim Tebow, Jackie Robinson, Colin Kaepernick, and Abe Saperstein. Special attention will be paid to local history and Notre Dame’s contributions to the history of sport. Throughout the course we will ask: How, where, and when do sports act religiously? What do sports and religion accomplish together that they cannot accomplish alone?
SMAC 30122  Fundamentals of Journalism  (3 Credit Hours)  
What is news? What are the most effective ways of presenting news to the public? What ethical decisions are involved in gathering and reporting news? These are a few of the questions addressed in this class. Fundamentals students may not enroll in any other JED course - this includes all the cross lists listed under the JED courses - until spring semester.
SMAC 30201  Ethics in Sports  (3 Credit Hours)  
The course is designed to raise students' ability to recognize and resolve ethical issues in sports, but also more broadly in business, accounting and life. Accordingly, this course will ask students to examine a variety of issues through various ethical lenses. Topics will vary from semester to semester, but are likely to include the ethical dimensions of: college athletics, including amateurism, compensation, and unionization; wellness, focusing on everything from finances to doping; corruption, including gambling, college academic and admissions scandals, and FIFA; and sports and the common good, i.e., can sports advance issues as diverse as gender and racial equity and sustainable economic development in the form of stadium construction and hosting the Olympic Games. In addition to critical thinking, students will be well served by curiosity, skepticism and keeping an open mind. Requirements typically include in-class participation, a presentation on a current ethical issue in sports, and two exams.
SMAC 30202  Game Day Media  (3 Credit Hours)  
Game Day Media will delve into the preparation and performance of game day media opportunities: play by play personnel, color analysts, Public Address talent, news conference moderators and more. This is a 50/50 zoom and in person class. Students will record play by play/analyst segments from campus sports, conduct pre-game interviews and post-game news conferences and observe the intricacies of public address announcing.
SMAC 30301  Boxing in America: History and Practice  (3 Credit Hours)  
In this course, students will study the history of boxing in the United States and learn a great deal about the craft of boxing, what commentators have called "the sweet science." They will do so in conventional and innovative ways. The course will explore the story of boxing in America from the eighteenth to the twenty-first centuries. It will start in England and colonial America, move to places like nineteenth-century New York, New Orleans, and the California mining camps where boxing was transformed from a gambling pursuit among the working class into a mass spectator sport, examine the time when boxing became ascendant in America, and end in the late twentieth century when boxing was entangled with urban decay and changing race politics. The story of boxing is the story of America. The class will look at the rise of cities, mass migration, changing understandings of race and class, urban history, and the fortunes and misfortunes of postwar American culture. Now for the innovative. Students will also learn about the finer points of craft, how training for boxing changed over time, and how technique developed. They will do so by doing it themselves. They will learn to throw a punch and to defend. They will practice footwork. They will train as boxers did and still do. By doing all this, students will come to appreciate the finer points of a dynamic and changing sport, one tied to America's past. Each class session will include this sort of active learning, turning what we learn from reading and discussion into the kinetic.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30302  Sport, America & the World  (3 Credit Hours)  
This course explores the history of American sport in global context. American football was one of a number of sports (including soccer, rugby and various "football" games) that emerged from common roots. Ice hockey began as a Canadian sport but grew popular in parts of the United States by fusing Canadian talent and management with American capital. Basketball was invented in Massachusetts by a foreign-born educator who viewed physical education as a religious calling, and his creation grew internationally, with the international game developing important differences from the American game. Since the time of sporting goods baron Albert Spalding, businessmen and politicians have used sport to try to market specific products, the American way of life, or a diplomatic agenda. Alone among the industrial nations, the United States developed a talent-development system centered on schools and colleges, with distinctive results - both for the athletes, and for higher education. This course will consider these and other issues.
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30303  Sport and the Cold War  (3 Credit Hours)  
This course aims to accomplish the following: 1) to develop students' understanding of the Cold War and its major political developments; 2) to develop students' understanding of the ways sports and society influence and reflect political developments; 3) to see sports programs as a reflection of the nation-states in which they develop, and to use athletic traditions in different nations to develop students' understanding of different societies; 4) to improve students' ability to use contemporary periodical sources in historical research; and 5) to improve students' analytical reading and writing skills through readings, exams, and a paper.
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30304  Sport and Society in the Ancient World  (3 Credit Hours)  
In the modern world, sports and sport-like spectacles are a source of livelihood, entertainment, and social interaction for huge swathes of the global population. Fans and practitioners of physical feats of strength were likewise a major component of ancient Greco-Roman society, from the earliest Olympic Games at the dawn of Greek history to the gladiatorial contests and chariot races that characterized the most decadent phases of the Roman Empire. The purpose of this course is to provide an interdisciplinary examination of the origin and nature of sport and spectacle in the Classical world and to compare the role that athletics played in ancient society to the position it occupies in our own lives - from the point of view of athletes, spectators, and patrons alike. Topics covered will include: Near Eastern precursors to Greco-Roman sport; the development of Greek and Roman sport and spectacle through time, the Olympic Games; the role of religious thought in ancient sport; the position of the athlete within society; ancient and modern rewards for athletic valor; athletes in architecture, literature, and art; and the political appropriation of athletes and athletics. The course will focus mostly on formal athletic contests in ancient Greece and on athletic spectacles in ancient Rome, but general recreation and physical education will be considered as well.
Corequisites: CLAS 32027  
Satisfies the following University Core Requirements: WKHI - Core History  

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30305  The Global Game: The FIFA World Cup as a Political and Cultural Force  (3 Credit Hours)  
This interdisciplinary course explores the FIFA World Cup as a global phenomenon that transcends sport. Focusing on the upcoming men’s FIFA World Cup 2026, co-hosted by the United States, Mexico, and Canada, students will examine how such a tournament can shape international identities, global economies, and societal change. From its origins in the early 20th century to its role in contemporary geopolitics, the course investigates key tournaments, legendary players, and landmark moments that have defined the game and the self-understanding of European nations like (West) Germany. Special attention will be given to the role of the World Cup in shaping national identity within the European context, as well as its impact on fan culture, international cooperation, media representation, and economic development. Students will work with a variety of sources, including documentaries, social and traditional media, academic and literary texts, and match footage.
SMAC 30306  Race & Racism in Science, Medicine & Technology  (3 Credit Hours)  
This course explores how ideas about race and racism have been intertwined with scientific, medical, and technological developments, shaping society since the 18th century. While recognizing that race is fundamentally a social construct, the course delves into scientific efforts to quantify, measure, and categorize individuals by race from early anthropometry to contemporary developments like the Human Genome Project and artificial intelligence. By critically analyzing scientific theories that produced and built upon ideas of racial hierarchy, students will develop a deep understanding of how race, racism, and racial inequality have been embedded into scientific knowledge, and thus, societal understanding. Students will also examine the historical context of racial disparities in healthcare, including the development of racialized medical theories, and will explore the role of technology in reinforcing or challenging racial biases, from the early days of photography to modern AI and surveillance technologies. This course is tailored for students with interests in the history of science and the production of scientific knowledge, as well as those curious about the origins of scientific racism and racial inequality.
Satisfies the following University Core Requirements: WKHI - Core History  
SMAC 30401  Contemporary Issues in Race and US Law  (3 Credit Hours)  
What do terms like “structural,” “systemic,” or “institutional” racism mean? What are the structures, systems, and institutions that historically have contributed, and continue to contribute, to racial injustice in the United States? Most importantly, how can understanding these concepts help us dismantle the barriers to racial justice in America? This course will focus on the ways that the law and the legal system in the United States has been a tool to create and sustain racial inequity, as well as the reforms, both historic and ongoing, to redress them. Course materials will include cases and commentary. Together, we will examine legal structures in the areas of housing, education, banking and finance, voting, employment discrimination, criminal law, and environmental justice, among others. The course will draw from the Klau Institute’s archives in its five-year long Building and Anti-Racist Vocabulary lecture series featuring authors, public intellectuals, faith leaders, and external and internal members of the academy. Throughout the course of the semester, students will compose a variety of short papers, lead classroom discussions, and complete a final project incorporating independent research on related topics.
SMAC 30501  Sport Psychology  (3 Credit Hours)  
This course will focus on the application of psychological concepts and current research to the enhancement of performance in both sports and fitness activities. An emphasis will be placed on techniques and strategies that have been used effectively to maximize athletic performance. Topics include overview of the field, motivation, personality factors, self-concept, team development, leadership, psychological skills training, and exercise adherence.
SMAC 30502  Hip Hop Public Health  (3 Credit Hours)  
This course delves into the intersections of art, culture, and public health, particularly Hip Hop as a form of public health knowledge acquisition. Through an examination of various texts, archives, and research methods such as ethnography, autobiography, and social and oral history, students will explore how different forms of creative and cultural expression force us to reimagine what health justice looks like, feels like, and sounds like. Students will also reflect on Hip Hop and its presence in everyday life, from questions about narrative medicine to its use in public health campaigns.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration  
SMAC 30503  Educational Psychology  (3 Credit Hours)  
Educational Psychology examines questions about development, learning and achievement in schools. In this course we will explore fundamental questions such as (a) What is intelligence? Is it fixed or changeable? What are the implications of conceptions of intelligence for achievement? (b) How does learning occur? What are the implications of different theories of learning? Is there a "correct" theory of learning? Does learning differ in different subject areas? (c) What motivates student learning? Can instruction be "motivational"? (d) What is "good" instruction? How do theories of learning relate to instructional practices? (e) How do aspects of school context, such as interaction with peers and teachers, and school culture, influence learning, motivation and achievement?
Satisfies the following University Core Requirements: WKSS - Core Social Science  
SMAC 30504  Drunk on Film: The Psychology of Storytelling with Alcohol and its Effects on Alcohol Consumption  (3 Credit Hours)  
Alcohol Use Disorder is a chronic relapsing brain disease. But when presented on screen, it's entertainment. Why do we laugh, why do we cry, why do we emulate fictional characters whose drinking habits result in a life of debilitating addiction? From James Bond to Jonah Hill, the psychology and seduction of alcohol on film, television, and online will be analyzed. Furthermore, what is the relationship between the manner in which alcohol use/abuse is presented on screen and the manner in which alcohol is used and abused on, for example, college campuses? Surveying recent film history, we will examine how alcohol is used in story structure, as a character flaw or strength, and as a narrative device in the story arc of films across multiple film genres, (teen rom-coms, sports films, etc). Why do characters drink, where do they drink, and how does the result of their "getting drunk" advance the narrative? We'll also look at non-fiction media that tackle issues of addiction, as a way of comparing character development in fictional films to the results of this same behavior in everyday life. Film materials will include weekly screenings outside of class, and academic articles relating to the portrayal and analysis of alcohol use in film and television, including the business of marketing alcohol from social media to televised sports. From the psychological perspective we will discuss the topic and process of social influence and how the presence of others influences our behavior. Questions of interest will include the following: what are the mechanisms by which group influence unfolds? How and why might we be persuaded? Does the manner, and if so how, in which alcohol use is portrayed in movies and the media reflect the processes and principles of social influence? Readings will include chapters on social influence, persuasion and academic articles evaluating the manner in which alcohol is portrayed and advertised and the effect this has on alcohol consumption. In addition, issues of addiction will be discussed - from understanding the basis of addiction to examining the efficacy of addiction treatment.
Satisfies the following University Core Requirements: WKIN - Core Integration  
SMAC 30505  Science and the Public: Vignettes in History of Science 1700-1980  (3 Credit Hours)  
Enlightenment anatomists journeyed to Peter The Great’s collection of monsters to study the human body. In 1800s London, Humphrey Davy discovered potassium, sodium, and chlorine at the newly built Royal Institute, which he funded from hugely popular, public lectures he gave. Private firms bolstered their R&D by hiring research scientists after WWI. An integration of private management methods and production techniques, federal money, and scientists who were previously cloistered in universities built the atomic bomb. The above anecdotes gesture at an intimate relationship between science and the public. To explore the entanglement of science and the public, this class offers a “survey” of science beginning in the Enlightenment and ending in the late twentieth century. Rather than covering every scientific development over 300 years, this course will focus on the topics that best reveal how science and the public relate in a series of case studies chronologically arranged. Using those case studies, the course investigates the principal question: how did scientists and their theories interact with the public? From this, sub-questions emerge, such as “what is the public?” “what is the basis of scientific authority?” and “how has public support changed science?” Students will grapple with these questions by examining the history of science and technology.
Satisfies the following University Core Requirements: WKHI - Core History, WRIT - Writing Intensive  
SMAC 30506  Race, Sport and Identity  (3 Credit Hours)  
Throughout this course, students will examine the social and cultural aspects of sport through an exploration of the unique ways that race and identity influence sport participation, access and engagement. This course will engage topics such as: Sport and Identity; Identity, "Success" and resilience; Media Imagery, Identity and Power; and, Race in American Sport.
SMAC 30507  Social Inequality and American Education   (3 Credit Hours)  
Many have claimed that the American educational system is the "great equalizer." In other words, the educational system gives everyone a chance to prosper in American society regardless of their social origins. In this course, we will explore the validity of this claim. We will consider questions such as: 1) Does our educational system promote social mobility or social reproduction? 2) How has the relationship between race/ethnicity and educational performance changed in the last few decades? 3) How do social class and gender shape the kinds of educational experiences students have? 4) How does educational policy influence the kinds of experiences kids have in school? Can policy reduce inequality?
SMAC 30508  Race and Film  (3 Credit Hours)  
This course examines representations of race, ethnicity, and ideology in the American cinema through a sociological lens. We will focus on understanding how film reflects and directs prevailing cultural norms and attitudes surrounding racial and ethnic relations. One goal is to uncover how racial and ethnic relations are reified on the silver screen through storytelling techniques such as narrative, style, aesthetics, and mise en scène. We will analyze the sociological context of each film to better understand the evolution of cinematic representations of race and ethnicity and what they mean for race relations and inequality in the broader society. This course will cover the American cinematic treatment of Native Americans, Blacks, Latinos, Asians, and Italian Americans through feature length screenings and clips of particularly poignant scenes.
SMAC 30509  Body Image  (3 Credit Hours)  
In this seminar, we will explore the biological, psychosocial (including peers and family), and cultural factors influencing body image. We will explore impacts of "fitspo" and body esteem messages, and examine alternative means of reducing risk of body dissatisfaction (e.g., self and identity; self-compassion; gratitude). Potential connections between body image and disordered eating will be examined, including analysis of "classical" and contemporary theoretical models. Both basic and applied (i.e., intervention) research will be incorporated, and a lifespan approach will be utilized, examining body image during childhood, adolescence and midlife.
Prerequisites: PSY 10000 or PSY 20000 or PSY 10091 or PSY 14000 or PSY 24000  
SMAC 30510  Introduction to Disability Studies  (3 Credit Hours)  
Disability Studies is an academic discipline that explores social categories and lived experiences of disability in order to create a more equitable and accessible world. This course introduces students to the central questions, methods, and debates in this field. Topics include definitions and conceptual models of disability; the history of disabled people and communities; ableism and its intersections with racism, sexism, and other forms of oppression; disability rights and disability justice movements; representations of disability in art, literature, and popular culture; theories and perspectives on normalcy and difference, and legal and social policy frameworks. The course culminates in a student-driven project aimed at increasing access, inclusiveness, and awareness of disability and ableism on campus.
SMAC 30511  The Technoscientific Self  (3 Credit Hours)  
In an age where ‘identity politics’ figures as both an accusation and a creed in public and private spaces, a careful and critical examination of how we construct our individual and collective selves is more important than ever. Science and technology are crucial resources in these identity formation projects, serving as fundamental structuring elements of our world. They are crucial in shaping not only our physical environment but the very conditions of possibility within which we construct our collective and individual identities. This integration course is an exploration of the ways that the practice of science and the production and marketing of technology supply the material that gets taken up in the work of identity formation, focusing on two closely linked technoscientific domains: neuroscience and genetics.
Satisfies the following University Core Requirements: WKIN - Core Integration  
SMAC 30512  Science, Technology, and Society  (3 Credit Hours)  
Science and technology play a powerful role in structuring our world, in everything from our physical environment to our culture. It is thus imperative that we understand how these entities work. What constitutes reliable knowledge? How do the technological systems in which we are embedded throughout our lives come to be, and how can they be changed? In this historic moment of a global pandemic playing out against a backdrop of fake news, alternative facts and increasingly autonomous technologies, these questions are more critical than ever. This course introduces students to the interdisciplinary field of Science & Technology Studies in order to provide them with analytical and conceptual tools needed to confront the complex questions that arise where science and society intersect. Its objective is thus not so much to present a particular body of empirical information as it is to equip students with the analytical skills to understand complex multi-dimensional phenomena. The purpose is to give students both the opportunity and the tools to consider science and technology in a broader political, social, historical and economic context, and to reflect on how the practices of scientific and technological development shape their own individual and collective experience.
Satisfies the following University Core Requirements: WKSP - Core 2nd Philosophy, WRIT - Writing Intensive  
SMAC 30601  Martial Arts & Popular Culture  (3 Credit Hours)  
In a 1971 interview, Bruce Lee said "Martial arts has a very very deep meaning as far as my life is concerned because as an actor, as a martial artist, as a human being - all these I have learned from martial arts." By merging multiple aspects of human identity, artistic expression, and cultural activity, martial arts have a unique ability to access the human imagination. From Hong Kong cinemas, to Black Belt magazines and black light posters, to disco songs and shopping mall kiosks for ninja equipment, martial arts are intertwined with popular culture. After more than a half century of association with aesthetic violence, mystical secrets, and Orientalist mystique, the cultural phenomenon of martial arts lends itself to anthropological analysis and critique. This course synthesizes the global dissemination of martial arts with the anthropology of media and symbolic violence. By tracking the proliferation of the martial arts in popular culture, from muay thai action films to karate tournament supply catalogues and dojo iconography, students can simultaneously explore these arts' cultural origins. We will examine these origins in a range of styles from kung fu in China, to jujitsu in Japan, kali/escrima in the Philippines, pencak silat in Indonesia, and savate in France. In this way, the course crafts informative linkages between the cultural variations of martial arts, and their global influence in popular consciousness.
SMAC 30602  Blood, Guts, and Glory: The Anthropology of Sports  (3 Credit Hours)  
This course will examine the interactions of culture and biology within sports. The anthropology of sports can help us gain valuable insights into broader social and cultural phenomena, the role of ritual in society, and illuminate how sports have been used to bring people together, but also to exclude people. We will begin with studying the evolutionary origins and non-human examples of play. We will then move into the prehistoric and historic foundations for sport. We will also discuss how people change their bodies, in good ways and dangerous ways, for a greater chance at success, and how those bodies are often more harshly judged by society. Finally, we will explore the ways in which contemporary sporting and fan practices are culturally ordered and/or challenge social norms. Drawing on case studies from around the world, we will pay special attention to questions of gender, race, genetics, nationality, health, equality, and human variation. In addition, students will be encouraged to think critically about their own sporting experiences, both as active participants and as fans, and how sports impact their lives.
Satisfies the following University Core Requirements: WKIN - Core Integration  
SMAC 30603  Sports Economics  (3 Credit Hours)  
This course is on the economics of sports, and aims to use economic principles, theories, and tools to analyze the organization of the sports industry and sports markets, the activities of professional and amateur athletes, the effects of sports on the broader economy, and strategic behavior in sports settings. Topics include the industrial organization of professional sports leagues, the labor economics and labor markets in both professional and amateur sports, the public economics and politics of the funding of sports, the economic impact of the sports industry, as well as the application of microeconomic theory to strategic decision-making in sports.
Prerequisites: (ECON 10010 or ECON 10011 or ECON 10091 or ECON 14100 or ECON 20010 or ECON 20011) and (ECON 10020 or ECON 10092 or ECON 14022 or ECON 20020 or ECON 24020 or ECON 24021 or ECON 24022)  
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
SMAC 30604  Weight...What? The Physiology, Behavior and Evolution of Obesity  (3 Credit Hours)  
Almost 40% of the world's population is overweight or has obesity. Obesity has become a central focus in biological research as well as policy. Billions of dollars have been spent on public health interventions, biological interventions, diets, and exercise regimens. However, the obesity rate among adults and children has been steadily increasing globally. Why is this happening? How do we even define obesity? Does that definition truly reflect health? Why do we even have fat to begin with...actually what even is fat?!? Why are humans prone to obesity? These are just some of the questions we will address in this class. Using non-traditional methods and assignments, we will discuss adipose tissue and digestive physiology, the role evolution has played in the human propensity to hold onto fat, diet and exercise, food insecurity, therapeutic interventions, as well as the physical and mental health consequences of having obesity. We will use this as a basis to investigate the biological and cultural factors including stigma, race, and gender that shape our perceptions of body image and health in the midst of the obesity epidemic. Finally, this course will include occasional laboratory exercises to familiarize you with the methods used to assess body mass, body composition, metabolic rate, and point of care measures of biomarkers like glucose and cholesterol.
SMAC 30605  Exercise Physiology: Celebrating What Your Body Can Do  (3 Credit Hours)  
Why do weight lifters wear lifting belts? How does athletic training and diet differ between endurance athletes and strength athletes? What are the sex-based differences in athletic performance? What impact do supplements and performance enhancing drugs have on athletic performance? Through the use of peer reviewed research, popular media articles, podcasts, and film we will answer these and many other questions within the field of exercise physiology. The course will be split into two broad units: 1) Powerlifters and 2) Marathoners. Topics covered will include cellular metabolism, muscle physiology, training programs, response to training, basic nutrition, body composition, some methodological exercise testing, supplements and performance enhancing drugs, recovery, fatigue, and activity in extreme environments. Through this use of mixed media, we will also discuss how the media misrepresents and misreports exercise physiology studies, making us all more discerning consumers of information.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30606  Theology, Ethics and Sports  (3 Credit Hours)  
The human drive to struggle for victory against opponents, whether in military battles or athletic contests, runs throughout human history. Theologians and philosophers from ancient times until today have considered the implications of this struggle for the human quest for excellence and for meaning which, at its limit, involves the search for God. More recently, scholars have considered the behavior and discourse of sports fans as something close to a religion. This course will examine each of these topics, beginning with early philosophical and theological views of struggle, embodiment, and the quest for excellence before engaging more recent writings about the relation of sports to virtue, theological accounts of athletics in its relationship to community identity and flourishing, and the ethical analysis of modern college and professional sports. Course requirements include a series of short reflection papers and a final group project undertaking a theological and ethical analysis of one particular example of modern athletics in a specific social context.
SMAC 30607  Phil and Logic of Games  (3 Credit Hours)  
Shall we have a game? The course will explore the philosophy and logic of games, exploring all things games. We shall begin with some elementary game theory and decision theory, including elementary probability theory, covering mixed strategies, Nash equilibria, the prisoner's dilemma, and Tit-for-Tat, and then eventually the fundamental theorem of finite games, game trees, the hypergame paradox, and many examples of finite games and their strategies, such as Nim and other games. The latter part of the course will delve into infinitary issues, including determinacy and nondeterminacy, connections with the philosophy of mathematics, Conway games, and the surreal numbers as games. It will be a highlight of the class to cover the analysis of various infinite games, including infinite chess, infinite draughts, infinite Hex, infinite Wordle, infinite Sudoku, and more.
Satisfies the following University Core Requirements: WKSP - Core 2nd Philosophy  
SMAC 30701  The Business and Culture of Sports Television  (3 Credit Hours)  
Sports have played an integral role in the television industry since the medium's early days. This course will highlight the history of sports on television and focus on the nuts and bolts of how television sports programming works today. The course will also examine the impact of televised sports on our culture as well as the ethical issues raised by the media's coverage of sports. Taught in the Fall only.
SMAC 30702  Media Industries: History, Structure, Current Issues  (3 Credit Hours)  
How do the contemporary film and television industries work? How can an analysis of the "business of entertainment" enable a greater understanding of contemporary media aesthetics and culture? This course will explore these questions by focusing on the structure, practices and products of America's film and television industries, and students will engage with academic readings, screenings, trade publications, current events, guest lectures, and written and oral assignments in order to understand the activities of the film and television industries. By the end of the course, students should be able to understand prominent practices employed by media conglomerates and independent companies today, recognize the ways in which industrial structures and practices can shape media products, and examine how television shows and movies are influenced by business strategies. The course should be especially beneficial for students intending to pursue scholarly or professional careers related to film and television through its comprehensive overview of how these industries work, why they work as they do, and the broader practical and theoretical implications of media industry operations.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30703  Televised Sports Production: Storytelling and Technology  (3 Credit Hours)  
The Game, as we experience it on screens big and small, is an ever evolving story. A human competition turned into a visual narrative by producers, directors, and broadcasters. How is that three hour ebb and flow of emotions turned into an engaging narrative for fans? How has that story evolved over decades? How has the evolution of technology changed that story? And has the televised broadcast changed the meaning of the game itself? From the Super Bowl to March Madness, ESPN Sportscenter to WWE Smackdown, we'll dissect the process, storytelling techniques and technology that form the American sports story on television, as well as experience the actual game production operation from inside the control rooms of Notre Dame Studios. Assignments include on-camera and off-camera production exercises, as well as written assignments deconstructing historical and current broadcasts. No prior television production experience required.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30704  Play Like a Champion  (3 Credit Hours)  
It has long-been a part of Notre Dame’s Saturday football tradition. As uniformed players leave the locker room and descend a tight stairwell to the field below, they reach up and touch the iconic “Play Like a Champion Today” sign. Countless players, students, and fans have touched the sign over the years, hoping to imbibe some illusive and ineffable Fighting Irish magic. But what does it mean to “play like a champion today” … or any day, really? More simply, what does it mean to play? Play is an inescapable and essential part of the human condition. And, yet, the experience’s core liminality defies easy definition and explanation. This course provides an introduction to the study of human play primarily through the lens of analog and digital games. Given the variety of play practices across human history and cultures, this class strives to equip students with a critical vocabulary and interpretive framework to help them make sense of play in its many forms. This class will pay particular attention to how rules, goals, game mechanics, and narratives offer reliable and compelling structures for gameplay, and what ludic activities reveal about human culture and social power.

Enrollment is limited to students with a program in Sport, Media, and Culture.

SMAC 30705  South Bend Stories  (3 Credit Hours)  
In “South Bend Stories” students will produce reported narratives across a variety of nonfiction genres, including prose writing and documentary filmmaking. This course draws its inspiration and subject matter from the city of South Bend and the greater Michiana region, as you will work with classmates and community partners to tell stories of local interest and significance. Topics may include close-up looks at a wide range of ideas—family, sport, education, history, etc.—but the ultimate goal is to describe real-world truth at the “felt-life level,” revealing something of what it means to be alive in this particular time and place. We wish to highlight the daily lives, cultural events, natural and built spaces, and social issues of South Bend. Projects are collaborative, with students working in teams. With guidance, you will look for stories, request access and permission to tell those stories, and gather material en route to crafting meaningful narratives. Each group will produce several different stories, though subjects and forms will often converse with one another. For instance, storytelling teams may create short moving-image documentaries, works of prose journalism, photo essays, audio narratives, creative nonfiction essays, or more avant-garde documentary projects, etc. The class will interrogate the boundaries between subgenres of these factual artforms. Students will decide which types of stories they will produce. Telling others’ stories is a profoundly ethical act. It is also a creative process that allows us to grow as individuals and as a community. This challenging process demands your respect and your time as a media-maker. The class will regularly engage in discussions about media ethics and accountability, in the traditions of journalism and documentary filmmaking courses. Students must be prepared to use resources to travel beyond campus and engage with people who are not students and may not be affiliated with the university. Additionally, you must act ethically as a storyteller and collaborator. Further, you must solve a range of challenges—conceptual, logistical, and narratological—while being prepared to spend time with your subjects outside of class time and often according to others’ schedules.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
SMAC 30706  Community-Based Design  (3 Credit Hours)  
Community-Based Design is an advanced Visual Communication Design course that focuses on the design of socially-driven interventions that impact communities at large and small-scale. Students will learn how design might work for, with, and through communities in a way that is empowering and sustainable for existing community advocates and organizations. Students will consider the impacts of extractive, top-down, externally driven interventions that fail to identify or activate local expertise. This course is structured as a hands-on, interdisciplinary studio that might be taken as the capstone for the Collaborative Innovation minor. Complimentary majors such as anthropology, sociology, peace studies or others are invited to join the class. Students will divide their time between lecture, critique, stakeholder research, presentations, and in-class work.
SMAC 30707  The History of Professional Wrestling on Television  (3 Credit Hours)  
Through its transition from sport to pseudo-sport to sports entertainment, professional wrestling has long held the popularity to fill arenas and stadiums. This course takes a look at that popularity's effect on the medium of television. From its inception in the 1940s to the golden age of the 50s to the modern boom of the 80s and 90s to the streaming area of the present day, students will observe, analyze and critique the unique storytelling and production elements of professional wrestling that have made it such a television juggernaut and mainstay.
SMAC 30708  Introduction to Film and Television Production  (3 Credit Hours)  
An introductory course in the fundamentals of shooting, editing, and writing for narrative film and television productions. This is a hands-on production course emphasizing aesthetics, creativity, and technical expertise. The course requires significant amounts of filming and editing outside of class. Students produce three short film projects learning the basics of visual storytelling, including cinematography, lighting, sound recording, editing, sound mixing, and other post production techniques. These are all essential tools used to tell a story. The course challenges students not only to master basic skills but ultimately to craft compelling visual narratives.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
SMAC 30709  Data Visualization & Information Design  (3 Credit Hours)  
This course is an intermediate course that focuses on the design of information for a variety of purposes and contexts. Students will utilize previous knowledge of typography, composition, imagemaking, and concept development to solve problems that are informationally driven. Outcomes may include the design of instructions, data visualizations, warnings, forms, and curriculum that are used to inform, persuade, or collect information from users. Through user-centered methods, students will discover how to test and improve the performance of designed artifacts. This class is primarily structured around assigned studio problems. Students will divide their time between lecture, critique, demonstration, presentations, and in-class work.
Prerequisites: DESN 21101 or DESN 20101 or DESN 24101 or DESN 24102 or DESN 21115 or DESN 21120 or CDT 20101  
SMAC 30802  Huey's Healthcare: Humor and Healing in The Boondocks  (3 Credit Hours)  
What does it mean when some of the sharpest insights about health justice come packaged in punchlines? Through satire, the hit-series The Boondocks elevates overlooked aspects of health and material security, transforming systemic failures into resonate comedic sequences. Through engagement with The Boondocks, this course explores the use of humor and other forms of cultural expression to challenge and reimagine our current healthcare practices. Additionally, this course examines how film, video, photography, drawing, and interactive media function as an archive of community health knowledge — ethnographic resources that illuminate the complexities of our social world. Students will explore pressing health issues as well as engage core readings in cultural studies and visual anthropology to develop analytic approaches that extend beyond summaries and plot descriptions. By emphasizing these interpretive skills, students will learn to extract health discourses from different cultural forms, recognizing how seemingly disparate texts — from academic articles to animated satire — collectively participate in broader conversations about well-being, justice, and community care.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration, WRIT - Writing Intensive  
SMAC 30803  Engaging Poverty: Research Methods in Action  (3 Credit Hours)  
This applied research methods course will allow students to examine research as a driver of change in poverty studies. Throughout this course students will learn a variety of research methods that will equip them with the skills to engage research that in some way seeks to disrupt, reduce, or abolish poverty. Students will learn the foundations of applied research through qualitative and quantitative methods including sampling basics, grounded ethnographic approaches, survey design and the utilization of secondary sources. Students will also engage with experiential learning that is focused on problem-based goals and relevant applications in the area of poverty. This course will create an opportunity for students to learn practical approaches to data identification, collection, analysis and dissemination. It will include a lecture and seminar-based format where students are introduced to key concepts in research methods as well as hands-on opportunities to practice what they've learned in collaboration with community partnerships. At the end of this course, students will have the strategies, tools and confidence to handle complex data, to develop practical solutions to current challenges, and develop a clearer understanding of the varying ways knowledge can be created and accessed. The course will culminate in a group research project proposal.
SMAC 30804  Research and Writing for Social Change  (3 Credit Hours)  
This course invites students to explore the ways writing can develop our moral imagination about what poverty is and what our world could be without poverty. We will read and write intensively in a wide variety of genres and modes--memoir, podcasts, letters, poetry, creative nonfiction, fiction, and more. Class will include active participation from students through rhetorical analysis of published texts and workshopping of peer writing to create a portfolio of diverse expressions, insights, and arguments about poverty and injustice. Students will have the opportunity to meet experienced writers and advocates who write for social change. We will seek inspiration and insight through community-engaged and campus speakers and events that will prompt us to complicate and elevate our understanding of why poverty exists and what we can do now and throughout our lives to make change. Introduction to Poverty Studies or an equivalent course is desired but not required.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WRIT - Writing Intensive  
SMAC 30805  The Politics and Culture of Black Hair  (3 Credit Hours)  
It is never "just hair." This course is a thematic overview of how the curls, coils, and kinks of Black hair give insight to the political, cultural, economic, and gendered dynamics of the U.S. Students will engage a breadth of interdisciplinary sources focusing on the hair of those of African descent. From questioning societal beauty standards to political debates in the barbershop to passing of California's CROWN Act, how society understands hair is complex. Throughout the course students will study this complexity and produce their own intellectual analyses of hair and society in the U.S.
SMAC 30806  The Civil Rights Movement & the Globe  (3 Credit Hours)  
This course will examine the U.S. Civil Rights Movement in global contexts. From the 1920s to the 1990s, Black Americans' activism, organizing, and political efforts shaped their relationship with the Black Diaspora and U.S. Foreign Affairs. This class will cover an array of topics and historical moments such as Communism and the Red Scare, WWII, the Cold War, the formation of the United Nations, African Independents Movements, and Apartheid. We will study various activists, scholars, celebrities, and Black travelers whose movements around the world transformed how they viewed the United States' treatment of its Black citizens. By the end of this semester, students will know how Black Americans understood civil and human rights on U.S. soil and abroad.
SMAC 30807  When Africana Meets Public Health  (3 Credit Hours)  
This course introduces students to research topics and primary concepts at the intersection of Africana Studies and public health. Drawing widely from accounts of anthropologists, historians, artists, physicians, journalists, philosophers, and epidemiologists, students will learn to use narrative accounts and concepts from the medical humanities to expand their understanding of how biosocial, medical, and ethical realities actively shape each other. Additionally, this course provides a historically grounded approach to thinking about the roles that race, gender, sexuality, geography, and other identity scripts have played in shaping healthcare — and the communities most affected by its failures and possibilities.
SMAC 30808  Love Yourz  (3 Credit Hours)  
What does it mean to love—deliberately, politically, rhythmically—under conditions of precarity, displacement, and exhaustion? How does love shape legislation, organize communities, and drive political movements? What does love do for the body? How does love structure who we eat with, grieve with, fight for, and tend to? This course positions love not as a private sentiment, but as both a research methodology and strategic form of political action. Drawing from Black studies, performance theory, feminist thought, and critical data studies, students will examine love across multiple analytic scales: from saved voicemails and lullabies to photographs tucked into wallets and letters never sent. Moving between the quantitative and the qualitative, the archive and the body, students will interrogate those critical gaps between ‘countable’ institutional metrics and the depths of our affective lives. In doing so, we might be able to build a world accountable to both.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature, WKIN - Core Integration  
SMAC 30900  Introduction to Gender Studies  (3 Credit Hours)  
This course provides students with an introduction to the interdisciplinary field of gender studies. It also serves as an introduction to gender itself—gender as identity, as a social/cultural formation, as a mode of self-expression, and as a critical lens through which to better understand the world. We will explore how gender is experienced, produced, and performed at the intersection of culture, politics, and the body, always in conjunction with other factors of power and difference such as race, nation, sexuality, dis/ability, and socioeconomic class. We will ask how institutions like government, work, and family interact with gender in the U.S. and in local contexts around the world. We will think critically about how ideology (systems of ideas and knowledge) and representation (portrayals in media, political discourse, and everyday life) shape our understanding of gender. The study of gender reaches into, across, and beyond academic disciplines. This course will explore how research on gender is done both within the interdisciplinary field of gender/women/sexuality studies and across many other fields, taking up debates and conversations about gender from history, sociology, anthropology, biology, literature, philosophy, political science, geography, and other disciplines that engage gender as a subject of knowledge.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
SMAC 30901  VCD: Advanced Topics: Foundry Field  (3 Credit Hours)  
This advanced topics course in visual communication design explores identity through the lens of design, community, history, and sport. The class will build on historical research conducted by students in the Baseball In America course in the fall of '22. The class will collaborate with the Centers for Social Concerns, Foundry Field (foundryfield.org), and community partners to examine the history of appropriation, representation, and access in sports and design. Students will implement participatory and co-creative design methods to understand how community involvement in the design process might stimulate dialogue, create a greater sense of community ownership, and empower local advocates in their work toward inclusion, representation, and access.
SMAC 30902  Youth Sports for Social Justice: Coaching, Mentoring, and Community Organization  (3 Credit Hours)  
This course engages students in an ongoing project to build an equitable and developmentally oriented youth sports system in South Bend, Chicago, and high poverty urban communities throughout the United States. The first part of the course will draw on the latest research in the sports sciences, developmental psychology, and education to identify the basic principles of youth sports coaching and mentoring. The students will receive preparation in identifying and responding to the chronic stress and trauma that affects a sizable proportion of the children they will be working with. The second part of the course will help students to continue to develop their coaching and mentoring competencies while studying generational child poverty in the Unites States.
SMAC 30903  Issues of Diversity in Young Adult Literature  (3 Credit Hours)  
In this course, we will challenge the single story/ies U.S. schools and curricula have told about books, characters, contemporary issues, and cultural groups by focusing on literature by and about people from various populations that have been traditionally underrepresented in the United States. We will discuss young adult literature from parallel cultures (including possible works by and about African Americans, Asian Americans, Latino/as, Native Americans, Middle Eastern Americans, and other ethnic groups), as well as literature by and about populations traditionally defined by class, ability, religion, gender and sexuality. Furthermore, this literature often tackles sensitive contemporary topics that are not typically and explicitly discussed in schools, such as racism and privilege, sexual assault, climate change, and the opioid crisis. Course participants will investigate theoretical perspectives, issues, and educational implications for these texts in society and in the educational system. As an extension of the course, we will also examine the young adult literature market and how contemporary media may reinforce or resist the stereotypes and single stories associated with these cultures.
Satisfies the following University Core Requirements: WKAL - Core Art & Literature  
SMAC 30904  Education, Schooling, and Society  (3 Credit Hours)  
The aim of the introductory course is to introduce some basic questions about the nature and goals of education, its history, and theoretical explanations of influences on learning, teaching, and schooling. We will incorporate both classic and current texts. The core course will incorporate several disciplinary perspectives.
Satisfies the following University Core Requirements: WKIN - Core Integration  
SMAC 30905  Recess Matters: Exploring Access to Play Through Community Coaching  (3 Credit Hours)  
In this course, students will engage with the critical developmental role of play in childhood and examine the inequities that affect access to play opportunities in diverse communities. This course integrates theoretical frameworks with hands-on community engagement, encouraging students to explore how play contributes to cognitive, socioemotional, physical and moral growth in children. Through readings, discussions, and case studies, students will critically examine social, economic, and cultural factors that limit access to play in various communities. Each student will partner with a local elementary school to coach recess activities for two hours each week. This practical experience will allow students to implement play strategies, observe dynamics in play, and directly engage with children in the community. Students will develop a research project analyzing the effects of their coaching experience on children's play and social interactions. Note: Students in this class must be available to coach recess one day per week between the hours of 10:30am and 12:30pm. Access to transportation is helpful but not required.
SMAC 30906  Gender and Popular Culture  (3 Credit Hours)  
This course will explore how popular culture, constructed through as well as against folk and high cultures, operates at the intersection of gender with race, class, sexuality, and nationality in the United States. Approaching gender and popular culture from a variety of theoretical and methodological perspectives, we will consider how culture in its commodified form has helped construct gendered identities, communities, and power structures in the United States. For example, we will examine how popular media texts may influence ideas about gender and how fans may transform and use mass culture texts for different purposes. Along the way, we will consider popular culture's ideological potential in relation to gender justice. Do negative representations harm the cause of women's and/or minority rights? What do the rise of the Internet and social media activism mean for the intersections of popular culture and social justice? Assignments include mini essays, a multimedia essay, and a final creative project accompanied by an analytical paper.
SMAC 30907  Fut(e)bol: A Cultural History of Soccer   (3 Credit Hours)  
O futebol, fútbol, football: The beautiful game, the people’s game, the world’s game. Soccer is the most popular sport on the globe, a massive, international corporate enterprise whose outlays—from player salaries to stadiums—make it by far the biggest business in sport. Soccer is also popular in the other sense, del pueblo, a game played around the world on the smallest pitches imaginable, with improvised nets, bare feet, and any reasonably kickable object standing in as a ball. If sport tells us something about who we are and offers a window into our historical reality, then the massive scope of soccer, perhaps, can tell us something about the world. On the eve of FIFA World Cup 26ä, when the world’s game will be centered in a country that has turned its back on globalization and where the United States, Mexico and Canada will be asked to work together in the name of internationalism, we will take up the modern history of soccer (fútbol, futebol) by focusing on its aesthetics, politics, economics, and interactions with society. Soccer is big enough to comprise the world’s dreams and its nightmares and we will consider its controversies head on: race, gender, class, labor, inequality and social violence will be in play. We’ll also take plenty of time to contemplate the sport as an aesthetic object, and its relations to art, poetry and music. Objects of study include literary and journalistic texts, academic research, and video (films, shows, clips, and so on). This course satisfies electives in both the Spanish major and the Sports, Media and Culture (SMAC) minor. The language of instruction is English. Spanish majors, or students of French or Portuguese, may conduct their assignments in the respective language. Interdisciplinary and comparative work is encouraged.
SMAC 30908  Introduction to Gender Studies  (3 Credit Hours)  
This course provides students with an introduction to the interdisciplinary field of gender studies. It also serves as an introduction to gender itself—gender as identity, as a social/cultural formation, as a mode of self-expression, and as a critical lens through which to better understand the world. We will explore how gender is experienced, produced, and performed at the intersection of culture, politics, and the body, always in conjunction with other factors of power and difference such as race, nation, sexuality, dis/ability, and socioeconomic class. We will ask how institutions like government, work, and family interact with gender in the U.S. and in local contexts around the world. We will think critically about how ideology (systems of ideas and knowledge) and representation (portrayals in media, political discourse, and everyday life) shape our understanding of gender. The study of gender reaches into, across, and beyond academic disciplines. This course will explore how research on gender is done both within the interdisciplinary field of gender/women/sexuality studies and across many other fields, taking up debates and conversations about gender from history, sociology, anthropology, biology, literature, philosophy, political science, geography, and other disciplines that engage gender as a subject of knowledge.
Satisfies the following University Core Requirements: WKSS - Core Social Science  
SMAC 30909  Youth in Comparative Contexts: School, Society, and Public Policy  (3 Credit Hours)  
This course takes youth as the central focus for investigations into schooling, society, and policy. Children and youth are often the object of international development programs and national policies that recognize the promise of youth when channeled toward productive ends and the problem of youth when familial, social supports and formal structures break down. Many of these programs and policies argue youth are “idle” and the solution is empowerment through hard work, education, self-improvement, and formal employment. Consequently, youth have received much attention from NGOs, governments, media, and local organizations–all aim to shape youth into their version of ideal, self-empowered adults. As a result, youth are confronted with different versions of who they can and should become, contributing to the already ambiguous nature of what it means to be youth and to become an adult. Throughout the course we will investigate the various ways in which youth are constructed as both the problem and the solution. We will also interrogate the various representations of youth in cross-cultural contexts, and how these representations shape experiences in the context of schooling, the role of youth in society, and in public policy in urban cities in the U.S. and in urban contexts across Africa.
SMAC 31740  Play Like a Champion Lab  (0 Credit Hours)  
This is the lab component for SMAC 30740, Play Like a Champion lecture. Students must take both the lecture and lab.
Corequisites: SMAC 30704  
SMAC 32301  Boxing in America Tutorial  (0 Credit Hours)  
This course is the tutorial section to SMAC 30301 Boxing in America course
Corequisites: SMAC 30301  
SMAC 34301  Britain and the Global Game  (3 Credit Hours)  
There is no other cultural practice more global than soccer. From its 19th century origins to the present day, the hold "the global game" has on billions of people is profound. Through everyday involvement in soccer, people define who they are as well as who they think others are. As "The Home of Football," Britain's relationship to the game is fundamental to its relationship with the rest of the world, and a thorough understanding of soccer history will serve students well while studying abroad in London.  The course begins with the codification of its rules by elites in the Victorian Era and comes of age during the Second Industrial Revolution as the game moved down the socio-economic scale, "from the classes to the masses." During the early 20th century, soccer also became a tool of "soft power" as it travelled to nearly every corner of the British Empire, and it factored into the formation of national identities during two world wars. With the game at its post-war peak, it then suffered a dramatic decline, culminating with its violent nadir in Thatcherite England. Finally, the course will look at the coming of the English Premier League, an era that has set the stage for the massively influential cultural export, perhaps "Britain's most durable export."
SMAC 34701  Ethics in Sports and Media  (3 Credit Hours)  
IT / Trinity College - Dublin, Ireland: Beginning with an overview of traditions of ethics, this module treats two key areas of applied ethics. Sport in contemporary society has been described both as an expression of the highest human and social values, and as a legally secured parallel world of the elite pursuit of victories and medals. On the one hand, as a sphere of physical self-realization, social formation and of moral training in fairness, it is seen as an area with standards of excellence that can be closely aligned to ethics. On the other hand, individual sport stars and the institutions of organized sport have been subject to multiple enquiries and critiques: for example, on doping, corruption, sponsorship, the power of mentors and child protection. The concluding element deals with some of the most pressing ethical issues in the media today, e.g. ''Fake news''.
SMAC 40101  Sports and Recreation  (3 Credit Hours)  
Sports and recreation are a huge part of American life. What we do for fun reflects who we are and what we aspire to be as individuals, as members of a group or subculture, and as a nation. Amusement parks, city parks, national parks, stadiums, and sports fields shape the built and natural world around us; sports media, outdoor recreation, and tourism represent billion-dollar industries and influence American politics and culture. Because sports and recreation foster community and identity, they also become sites of conflict. As a result, they provide a useful lens for examining major themes and questions integral to the field of American Studies. Just as Introduction to American Studies served as your gateway to the major, this seminar will be the culminating experience. Readings and assignments will explore research and scholarship examining sports and recreation in the context of American Studies as a field, and students will develop research projects on a topic of their own choice. Requirements will include seminar-style discussions of assigned readings, a final research project of 20-25 pages, and an oral presentation of that project in class, as well as some smaller writing assignments.
Satisfies the following University Core Requirements: WRIT - Writing Intensive  
SMAC 40102  Sport, Governance, and the Public Good: An Interdisciplinary Seminar  (1 Credit Hour)  
Modern sport is often framed as entertainment, but it functions as a powerful civic institution — one that shapes public health policy, cultural norms, media narratives, legal doctrine, and institutional trust. This interdisciplinary seminar uses sport as a case study in understanding how institutions act under uncertainty, confront moral failure, and pursue reform, integrating perspectives from medicine, public health, ethics, governance, law, sociology, and media studies. Students will analyze contemporary case studies in which scientific evidence, media amplification, legal pressure, cultural norms, and ethical responsibility intersect. The goal is not to litigate past controversies, but to interrogate institutional decision-making and explore how sport can either advance, or undermine, the public good.
SMAC 45901  Sports Media and Culture Internship  (1-3 Credit Hours)  
This is an academic internship. This is a collaboration between the Department of Film, Television, and Theatre and the Department of American Studies that will provide a unique professional experience to the right candidate. Must be an Sports, Media, and Culture minor.
SMAC 46920  Directed Readings  (3 Credit Hours)  
Directed reading taught by individual faculty members. Permission required.
SMAC 47909  Capstone  (1 Credit Hour)  
Capstone projects synthesize and reflect upon the student's work within the minor in some public-facing way. They ask students to contribute to public discourses on sports, media, and culture. Each student will plan and develop a project with the help of the director and a faculty or staff mentor. Capstone projects may build from a course, senior thesis, internship, research project, or service program, or they may be a separate project. Capstone projects should reflect the student's academic and professional interests, and may take a variety of forms such as a public poster presentation or talk, online digital humanities project, curated museum or library exhibit, print journalism, podcast, video, or the organization and introduction of public programming such as a panel discussion, film screening, or visiting speaker.